The Writers of the Word: Christian Gospel Illumination in the Middle Ages

The Christian Gospels are four parallel accounts of the life and teachings of Jesus Christ. Journey through illuminated manuscripts and the cultures that created them.

The Gospels 

Considered to be the physical manifestation of the Word of God, the Gospels—which comes from Old English meaning “good news”—were regarded as the most important books of the Middle Ages by medieval Christians.

Each book has its own author, and thus each account differs slightly in tone and content.

The Four Evangelists (about 1420) by Spitz MasterThe J. Paul Getty Museum

The Writers

The four writers, also known as the Evangelists, were followers of Christ’s teachings. 

Portraits of Matthew, Mark, Luke, and John were a typical feature of medieval Gospel books, but diverse Christian traditions took individualized approaches to the Evangelist portraits.

Saint Matthew (about 1504–1505) by UnknownThe J. Paul Getty Museum

Saint Matthew

Saint Matthew’s book appears first in the Gospels. As was typical for depictions of the Evangelists, he is shown seated, just about to start writing.

Saint Matthew (about 1504–1505) by UnknownThe J. Paul Getty Museum

In this early 16th-century portrait, his rounded back, almond-shaped eyes, and a dotted motif on his robes are all characteristic features of Ethiopian book decoration.

Saint Mark (about 1325–1345) by UnknownThe J. Paul Getty Museum

Saint Mark

Saint Mark’s Gospel appears next. The simple, gold background of this 14th-century Byzantine illumination suggests that his writing is a divinely inspired, meditative act. 

He is shown here sharpening his quill with single-minded focus.

Saint Luke (about 1410) by Egerton MasterThe J. Paul Getty Museum

Saint Luke

Here, as Saint Luke writes his Gospel, an ox at his feet looks up at him lovingly.

Each of the Evangelists was associated with a particular symbol: Luke, his winged ox; Matthew, an angel; Mark, a winged lion; and John, an eagle.

Gospel Book (Main View (.193v) / book image source)The J. Paul Getty Museum

Saint John

Saint John’s Gospel famously begins, “In the beginning was the Word.” In this 17th-century Armenian portrait, he receives the divine word directly into his mouth so that he can dictate to his scribe (at right), who writes it down.

Gospel Book (Main View (.193v) / book image source)The J. Paul Getty Museum

The divine, creative energy that radiates out of him contrasts against the uniform, geometric borders that are typical of Armenian book decoration.

The Virgin and Child with the Archangels Michael and Gabriel (about 1504–1505) by UnknownThe J. Paul Getty Museum

The Life of Christ Illustrated

All the Gospels contain common stories — and their own unique ones — but each highlights different details. Together, they all contributed to a medieval Christian’s understanding of Christ’s life.

For medieval viewers, his life was a story of suffering and redemption.

The Virgin and Child with the Archangels Michael and Gabriel (about 1504–1505) by UnknownThe J. Paul Getty Museum

In this Ethiopian illumination, the newly-born Christ and his mother Mary are protected on each side by two of the archangels, Michael and Gabriel.

The Crucifixion (1567) by Fra Vincentius a FundisThe J. Paul Getty Museum

According to the Gospels, Christ led a life of miracles, instruction, and service to the downtrodden.

Indeed, all the Gospels culminate in his greatest service to mankind: forgiving them of all their sins through his Crucifiction and Resurrection. These decisive moments are a crucial part of the Gospels and often depicted.

This illumination from a 16th-century Italian missal, which contained text for the celebration of the Christian Mass, invites a medieval viewer to contemplate the beauty and horror of the Crucifixion.

The Women at the Tomb (about 1025–1050) by UnknownThe J. Paul Getty Museum

Despite the Crucifixion, medieval Christians believed that Christ conquered death.

Three days after his death, holy women visited Christ but found his tomb and burial wrappings (the pink textile at right) empty. Confused, they see an angel who tells them that Christ resurrected.

The Ascension (about 1030–1040) by UnknownThe J. Paul Getty Museum

After the Resurrection, medieval Christians believed that Christ —with his work completed on Earth— ascended to Heaven.

Here, his mother Mary, and Christ’s disciples watch in wonder as the angels escort him into the Kingdom of Heaven.

Canon Table Page (about 1170) by UnknownThe J. Paul Getty Museum

Structuring the Word

Placed at the beginning of a Gospel book, a medieval reader could consult a device known as a canon table to locate specific verses. 

These tables show where corresponding stories appear in each text, and assist a reader in comparing the stories.

Canon Table Page (about 1120–1140) by UnknownThe J. Paul Getty Museum

Each set of canon tables also includes tables for stories unique to each Gospel. For instance, this 12th-century German table is devoted to stories only found in Saint Mark’s text.

The winged lion—the symbol for Saint Mark—protects the book between two paws, emphasizing the importance of the Gospels’ physical existence.

Canon Table Page (1637 - 1638) by Malnazar and Aghap'irThe J. Paul Getty Museum

Canon tables often weave architectural, vegetal, and animal motifs together.

This table has distinctly Armenian details: an intricately patterned headpiece, deeply saturated colors, and a monkey holding a candelabra!

Decorated Initial C (late 10th century) by UnknownThe J. Paul Getty Museum

The Gospels in Church Ceremony

Public readings of religious texts formed a core part of Christian worship.

The excerpts collected in this book are meant to be read aloud during church. This elaborate initial C begins a section from Matthew’s Gospel intended to be read on Christmas Eve.

Initial E: The Mission of the Apostles (about 1260–1270) by UnknownThe J. Paul Getty Museum

The Gospels weren’t only read—they were also sung. Here, an excerpt from Saint Matthew’s Gospel is set to music. 

This choir book’s large size (nearly a foot and a half tall!) made it easy for a chorus to read the music.

In this initial E, the artist depicts Christ sending his disciples off to preach the Word of God as an illustration of the text.

The Four Evangelists (about 1420) by Spitz MasterThe J. Paul Getty Museum

Medieval manuscript illumination showcases the centrality of the Gospels in the religious lives of the devout throughout the Christian world. 

The visual diversity of these illuminations created across centuries demonstrates the Gospels’ wide-reaching influence over the medieval world, and laid the groundwork for many other Christian texts.

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