A note from the Collector
The pandemic is raging, and overturning everything we took for granted so far.
Works of art, paintings and sculptures need their viewers.
Painters need to paint, but they also need a sense that there is interest in their work, in the here and now.
Closely observing a painting on a digital platform is an alternative reality.
We are aware, however, that digital content will never replace the live, in-person experience of standing before a work of art, seeing it exposed, and then looking at it.
Each country needs - and therefore has - its own art, because it has its own history, its own traditions, its own customs, its own geography and its own climate.
Audiences could see that as they look at a work of art.
The painters of the collection are masters of remarkable talent, whose work, however, has rarely been exhibited in European museums.
The paintings of the collection are - in my view - an insightful portrayal of several aspects of the cultural condition of our era, which is, naturally, engaged in dialogue with history.
The collection is my gaze.
A selection of artworks from the collection that function autonomously and tell us, each in its own way, that painting remains a space of dreams and transcendence.
The works of the collection move along the indefinite boundary between the familiar and the unfamiliar, the real and the imagined, melancholy and euphoria.
Everything I say - when given the opportunity or when asked - about the collection could well be "excerpts" of a stand up comedy on my own life.
Sotiris Felios
Summer (1999) by Yannis MoralisThe Sotiris Felios Collection
Yannis Moralis
Summer
1999
Yannis Moralis is a pioneer of the stylised pictorial rendition of the human body, succeeds in imbuing his highly sensual female nudes with eroticism.
Blue Alexandra (2005-2006) by Giorgos RorrisThe Sotiris Felios Collection
Giorgos Rorris
Blue Alexandra
2005-2006
Giorgos Rorris narrates, in a personal tone, staged images in an indoor space. His art is not limited to mere description, but challenges the viewer with what can be understood, beyond the aesthetics of the image.
Myrto in Striped Dress (2004) by Stefanos DaskalakisThe Sotiris Felios Collection
Stefanos Daskalakis
Stefanos Daskalakis expresses, through an intensely painterly style, anthropocentric themes infused with a prevalent sensuous atmosphere with a strong sense of mysticism and otherworldliness.
George Lappas
Chinese Puppet Player
1998
George Lappas’ artistic practice has as a starting point the idiosyncrasy of a traveller. His trajectory has no boundaries, geographic or cultural; in similar fashion his resulting artistic creations transcend sensory reality.
The Sculptor Alberto Giacometti (2003) by Chronis BotsoglouThe Sotiris Felios Collection
Chronis Botsoglou
Chronis Botsoglou has created a series of paintings of imaginary portraits of 19th and 20th century artists who have played a significant role in shaping his artistic awareness.
Beyond the artworks' illustrative definitions, the paintings also contain aspects of the inner world and the psyche of the artists.
Offering (1998) by Christos BokorosThe Sotiris Felios Collection
Christos Bokoros
Offering
1998
Christos Bokoros paintings radiate an atmosphere of devoutness and intense sanctity.
They often include hidden symbolisms and conceptual references both in terms of his choice of subject and the way it is conveyed in such “magnificence of sparsity”.
© 2021 The Sotiris Felios Collection. All rights reserved.
Art Direction
Daphne Politi
Cover image
Christos Bokoros, Folded Towel, 1991-1992.
Captions
The captions accompanying each image have been previously featured in catalogues of the collection or essays found in felioscollection.gr.
Photographs of the artworks
Leonidas Dimakopoulos
Christos Simatos
Studio Vaharidis
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