The collection of Naive Art is situated in the Gallery of
Naive Art in Hlebine - at the source of the phenomenon of so-called Hlebine
School. This School doesn't presumpt a systematic education but an
occasional encounters of Krsto Hegedusic
with Ivan Generalic and Franjo Mraz. The Second generation is represented by the works
which discover the richness and diversity of inspiration - from the realist
tendency to inflame the imagination and enchantment that sometimes exceeds to the grotesque and burlesque forms. Third
generation will look up to Ivan Generalic and authors of the Second
generation.
First Generation: the 1930's
Ivan Generalic, Franjo Mraz, Mirko Virius. Occasional encounters with Krsto Hegedusic. He discovers them the oil on glass technique and encourages them to represent authentic primitive rural environment, peasants in their everyday life, work and customs,realistic, without idylic elements.
By the Bridge (1932) by Franjo MrazKoprivnica Town Museum - Gallery of Naive Art, Hlebine
First generation (Ivan Generalic, Franjo Mraz and Mirko Virius) paints what they see , the everyday rural life, local reality local, primitive surroundings, people and customs.
Precise physical and psychological characterization.
The usual procession dedicated to a certain saint
Potter in the Village (1939) by Mirko ViriusKoprivnica Town Museum - Gallery of Naive Art, Hlebine
Documenting time without idealizing. Mirko Virius criticizes the miserable position of peasants fighting for justice.
Farmyard (1938) by Mirko ViriusKoprivnica Town Museum - Gallery of Naive Art, Hlebine
Soldiers and a Peasant (1937) by Mirko ViriusKoprivnica Town Museum - Gallery of Naive Art, Hlebine
Rural House in Podravina (1954) by Mijo KovacicKoprivnica Town Museum - Gallery of Naive Art, Hlebine
Second Generation: around 1940's, 1950's
Dragan Gazi, Ivan Vecenaj, Mijo Kovacic, Franjo Filipovic, Martin Mehkek... "Role models" and advisors: Ivan Generalic and Krsto Hegedusic. In 1950's Ivan Generalic has achieved worldwide success and advised his fellow villagers. Naive Art has started extending beyond Hlebine, across the Podravina region. Innovations: biblical themes, aromatised landscapes, grotesque and burlesque, imaginative scenes
Winter (1969) by Ivan VecenajKoprivnica Town Museum - Gallery of Naive Art, Hlebine
Recurrences of folk collective story and imagination. The symbolic use of color - an aggressive, intense color.
Harvest (1954) by Mijo KovacicKoprivnica Town Museum - Gallery of Naive Art, Hlebine
Mijo Kovačic presents a typical farm work in warm colors. Early work with the note of later meticulously detailed approach to the painting elements.
Dragan Gazi continues realist tendencies.
At the End (1966) by Dragan GaziKoprivnica Town Museum - Gallery of Naive Art, Hlebine
Master of portrait. Besides capturing physiognomy he seeks the essence of the character of the person. He is interested in expressive, not conventionally beauty.
Harvesting Vineyard (1950) by Franjo FilipovicKoprivnica Town Museum - Gallery of Naive Art, Hlebine
Stylized representation of a typical daily life of archaic patriarchal village
Third Generation: from 1960's
Franjo Vujcec, Ivan Lackovic, Stjepan Vecenaj, Milan Generalic... Ivan Generalic and the authors of the Second generation affect these authors. Some paint by recollection because they don't live in the countryside anymore while others rise grotesque and burlesque to the maximum level.
Crazy Jaga (1975) by Josip GeneralicKoprivnica Town Museum - Gallery of Naive Art, Hlebine
Neron's singing about the Fire in Hlebine (1975) by Josip GeneralicKoprivnica Town Museum - Gallery of Naive Art, Hlebine
In 1970's Josip Generalic puts pop stars or ancient emperors in landscape of Podravina region. A compound of tradition and modernity. Demythologisation of representation.
Return from the Field (1969) by Milan GeneralicKoprivnica Town Museum - Gallery of Naive Art, Hlebine
Gypsy Joy (1969) by Martin MehkekKoprivnica Town Museum - Gallery of Naive Art, Hlebine
The most common image typified portraits of gypsies or servant. Expressive figuration, powerful distortion. By expressing "antibeautiness" goes beyond frames of Hlebine School.
Autumn (1988) by Ivan LackovicKoprivnica Town Museum - Gallery of Naive Art, Hlebine
Master of contemporary figurative drawing. He lived in Zagreb and pictured from memory. Landscapes reflect lyricism, idyllic, they are soul psychograms. Tenderness, kindness, harmony, peace. Everything is generalized and supra-individual.
Grandma praying Rosary (1962) by Franjo VujcecKoprivnica Town Museum - Gallery of Naive Art, Hlebine
Franjo Vujcec leads grotesque to the maximum. Burlesque, deformation, aggressive and expressive colors.
The Will (1969) by Mijo GradecakKoprivnica Town Museum - Gallery of Naive Art, Hlebine
Old fashioned wedding in Novigrad Podravski (1970) by Mara Puskaric-PetrasKoprivnica Town Museum - Gallery of Naive Art, Hlebine
Her part of the World (1978) by Martin KopricanecKoprivnica Town Museum - Gallery of Naive Art, Hlebine
Curator of the exhibition: Helena Kusenic, curator, Koprivnica Town Museum - Gallery of Naive Art, Hlebine
Photographs: Marijan Jakupec, Vlatko Lackovic, Tina Antolic