Enciclopédia Negra

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Portrait of Domingos Sodré (2020) by Ayrson HeráclitoPinacoteca de São Paulo

Portrait of Domingos Sodré, 2020

aquarela watercolour on cotton paper  

Domingos Sodré was born in the West African kingdom of Onim, modern-day Lagos, Nigeria. Together with his parents, he was sold at a very young age to a buyer in Bahia.

Portrait of Luiza Mahin (2020) by Ayrson HeráclitoPinacoteca de São Paulo

Portrait of Luiza Mahin, 2020

watercolour on cotton paper  

In 2019, Law No. 13816 was enacted determining that the name of Luiza Mahin be included in the Book of the Heroes and Heroines of Brazil.

Portrait of José Martins (Mandingueiros) (2020) by Ayrson HeráclitoPinacoteca de São Paulo

Portrait of José Martins (Mandingueiros), 2020

watercolour on cotton paper  

José Martins, Mateus Pereira Machado, Luiz Pereira Almeida and João da Silva were free and freed men persecuted due to religious intolerance. They lived in a gold mining region in Jacobina, in hinterland Bahia.

Portrait of Mateus Pereira Machado (Mandingueiros) (2020) by Ayrson HeráclitoPinacoteca de São Paulo

Portrait of Mateus Pereira Machado (Mandingueiros), 2020

  watercolour on cotton paper  

Portrait of Luiz Pereira de Almeida (Mandingueiros) (2020) by Ayrson HeráclitoPinacoteca de São Paulo

Portrait of Luiz Pereira de Almeida (Mandingueiros), 2020

  watercolour on cotton paper  

Portrait of João da Silva (Mandingueiros) (2020) by Ayrson HeráclitoPinacoteca de São Paulo

Portrait of João da Silva (Mandingueiros), 2020

watercolour on cotton paper  

Justina Maria do Espírito Santo (2020) by Michel Cena7Pinacoteca de São Paulo

Michel Cena 7

São Paulo, SP, 1985

Justina Maria do Espírito Santo (2020) by Michel Cena7Pinacoteca de São Paulo

Justina Maria do Espírito Santo, 2020

acrylic and spray paint on canvas  

Justina Maria was an African woman enslaved to Father João Carlos Monteiro, a speaker of great fame in the Imperial Chapel, councilor, deputy of his city and main figure of the clergy in Campos de Goytacazes.

Liberata (2020) by Michel Cena7Pinacoteca de São Paulo

Liberata, 2020

acrylic and spray paint on canvas  

Liberata, an enslaved woman, struggled to obtain freedom for her and her children, as well as to escape her master’s sexual harassment. 

Inácio Monte (2020) by Tiago Sant'AnaPinacoteca de São Paulo

Tiago Sant’Ana (Santo Antônio de Jesus, BA, 1990)

Inácio Monte, 2020 

acrylic on canvas  

The African Inácio Monte was baptized in 1742 after disembarking in Rio de Janeiro and became an important leader of the Black colonial fraternities. 

Mathias Henrrique da Silva e Faustino da Silva (2020) by Panmela CastroPinacoteca de São Paulo

Panmela Castro (Rio de Janeiro, RJ, 1981)

Mathias Henrique da Silva and Faustino da Silva, 2020

oil on canvas  

Mathias Henrique da Silva and Faustino da Silva Paiva were literate enslaved men who founded and organized a reading club in Bragança Paulista in 1881.

A Look at the Life of Father Joaquim de Souza Ribeiro (2020) by Micaela CyrinoPinacoteca de São Paulo

Micaela Cyrino (São Paulo, SP, 1988)

A Look at the Life of Father Joaquim de Souza Ribeiro, 2020

acrylic on canvas  

Probably the son of a black or mixed-race woman, Joaquim de Souza Ribeiro received an ecclesiastical education in Brazil and also earned a law degree from the University of Coimbra, Portugal, in 1788. In the early 1790s, he was appointed Vicar General in Maranhão.

Chico Rei (2020) by Antonio ObáPinacoteca de São Paulo

Antonio Oba (Ceilândia, DF, 1983)

Chico Rei, 2020

oil and gold foil on canvas  

A member of the Kingdom of Congo’s royal family, the African Francisco was enslaved and shipped with his wives and children to Brazil. He ended up in Ouro Preto, Minas Gerais, in the first half of the eighteenth century.

Portrait of Salustia (Salustia) (2020) by Moisés PatrícioPinacoteca de São Paulo

Moises Patricio (São Paulo, SP, 1984)

Portrait of Salustia (Salustia), 2020

acrylic on canvas  

The enslaved Salustia lived in the hinterland of Paraíba when she filed a lawsuit against her master, owner of the Curral Grande sugar cane mill, in 1885.

Rosa Fronteiras (2020) by MulamböPinacoteca de São Paulo

Mulambö (Saquarema, RJ, 1995)

Rosa Fronteiras, 2020 

acrylic on cardboard  

Rosa crossed the borders towards her freedom with her sons Eugênio, Francisco, Flaubio and Domingos and “one still suckling in the breast.” 

Dona Afra (Afra Joaquina Vieira Muniz) (2020) by Mônica VenturaPinacoteca de São Paulo

Monica Ventura (São Paulo, SP, 1985)

Dona Afra (Afra Joaquina Vieira Muniz), 2020

crylic on canvas  

Afra Joaquina was an African woman married to her former master, the freedman Sabino Francisco Muniz, also of African origin, who paid for his wife’s freedom at the same time in which he became the owner of other enslaved people.

When the Secret Is Revealed, The Mistery Is Not Guarded (2020) by Castiel Vitorino BrasileiroPinacoteca de São Paulo

Castiel Vitorino (Vitória, ES, 1996)

When the Secret Is Revealed, The Mistery Is Not Guarded (Francisca Luiz), 2020

digital photograph, digital print on semi-pearl paper  

Esperança Garcia (2020) by Bruno BaptistelliPinacoteca de São Paulo

Bruno Baptistelli

São Paulo, SP, 1985

Esperança Garcia (2020) by Bruno BaptistelliPinacoteca de São Paulo

Esperança Garcia, 2020

acrylic and gouache on paper  

Esperança Garcia was one of the first enslaved women to claim her rights in a court of law. She may have helped to draft the oldest document allegedly written by an enslaved woman, expressing wants, desires and expectations.

Juliana (2020) by Bruno BaptistelliPinacoteca de São Paulo

Juliana, 2020

acrylic and gouache on paper  

In 1855, Juliana bought her manumission for one conto de réis, the currency of the time. Some of her children had been born before and baptized as enslaved, while others would be born already free. 

Germana (2020) by Bruno BaptistelliPinacoteca de São Paulo

Germana, 2020

acrylic and gouache on paper  

Credits: Story

A Exposição Enciclopédia Negra esteve em cartaz entre 1/05/21 a 8/11/21 e foi realizada  pela Pinacoteca de São Paulo em parceria com a Cia das Letras e Inst. Ibirapitanga e apresentada pelo Ministério do Turismo por meio da Secretaria da Cultura e Economia Criativa do Governo do Estado de São Paulo. Teve como patrocinadores Vivo, BNY Mellon, Mattos Filho, Allergan e Havaianas.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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Black History in Brazil
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