The Slave Market (ca 1873-1875) by Gyzis NikolaosNational Gallery of Greece - Alexandros Soutsos Museum

Orientalism, the nostalgia for the Orient, the cult of the exotic and extravagant, is part of the pathology of Romanticism. The Orient excited the artists’ imagination and fired their passions.

Middle Easterner with Pipe (ca 1873) by Gyzis NikolaosNational Gallery of Greece - Alexandros Soutsos Museum

In addition to Delacroix, who was inspired in many paintings by the Orient, a large number of French academic romanticism painters specialized in oriental subject matter. German Orientalism, although it lacked French ebullience, had similar characteristics.

Funeral Flowers (1901) by Lytras NikephorosNational Gallery of Greece - Alexandros Soutsos Museum

The joint trip of Nikephoros Lytras and Nikolaos Gysis to Asia Minor in 1872 took the character of a return to roots.

Turkish Woman at Coffee Time by Savvidis SymeonNational Gallery of Greece - Alexandros Soutsos Museum

Symeon Savvidis (1859 - 1927), who actually came from Asia Minor, painted orientalist scenes, inspired by his repeated trips to his fatherland, in which he captures the atmosphere, the light and the profuse color of the Orient.

Awaiting, Lytras Nikephoros, ca 1895 - 1900, From the collection of: National Gallery of Greece - Alexandros Soutsos Museum
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Turkish Woman with Hookah, Savvidis Symeon, 1899, From the collection of: National Gallery of Greece - Alexandros Soutsos Museum
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It is of course difficult to draw a clear line between Greek genre painting and Orientalism, as the scenes of everyday life in Greece hadas their natural décor the context of a countryside life, which still bore a strong oriental flavor. 

The Booty, Rallis Theodoros, before 1906, From the collection of: National Gallery of Greece - Alexandros Soutsos Museum
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Church Interior, Rallis Theodoros, From the collection of: National Gallery of Greece - Alexandros Soutsos Museum
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Theodoros Rallis (1852 - 1909), a pupil of the French orientalist Jean-Leon Gérôme (1824 - 1904), is the most genuine Greek orientalist. He had a dual vantage point: as a Greek, he explored Greek orientalist subjects with a greater understanding but at the same time he couldn’t help seeing them like an academic painter of the French School.

Credits: Story

Texts: Marina Lampraki-Plaka, Professor Emeritus of the History of Art, ex-Director, National Gallery - Alexandros Soutsos Museum, Athens 
Project leader: Efi Agathonikou, Head of Collections Department,  National Gallery - Alexandros Soutsos Museum, Athens
Images: Stavros Psiroukis & Thalia Kimpari, Photographic Studio,  National Gallery - Alexandros Soutsos Museum, Athens
Digital curation: Dr. Alexandros Teneketzis, Art Historian & Marina Tomazani, Art Historian, Curator, National Gallery - Alexandros  Soutsos Museum 

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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