Through his technical innovation, Muybridge not only beautifully photographed many captivating sceneries, but also advanced landscape photography to the next level. Find out how Muybridge presented his innovation in landscape photographs.
'Helios', Flying Studio
Eadweard Muybridge (1830-1904) is best known for his pioneering work on motion studies and moving image projection. Further to such remarkable achievement, Muybridge also produced amazing landscape photographs using many ingenious techniques. When Muybridge returned to San Francisco in 1866 following his recuperation from the stagecoach accident, he became a professional photographer and called his mobile studio, consisting of a horse-drawn vehicle containing his equipment, ‘Helios’ (Sun in Greek mythology).
Muybridge travelled across America and took stunning photographs of nature and people. Pictures of Yosemite which Muybridge took in 1872 are great examples of his artistry. Muybridge immaculately photographed the picturesque wildness of mountains, waterfalls, rocks and tree, and these images won him the Gold Medal at the Vienna International Exhibition.
Group of Indians and Traders in an Alskan Indian Village (1868) by Eadweard MuybridgeKingston Museum
In 1868, Muybridge was commissioned by the US government to record America's newest territory Alaska which had been bought from Russia a year earlier. Muybridge produced fascinating images of unspoiled nature, civilian buildings and native people.
Two indian women with a baby (1875) by Eadweard MuybridgeKingston Museum
Two Indian women with a baby (c. 1868)
Point lookout Yosemite (1872) by Eadweard MuybridgeKingston Museum
Point lookout Yosemite (1872)
Yosemite Studies (1872) by Eadweard MuybridgeKingston Museum
Yosemite Studies, Valley of the Yosemite (1872)
Central America
Muybridge also photographed the newly built transcontinental railroad, as well as urban and rural scenes in Panama and Guatemala, capturing coffee plantations, ruins and new buildings.
Peasant family before its hut (1875) by Eadweard MuybridgeKingston Museum
A peasant family before its hut, Guatemala (1875)
Indian Church. Santa Maria, Guatemala (1875) by Eadweard MuybridgeKingston Museum
Indian Church, Santa Maria, Guatemala (1875)
Man riding a horse with barrell panniers (1875) by Eadweard MuybridgeKingston Museum
Man riding a horse with water barrels panniers, Panama (1875)
Barefoot soldiers (1875) by Eadweard MuybridgeKingston Museum
Barefoot soldiers armed with ex-US Civil War Enfeld 577 rifles, Guatemala (1875)
Perfect Sky
In 1869, Muybridge invented a camera device ‘sky shade’ which allowed him to take various exposures on a single plate so the sky wouldn’t look overexposed. Also, Muybridge superimposed a separate images of clouds and the moon onto his photographs, similar to modern-day image editing software, in order to achieve more dramatic images.
Cemetery, City of Guatemala (1875) by Eadweard MuybridgeKingston Museum
Cemetery, City of Guatemala (1875)
Cemetery, City of Guatemala (1875) by Eadweard MuybridgeKingston Museum
Cemetery, City of Guatemala, with superimposed clouds (1875)
Running herd (1878-79) by Eadweard MuybridgeKingston Museum
Running herd of horses, with superimposed clouds (1878-79)
San Francisco Panorama
One of the Muybridge’s most famous landscape photographs is a panoramic view of San Francisco. In 1878, he took 13 photographs side by side and produced an over 17 foot-long photograph which showed a 360 degree view of the city in great detail. Each photograph was printed onto albumen paper from a mammoth (24x20 inch) wet collodion glass plate negative. It was a remarkable achievement which demonstrates Muybridge’s advanced technical ability.
San Francisco panorama (1878) by Eadweard MuybridgeKingston Museum
San Francisco Panorama (1878).
13 plates of photographs showing a 360 degree view of San Francisco in great detail
San Francisco panorama (1878)
Plate 3, showing the infamous 'Crocker spite fence' in the middle ground
San Francisco panorama (1878)
Plate5, showing Alcatraz Island in the background
San Francisco panorama (1878)
Plate7. Longer shadows in the scene prove this image was re-taken later.
Story prepared by Seoyoung Kim, Curator at Kingston Museum, with the Eadweard Muybridge Collection of Kingston Museum.
Kingston Heritage Service