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Identity and culture in "A Lenda do Negrinho do Pastoreio"

Reading one of our most popular legends through the eyes of painter Aldo Locatelli

O Estancieiro (1951/1955) by Aldo LocatelliPiratini Palace

A Southern Legend

"Negrinho do Pastoreio" is a well-known  folk legend in southern Brazil. Of African and Christian origin, it emerged in the mid-19th century and tells the story of an enslaved boy who suffers from the punishment of his master and receives a miracle from Our Lady.

Mil Onças de Ouro (1951/1955) by Aldo LocatelliPiratini Palace

In 18 murals, Aldo Locatelli portrayed the legend. The murals can be found in the main hall named "Negrinho do Pastoreio" Hall.

Negrinho no Chão (1951/1955) by Aldo LocatelliPiratini Palace

Like most popular stories, the legend of the shepherd boy has several versions. Locatelli's murals fascinate for their expressiveness and richness of colors that convey the feelings that the story provokes.

Negrinho repreendido (1951/1955) by Aldo LocatelliPiratini Palace

The boy is being beaten by a man who holds him by the neck with one hand and the other is suspended in the air. Behind the boy another figure appears and moves towards the two. In the background there is a fence and animals.

Negrinho Insultado (1951/1955) by Aldo LocatelliPiratini Palace

On the left side, we see a man, dressed in a gaucho costume, holding a boy, who appears to be struggling, with one leg stretched out in front of him. On the left is an enslaved boy pulling a horse by the reins.

Cumprimento de mãos (1951/1955) by Aldo LocatelliPiratini Palace

In the center, two male figures dressed in gaucho costumes, shake hands. In the center, as if dividing the painting, appears the trunk of a tree. On the left, a male figure appears stroking a horse.   

Corrida de Cavalos (1951/1955) by Aldo LocatelliPiratini Palace

Mural that summarizes the legend, representing a horse race. In the center, a light-haired horse appears, ridden by the "Negrinho do pastoreio", and behind, another gray horse, mounted by a male figure, both in a running position.

Cavalo Assustado (1951/1955) by Aldo LocatelliPiratini Palace

The boy rides a horse that has its front legs raised, in an unruly attitude. Behind, another rider continues to run. On the left side, a male figure, with his back turned, wearing a poncho, points to the two knights.

O Vencedor (1951/1955) by Aldo LocatelliPiratini Palace

Mural depicting the farmer's defeat in the horse race. As the legend tells us, the shepherd boy ends up losing the race that his lord bet on, which makes him furious.

Partilha com os Pobres (1951/1955) by Aldo LocatelliPiratini Palace

The neighboring farmer, who had his victory, shares with the people of the region the thousand ounces of gold. Amount that was staked.

Surra de Relho (1951/1955) by Aldo LocatelliPiratini Palace

After losing the race the boy is harshly punished by his lord. Which in addition to whipping him forces him to herd 30 of his best horses.   

Devoção (1951/1955) by Aldo LocatelliPiratini Palace

Frightened and fearing further punishment, the boy lights a candle to Our Lady and asks Heaven for help in the task.

Caminho iluminado (1951/1955) by Aldo LocatelliPiratini Palace

Carrying the candle stump that was on the virgin's altar, the boy leaves to carry out his task of herding the horses. As the candle melts, the wax forms points of light that help to light the way.   

O Negrinho Adormece (1951/1955) by Aldo LocatelliPiratini Palace

Exhausted by the arduous task, the boy lies down on the grass and ends up falling into a deep sleep.

Filho rechaça cavalos (1951/1955) by Aldo LocatelliPiratini Palace

The farmer's son, taking the opportunity, frightens  the already assembled horses. He does this knowing that he will do the boy great harm.

Negrinho no Formigueiro (1951/1955) by Aldo LocatelliPiratini Palace

Blinded by evil, the farmer whips the boy to the end of his strength and orders him to place his body, almost lifeless, next to an anthill so that the ants can devour him. A few days later he returns to certify the completion of his act.

Aparição de Nossa Senhora (1951/1955) by Aldo LocatelliPiratini Palace

To his total astonishment and regret, he finds the boy sitting next to our lady, surrounded by heavenly light.

Elevação do Negrinho (1951/1955) by Aldo LocatelliPiratini Palace

In a final act, the boy ascends to heaven on horseback. A story that moves us and makes us reflect.

Credits: Story

Piratini Palace - Conservation and memory Piratini Palace 
Directed by:  Mateus Gomes

Editing: Mateus Gomes; Willian Caetano

Photography: Fernando Bueno - Piratini Palace Collection 
Technical reference: OLIVEIRA, Luciana da Costa. O Rio Grande do Sul de Aldo Locatelli : arte, historiografia e memória regional nos murais do Palácio Piratini. 2011. 270 f. Dissertação (Mestrado em História) - Pontifícia Universidade Católica do Rio Grande do Sul, Porto Alegre, 2011.
Texts: William Caetano

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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