Friends and collaborators, Athos Bulcão (1918-2008) and João Filgueiras Lima (1932-2014), known as Lelé, developed over the years as artists and architects a fruitful partnership in which art is fully integrated into architecture.
Painel de azulejos, residência particular, Brasília - DF (1971) by Athos BulcãoFundação Athos Bulcão
Lelé
João Filgueiras Lima, also known as Lelé, was a Brazilian architect whose work was characterized by a search for rationalization and industrialization of architecture. In his projects plastic expression has always been integrated with technological solutions.
Painel de azulejos, residência particular, Brasília - DF (1971) by Athos BulcãoFundação Athos Bulcão
Architecture
“Integration occurs to the extent that the art proposed by Athos meets the requirements of the architectural project. And all of Athos' work reflects this interference...”
Relevo em concreto, Auditório Brasília, Dataprev, Brasília - DF (1972)Fundação Athos Bulcão
Mastery of color
"...In my case, during the 50 years I had the opportunity to work with him, I learned many things, including a mastery of color, innate in Athos."
João Filgueiras Lima, Lelé
Painel de azulejos, Edifício Camargo Corrêa, Cobertura, SCS, Brasília - DF (1975)Fundação Athos Bulcão
Painel de azulejos, Edifício Camargo Corrêa, Cobertura, SCS, Brasília - DF (1975)Fundação Athos Bulcão
Estudo da cor dos brises em fibra de vidro pintados na cor laranja, Edifício Morro Vermelho, SCS, Brasília - DF (1975)Fundação Athos Bulcão
Blinds
On the facades of the Camargo Correia and Morro Vermelho buildings, in Brasília's Southern Commercial Sector, Athos Bulcão was responsible for a study of the colors of the blinds.
Works in Salvador:
Intervenção em madeira, vidro colorido e ferro, Igreja da Ascensão do Senhor, Salvador - BA (1975)Fundação Athos Bulcão
Projects all over Brazil
Most of Lelé's works can be found in Brasilia and the northeast region of the country...
Studies Study for stained glass. Holy Cross of Alagados Church, Salvador - BA. Architect: João Filgueiras Lima (1982) by Athos BulcãoFundação Athos Bulcão
Janela em vidro colorido e ferro, Igreja Santa Cruz dos Alagados, Salvador - BA (1980)Fundação Athos Bulcão
... especially Salvador, where Athos created works of art for various buildings, such as the stained glass windows for two churches designed by the architect and the tile panels for a bus terminal.
Painel de azulejos, Estação de Transbordo da Lapa, Salvador - BA (1981)Fundação Athos Bulcão
Rede SARAH
Muro vazado, argamassa armada, Rede Sarah de Hospitais de Reabilitação, Asa Sul, Brasília - DF (1989)Fundação Athos Bulcão
SARAH Network
The SARAH Network of Hospitals, created in Brasilia, is a network of Brazilian hospital units dedicated to the rehabilitation of victims of multiple traumas and locomotor problems.
Painel de azulejos, Espera Radiologia e jardim, Rede Sarah de Hospitais de Reabilitação, Asa Sul, Brasília - DF (1981)Fundação Athos Bulcão
National partnership
Lelé was responsible for the design and construction of new hospital units, such as the headquarters at Lago Norte, in Brasilia, and in cities such as São Luis, Salvador, Belo Horizonte and Fortaleza, always in partnership with Athos.
Painel de azulejos, Espera Radiologia e jardim, Rede Sarah de Hospitais de Reabilitação, Asa Sul, Brasília - DF (1981)Fundação Athos Bulcão
Industrial language
“E These projects have a constant integration by Athos in the doors, in repetitive elements, that is, the art of Athos is also incorporated in industrial language, hence the amount of repetition. Athos tiles follow this same production line. "
Lelé
Divisória, treliça de ferro pintado, Rede Sarah de Hospitais de Reabilitação, salvador - BA (1993)Fundação Athos Bulcão
Construction technology
"If the network's first hospital, built in Brasilia, is already a jewel of Brazilian architecture, with a design by Glauco Campello, its expansion is, in the projects by João Filgueiras Lima, a complete program of construction technology... "
Painel de azulejos, Rede Sarah de Hospitais de Reabilitação, São Luís – MA (1985)Fundação Athos Bulcão
Form & Art
“...Highly specialized coupled with modern form and art, even extending to hospital equipment design.”
Paulo Sérgio Duarte
Studies Study for partition in painted Wood. Sarah Network of Rehabilitation Hospitals, Brasília - DF. Architect: João Filgueiras Lima (1967) by Athos BulcãoFundação Athos Bulcão
Painel de azulejos, Rede Sarah de Hospitais de Reabilitação, São Luís – MA (1985)Fundação Athos Bulcão
Painel em madeira pintada, Creche, Rede Sarah de Hospitais de Reabilitação, Lago Norte, Brasília - DF (1999)Fundação Athos Bulcão
“Mafuá”, relevos em madeira pintada, Rede Sarah de Hospitais de Reabilitação, Asa Sul, Brasília - DF (1997)Fundação Athos Bulcão
Curious reliefs
"Although playfulness marks many of Athos Bulcão's works, it is in the Rede Sarah that this characteristic found room to expand and multiply. From the amusements of his childhood and curious animals in nature, the artist draws inspiration for his many "puzzles" ...”
“Mafuá”, relevos em madeira pintada, Rede Sarah Brasília, Brasília - DF (1997)Fundação Athos Bulcão
Squids and Mafunas
“ ... And from the harmonious combination of form and colour emerge the Squids, the Mafunas and many other reliefs, sometimes more serious, sometimes more visually provocative".
Neusa Cavalcante
Squid (1999) by Athos BulcãoFundação Athos Bulcão
Collective attention
"It's also very gratifying to know that this is a hospital, a school. It's nice to work on public bulidings.... "
“Lula”, relevo, madeira pintada, Rede Sarah de Hospitais de Reabilitação, Asa Sul, Brasília - DF (1997)Fundação Athos Bulcão
Playfulness and affection
"...At the Rede Sarah, I had some creatures placed along the halls that were made with children in mind. Children stay there for months. When they pass by to sunbathe, they see something light, they like it, it creates an affective relationship. It's very good.”
Athos Bulcão
Court of Auditors
Relevo em concreto, jardim de ambientação, Tribunal de Contas do Estado do Sergipe, Aracaju - SE (1997)Fundação Athos Bulcão
The sinuosity of the buildings
During the second half of the 1990s, Athos and Lelé worked on another major project in partnership, the construction of the headquarters of several State Audit Courts.
Relevo em concreto, jardim de ambientação, Tribunal de Contas do Estado de Mato Grosso, Cuiabá - MT (1997)Fundação Athos Bulcão
Art and architecture integration
This time the relief is the main support used in the integration, with acoustic function and a dialogue with the sinuosity of the architect's buildings.
Relevo, jardim de habitação, Tribunal de Contas do Estado do Piauí, Teresina – PI (1998)Fundação Athos Bulcão
Working together
“Lelé's relationship with Athos Bulcão does not take place within the context of the convention, according to which the architect realizes, builds his work, so that later the visual artist puts his frosting on the cake... "
Relevo com função acústica, auditório, Tribunal de Contas do Rio Grande do Norte, Natal - RN (1997)Fundação Athos Bulcão
Interference
“ ... As Lelé said recently: "Athos has been my partner in almost every project. His work was never just complimentary. That’s why his work has always interfered with the architecture.”
Agnaldo Farias
Fundação Athos Bulcão
Selection of excerpts and images: Vitor Borysow
Quotes:
E Excerpts from articles and interviews in the book Athos Bulcão. ed. 2. Editora Fundação Athos Bulcão. Brasília. 2009