Coloring the Past

In this exhibit we showcase images re-colorized from photographs of black and white era, using Google's machine-learning based coloring tool.

AmbikapathyRoja Muthiah Research Library

There were primarily three trends that dominated the black white era of Tamil cinema. The mythologicals and period films like Ambikapathi and Haridas, Nationalistic cinema like Thyagabhumi, and Chandramohana, and Dravdian cinema like Velaikari and Nallathambi which reflected the struggles of the working class.

Ambikapathy (Colourised Film Still)Roja Muthiah Research Library

Colors for the black and white images have been chosen using few reference images available in the early cinema periodicals and also based upon the scene.

HaridosRoja Muthiah Research Library

Haridas (1944) was one of the most successful film of M.K. Thyagaraja Bagavathar. The scene was from a song sequence.

Haridoss (Colourised Film Still)Roja Muthiah Research Library

The early mythological movies used bright colored backdrops and costumes which was a continued tradition from drama culture. Green, blue and maroon dominated the color schemes.

Mannadhi MannanRoja Muthiah Research Library

Mannadhi Mannan is 1960 movie. Here MGR exhibits the swashbuckler costumes, which is an influence from the western movies.

Mannadhi Mannan (Colourised Film Still)Roja Muthiah Research Library

The heroine is a princess and we gave bright red colored for her dress. MGR's dress was inspired by Robin hood and we gave similar color to his costume

ChandramohanaRoja Muthiah Research Library

Few movies in 1930s came out with nationalist ideas such as Chandramohana and Thyagabhoomi.

Chandramohana (Colourised Film Still)Roja Muthiah Research Library

In this still we portrayed Mother India in red, the usual way of her portrayal, and for the hero and heroine light colors were given as they were wearing khadi dresses.

ThyagabhoomiRoja Muthiah Research Library

Thyaga Bhoomi is a 1939 film with nationalist theme.

Thyagabhoomi (Colourised Film Still)Roja Muthiah Research Library

This scene depicts three characters of the movie. The male wearing simple white clothes. Colors for the women is given to portray as she is from a wealthy family.

VelaikariRoja Muthiah Research Library

Velaikaari (Housemaid), written by former CM Anna Durai, is a 1949 movie, which comes with Dravidian ideologies.

Velaikaari (Colourised Film Still)Roja Muthiah Research Library

Here we can see two female characters, one from elite class and another from working class. Colors for their costumes were given accordingly to differentiate this.

Manampol MangalyamRoja Muthiah Research Library

Manapol Mangalyam (Colourised Film Still)Roja Muthiah Research Library

This scene of a 1953 movie captures the hospital setting, showing two middle class people. This can be inferred by the costumes of the actor. Sobre colors are used to visualize this scene in color.

RajathiRoja Muthiah Research Library

Rajathi (Colourised Film Still)Roja Muthiah Research Library

This movie which released in 1967 shows a working class's house and people with very simple costumes.

Vaalkai, From the collection of: Roja Muthiah Research Library
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Vaalkai (Colourised Film Still), From the collection of: Roja Muthiah Research Library
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This scene from the movie Vaalkai (1949) clearly portrays the house and people from the urban elite. Bright sizzling colors are used for heroine's costume. Regular colors for suits and safari are used.

Ulagam, From the collection of: Roja Muthiah Research Library
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Ulagam (Colourised Film Still), From the collection of: Roja Muthiah Research Library
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Lead actor in this scene sports a night dress, which shows that they are from urban elite. Colors have been chosen accordingly.

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The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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