Order in Disorder

The three exhibitions dialogue by appealing both to knowledge and to the world of sensitivity, in an ordered installation containing a certain amount of disorder, like an aesthetic entropy that achieves a new order.

Concentrics - LILIANA ITURRIAGA
The nature of the geometric, essentially numerical but also descriptive, despite the certainty, holds an enigma within.

In this search process, Liliana Iturriaga has decided to go beyond the usual conventions of kineticism and geometry, to put them to the test, to push the possibilities of their use to the extreme, until reaching their complete dissolution.

The visual form reproduces the order of nature, proposing an autonomous, but at the same time relative, generic organization; considering its own axis and a constant drive.

The linear tension caused by the sinuosity enables expansion but, at the same time, contains it through the weft, accentuating the internal tension of opposing forces, between what tries to leave and what tends to stay around the center.

The circular shapes try to maintain their prevalence, while the lines overlap and release, generating a movement that is no longer sufficient for itself, but always tries to escape, this way or another.

​Fragments of pentagones - MIGUEL ANGEL GIOVANETTI
For a decade, artist Miguel Ángel Giovanetti has placed the pentagon at the center of his geometric abstraction work, giving it freedom of movement with different compositional and technical points of view.

In his most recent works, this regular polygon seems to explode with the force of the Big Bang, throwing multiple fragments into space, which acquire the importance of autonomous units made up of groups of parallel straight lines of varied chromaticism and harmonious rhythms.

Movement prevails in these works by proposing specific directions and is increased in videos through fragments which perform virtual rotations; those, in turn, play with the possibility of completeness, unfolded or condensed. Each image is linked, then, with past and future moments starting from an event of expansive lines and colors.

Atomspheres and Enthropy - CATALINA CHERVÍN
Catalina's works depart from a minimal sign, an elementary particle, a mark left by her pen, rotring pen, or nib so that, like a demiurge, she begins to build an extraordinary, ethereal and subtle world.

It is a message where that minimum sign is the word, applied to an archaic, simple and described surface, such as those of the papers chosen by Catalina Chervín for each of her works, a universe of whimsical and seductive fibers receiving the signs of her message.

The works become included in a context and surrounded by an aura, creating a here and now. The viewer can move and decide about the time of reception; it is a space where they can make their choices freely, manifesting the relativism of their point of view, thus understanding the message of the work through geometry, mathematics, algorithms but also through sensibility, crossing atmospheres of color which lead them to diverse worlds.