Disclaimer: The artworks presented here are speculative visualisations generated using AI. They are based on current insights and expert forecasts, but they represent imagined possibilities rather than definitive predictions of the future. The stories, artworks, and locations mentioned in them should be understood as creative interpretations rather than factual representations of real-world scenarios.
Beyond human limits (2024) by Ayaz BasraiWisdom & Culture lab, University of Waterloo
At Futurescape, a research project, we explored the future of human welfare through a forecasting tournament. We gathered insights from experts, superforecasters, and the public, addressing key global domains: Climate, Economy, Peace/War, and Public Health.
3D military tanks (2024) by Ayaz BasraiWisdom & Culture lab, University of Waterloo
As part of this research, we spoke with the forecaster Peter Stamp, who challenged the excitement surrounding 3D printing, highlighting serious concerns about copyright, authorship, and security. He noted:
"While it's already a significant problem, I fear it will become even larger. One day, biopathogens will be available to anyone. You can print guns with a 3D printer. Most of it can be made of plastic, with only a few metal parts. If you can download the product design from the Internet and have your printer produce a gun, that's not good. It's becoming too easy to do harm to others—even remotely, over the Internet."
Bio labs in space (2024) by Ayaz BasraiWisdom & Culture lab, University of Waterloo
Inspired by Peter’s insight, artist Ayaz Basrai envisioned a world where additive manufacturing operates beyond traditional constraints, with startups in low Earth orbit bypassing planetary jurisdiction and gravity.
“My work envisions a future where widespread access to additive manufacturing becomes the prevailing norm, pushing this technology to its logical—and potentially extreme—limits.”, Ayaz shared.
Nanoprinted futures (2024) by Ayaz BasraiWisdom & Culture lab, University of Waterloo
3D printing or additive manufacturing in the late 2020s played some role in almost every industry, from high-performance medical applications to the conservation and architecture fields. The technology and processes were deployed from the smallest nano-scales to massive terraforming projects.
Future runners (2024) by Ayaz BasraiWisdom & Culture lab, University of Waterloo
Two major events in the US pushed additive manufacturing to new heights. The first, the Prosthesis Endurance Challenge in Los Angeles 2045, featured a biohacking marathon with 3D printing factories creating man-machine hybrid runners, showcasing the future of bio-enhanced endurance.
The future of prosthetics (2024) by Ayaz BasraiWisdom & Culture lab, University of Waterloo
The second event in San Francisco featured custom prostheses for firefighters and first responders, granting them superhuman abilities. Volunteers who had lost limbs in service received custom-fitted additive limbs, becoming invaluable assets to their teams in emergency situations.
Off-planet 3D printing factory hub (2024) by Ayaz BasraiWisdom & Culture lab, University of Waterloo
As use cases expanded, ambitious startups began to emerge, harnessing the potential of low Earth orbit. Specializing in high-quality fibre optics, these ventures capitalized on microgravity to enable 3D bioprinting of tissues and organs with greater precision.
Delivery drones from offplanet manufacturing hub (2024) by Ayaz BasraiWisdom & Culture lab, University of Waterloo
Space-printed metals and alloys boasted fewer defects and more uniform compositions.
Military tank 3D printing facility (2024) by Ayaz BasraiWisdom & Culture lab, University of Waterloo
The military became the largest spender on 3D printing technology, pushing its scale and scope to new extremes. The first generation of fully operational, zero-supply-chain tanks was produced, with metal and ABS parts being printed simultaneously on the factory floor.
Hobby tank printed over base model (2024) by Ayaz BasraiWisdom & Culture lab, University of Waterloo
With 3D printing technology now widely available, a hacker in Texas accessed the print files and created his own modified tank, adding aerodynamic features to the base model. While he currently uses it for seeding fields, its future applications remain uncertain.
Man meets machine (2024) by Ayaz BasraiWisdom & Culture lab, University of Waterloo
Does this make you curious about what the future holds? Head over to the Futurescape website to dive into more forecasted scenarios and challenge your understanding of past trends for societal change with our interactive game.
This exhibit is part of Futurescape, a project from the Wisdom and Culture Lab at the University of Waterloo, in collaboration with scholars from the Forecasting Research Institute at the University of Pennsylvania. Through a longitudinal forecasting tournament, researchers explored possible visions for human welfare and societal change, drawing on the insights of experts, superforecasters, and everyday people across four key domains: Climate, Economy, Peace/ War, and Public Health.
This project has inspired an innovative digital exhibition, Visions of the Future, which brings together the fields of forecasting, art, and technology.
Exhibit Curation: Project FUEL and Igor Grossmann
Artist: Ayaz Basrai
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