Abnegation dream (2018) by Vera BugattiInward National Observatory on Urban Creativity
Featuring both realism and symbolism, the portraits by Vera Bugatti strive to make us experience the deepest meaning of the people and of the objects she portrays.
Aut Aut (2019) by Vera BugattiInward National Observatory on Urban Creativity
Making real even the most fervent fantasy.
A Mamm’ ‘e Tutt’ ‘e Mamm’ (2017) by La Fille BerthaInward National Observatory on Urban Creativity
La Fille Bertha creates her worlds by using different matters and surfaces.
"Came in a Dream" (2015) by La Fille BerthaInward National Observatory on Urban Creativity
Her imagination features several female presences floating within a timeless dimension.
Madre Natura Romana (2018) by Alessandra CarloniInward National Observatory on Urban Creativity
Ships hovering in the sky, houses on impossibly tall trees and lighthouses on mountains.
Confini (2016) by Alessandra CarloniInward National Observatory on Urban Creativity
However, Alessandra Carloni's reality is no dream, even if it creates fantastic places to pleasantly lose one in.
Perpetua Lotta (2017) by Nicola Alessandrini e Gio PistoneInward National Observatory on Urban Creativity
Imagination takes a life on its own through the street art by Gio Pistone.
Stemma di Cotignola (2018) by Gio PistoneInward National Observatory on Urban Creativity
Featuring complex and fascinating creatures.
L'Animale (2016) by Ale SensoInward National Observatory on Urban Creativity
Ale Senso gains inspiration also from artists such as Hayao Miyazaki.
Popolarità Arcaica (2018) by Ale SensoInward National Observatory on Urban Creativity
This artist gives life to an imaginary framework rife with surreal characters and situations, ushering viewers within such a world.
The stranded marmeid (2018) by Kiki SkipiInward National Observatory on Urban Creativity
The art by Kiki Skipi pushes everyone's spirituality to the surface, by using refined and fragile illustrations.
Non siamo principesse, siamo eroine di noi stesse (2018) by Kiki SkipiInward National Observatory on Urban Creativity
This artist creates a message that is able to reach everyone, especially women, as they are the main subject of her artistic creations.
Le chimere possibili (2017) by Camilla FalsiniInward National Observatory on Urban Creativity
The works of art by Camilla Falsini tell us about enchanted, childish worlds.
Essere altro (2018) by Camilla FalsiniInward National Observatory on Urban Creativity
A rarefied, although well-grounded way to present the ral world to those living it every day.
La Danseuse (2019) by Coquelicot MafilleInward National Observatory on Urban Creativity
Street art turns into an elegant embroidery into Coquelicot Mafille's expert hands.
Siamo Specchi (2017) by Coquelicot MafilleInward National Observatory on Urban Creativity
She weaves stories, persons and places together.
Senza titolo (2018) by NoeyesInward National Observatory on Urban Creativity
By using simple and linear, but never stale forms.
360° (2017) by NoeyesInward National Observatory on Urban Creativity
Noeyes is able to create juxtapositions and suggestions.
Natural BEAT (2018) by MariaInward National Observatory on Urban Creativity
Truthfulness and expressiveness: Maria's works investigate, with great sensitivity, the soul of all those she portrays.
Jack Piragna >>> borntobechamp (2017) by MariaInward National Observatory on Urban Creativity
Discovering her works will bring us inside the personality of everyone.
Wild (2017) by Teresa SarnoInward National Observatory on Urban Creativity
Using simple and direct shapes and colors, Teresa Sarno reveals the whole of the female world.
L’abbraccio (2018) by Teresa SarnoInward National Observatory on Urban Creativity
Including those worries each woman hides in her day-to-day life.
Gorgia da Lentini (2018) by Marta LorenzonInward National Observatory on Urban Creativity
Delicate, dreamlike and spontaneous.
Cuscini (2019) by Marta LorenzonInward National Observatory on Urban Creativity
The street art by Marta Lorenzon features an elegant figural style, it is never invasive and it is in full harmony