Flower base of the 20th of July of 1810 (1780) by Fábrica del Buen RetiroMuseo de la Independencia Casa del Florero
Although there is no consensus among historians as to whether this object is a bouquet or if it is the base of what could have been a vase, it has become the symbol on which the story of the Independence of Colombia was based.
It is a porcelain piece that contains different decorative elements, such as the date palm.
Flower base of the 20th of July of 1810 (1780) by Fábrica del Buen RetiroMuseo de la Independencia Casa del Florero
The Syrian rose, located at the bottom of the piece.
And the Solano, a climbing species that could be found in the Iberian Peninsula.
Flower base of the 20th of July of 1810 (1780) by Fábrica del Buen RetiroMuseo de la Independencia Casa del Florero
Some iconographic elements typical of this type of object also stand out, especially in the royal coat of arms.
The upper part is topped by the crown. It shows a meticulous decoration, probably made of precious stones.
Flower base of the 20th of July of 1810 (1780) by Fábrica del Buen RetiroMuseo de la Independencia Casa del Florero
The coat of arms is composed of five quarters containing the gold arms of the peninsular kingdoms of Castile, Leon and Granada.
The faces of the shields are located between some rocks where a snake protrudes.
Flower base of the 20th of July of 1810 (1780) by Fábrica del Buen RetiroMuseo de la Independencia Casa del Florero
In the center of the shield, there are three gold fleurs-de-lis on an azure field. Although this is a symbol of the House of Bourbon, its presence seems to indicate that the vase comes from the Royal Factory of Buen Retiro, founded in Madrid by Charles III in 1759.
Finally, at the bottom is the Golden Fleece, an insignia awarded since 1504 to all Spanish monarchs. It is a necklace of intertwined blue and red links ending in a golden lamb.
Flower base of the 20th of July of 1810 (1780) by Fábrica del Buen RetiroMuseo de la Independencia Casa del Florero
Museum Director
Elvira Pinzón
Curation
Luis Felipe Núñez Martínez
Communications
Camila López
Valentina Bastidas
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