By Archeological Sites of Serbia
Ministry of Culture and Media of the Republic of Serbia
Archaeological site Belo brdo in Vinča (5300-4300 B.C.) by Republic Institute for the Protection of the Monuments of Culture – Belgrade and Maja DjordjevicArcheological Sites of Serbia
One of the important factors that led to the development of Vinča during the Neolithic is the very favorable geographical and strategic position of the site itself. It is located on the Danube, about 14 km southeast of Belgrade, at the place where the Neolithic man could reach distant parts of Europe by river, first the Danube, and then the Sava, Tisa, Tamiš and Morava which enabled Neolithic merchants to exchange goods along these roads.
Archaeological site Belo brdo in Vinča (5300-4300 B.C.) by Republic Institute for the Protection of the Monuments of Culture – Belgrade and Maja DjordjevicArcheological Sites of Serbia
The river Bolečica, which was located next to the settlement, provided fertile land and drinking water, and the Danube and Avala provided plenty of fish and game. It is important to mention the raw materials that were available to the inhabitants of Vinča on Avala, which could be used for various purposes such as dyeing pottery and fabrics.
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Archaeological excavations in Vinča took place in three major stages. The first research, from 1908 to 1934, under the leadership of Professor Miloje Vasić, brought Vinča world fame after he completed his research by publishing four volumes of the book Prehistoric Vinča. The next campaign of systematic research was carried out from 1978 to 1986, due to the efforts of well-known names in archaeology, such as Jovan Todorović, Nikola Tasić, Milutin Garašanin, Dragoslav Srejović and Gordana Marjanović-Vujović.
Archaeological site Belo brdo in Vinča (5300-4300 B.C.) by Republic Institute for the Protection of the Monuments of Culture – Belgrade and Maja DjordjevicArcheological Sites of Serbia
Archaeological finds from this period of excavations, from 1978 to 1986, carried out by the Belgrade City Museum form the largest part of the museum exhibition in Vinča, whose focus is on the Neolithic period, and exhibits from the Copper and Bronze Ages, as well as from the medieval necropolis, as evidence of millennial continuity of Vinča's life.
The third series of excavations at the eponymous site of the Vinča culture began in 1998 under the leadership of professors Nenad Tasić and Sasa Todorović, the then director of the Belgrade City Museum, and continues to this day. Until 2010, archaeological excavations were systematic with the aim of studying the latest phase of Neolithic life in Vinča in detail, while since 2011 protective excavations are being carried out.
One segment of life in a Neolithic house (5300-4300 B.C.) by Belgrade City MuseumArcheological Sites of Serbia
The area of today's Vinča was first inhabited around 5500 B.C. by farmers and stockbreeders, bearers of the Starčevo culture who formed a smaller settlement here. Around two centuries after this area was first inhabited, the Starčevo cultural group has been replaced by the Vinča cultural group. Between 5300 and 4500 B.C, a large Neolithic settlement was formed on the site of today's Vinča, and the area of today's Serbia and the Central Balkans became the Europe’s cultural center.
Ideal reconstruction of the Vinča house (5300-4300 B.C.) by Belgrade City MuseumArcheological Sites of Serbia
The settlement consisted of rectangular wattle and daub houses with reed roof structure. Vinča houses often had several rooms, as well as the attic space, they were built next to each other in rows. This is how rows of houses of the precise orientation were created, which did not change for centuries.
Numerous objects found during the excavations, bone hooks and harpoons, stone axes and chisels, loom weights or fishing nets, remains of ceramic vessels of exceptional quality speak in favor of the fact that the population engaged in various activities such as fishing, hunting, farming, pottery and weaving, and that it is possible that there was an initial division of work. The connections with distant lands are indicated by objects and raw materials that are not known in this area.
Archaeological site Belo brdo in Vinča (5300-4300 B.C.) by Republic Institute for the Protection of the Monuments of Culture – Belgrade and Nenad TasicArcheological Sites of Serbia
Spondylus (spondylus gaederopus) shells that were used by Vinča people to make luxury jewelry came from the eastern Mediterranean, and obsidian, used for blades, originates from the Carpathians. Apart from numerous agricultural and handicraft products, perhaps the mentioned cinnabar from Avala was the most valuable raw material that the people of Vinča had to offer.
Archaeological site Belo brdo in Vinča (5300-4300 B.C.) by Republic Institute for the Protection of the Monuments of Culture – Belgrade and Nenad TasicArcheological Sites of Serbia
However, the Vinča culture is most recognizable for various objects that are artistic in the contemporary context. The stability of the economy and the fulfilment of basic living needs left enough space for the Vinča man to engage in art. The figurines are very diverse and mostly depict people with sometimes very detailed anatomical representations of bodies, clothes and jewelry.
The figures most often have representations of eyes, nose, arms and legs and other details. On some figurines, incised and painted images of different types of clothing can be recognized, such as skirts, aprons, blouses, pants...The people of Vinča also modelled various animal species, such as cattle, sheep, goats, deer or dogs...
Prosopomorphic lid (cc. 4500 B.C.) by Belgrade City MuseumArcheological Sites of Serbia
This clearly speaks of the importance of these animals in the economy and culture of these communities. Apart from figurines, other objects should be noted, of most likely cult purposes. The most famous are prosopomorphic lids. Cylindrical in shape with accentuated eyes and modelled ears and nose, they were used as a lid on an amphora or pithos, but their magical or cult role has not been fully deciphered.
Zoomorphic figurine
A zoomorphic figurine of a massively modeled body with a circular vessel at the top and four summarily feet. According to the outlines and body line, the unknown creator immortalized the cattle, the most important descendant species during the Neolithic. Relief strips are carefully made on the body and around the head, associating it with a belt and a halter. The head is formed like a mask with prominent eyes in a high manner of Vinca workmanship. The harmony of otherwise heavy volumes of the body, face and vessel as a necessary element of this symbolic composition has been achieved thanks to powerful strokes in fresh clay.
Over a thousand clay figurines, amulets, altars, tens of thousands of fragmented and whole vessels, numerous tools and weapons made of bone, horn and stone speak of the importance of Vinča for the study of the economy, cult and religion of the Neolithic world. The archeological findings from Vinča and other Neolithic findings in these parts of Europe had changed our understanding of pre-historical humans. The remains of dug out settlements tell us a story of developing settlement culture and civilizational progress.
Figurine (cc. 4500 B.C.) by Belgrade City MuseumArcheological Sites of Serbia
Highly stylized marble anthropomorphic figurine with perforations on the head, arms and hips. These openings were most likely used to enable the figurine to be hung on clothes, around the neck or similar.
Figurine (cc. 4500 B.C.) by Belgrade City MuseumArcheological Sites of Serbia
Vinča anthropomorphic figurine with a pentagonal face and accentuated almond-shaped eyes. The arms are shown in the shape of stumps, and the chest with plastic applications.
Figurine (cc. 4500 B.C.) by Belgrade City MuseumArcheological Sites of Serbia
Vinča anthropomorphic figurine with perforations on the head crown and arms. It is possible that the figurines were decorated with plants or hairs that were pulled through the openings or that these openings were used to hang on clothes or something else.
Figurine (cc. 4500 B.C.) by Belgrade City MuseumArcheological Sites of Serbia
A fragment of a sitting anthropomorphic figurine with a representation of clothing. The representation of the parts of the clothes on the figures can show us how the people of that time dressed and how the clothes were decorated.
Cup with a horned handle (cc. 4500 B.C.) by Belgrade City MuseumArcheological Sites of Serbia
A cup with a horned handle was found together with a bowl with protomes, and with three other amphorae, forming a part of the so-called "wedding set". This set was found in a non-residential building and is presumed to have been used during certain ceremonies.
Conical bowl (cc. 4500 B.C.) by Belgrade City MuseumArcheological Sites of Serbia
A conical bowl that was most likely used during a ritual. The surface is red, and there are four pairs of protomes on the rim, two pairs in the form of stylized bird heads and two pairs with small horns.
Ritual bowl (cc. 4500 B.C.) by Belgrade City MuseumArcheological Sites of Serbia
Ritual bowl with three legs decorated with flutes. The black polished surface of the bowls is one of the characteristics typical for the ceramic production of the Vinča culture.
Figurine (cc. 3300 B.C.) by Belgrade City MuseumArcheological Sites of Serbia
Baden culture anthropomorphic figurine representing a stylized idol with clear sexual characteristics. It is decorated with incisions along the whole surface.
Double vessel (cc. 1600 B.C.) by Belgrade City MuseumArcheological Sites of Serbia
Double vessels are a feature of the developed phase of the Vatin culture. They are easily recognizable, consisting of two connected vessels and one common vertical stripe handle. They were probably used in everyday life, but also for certain ritual purposes.
Headband and earrings
The headbands were worn around the head and attached to the veil by attaching the headbands themselves to strips of fabric or leather. The earrings were also hung on a ribbon, and this way of decorating is typical for the brides.
Ideal reconstruction of the interior of a Vinča house (5300-4300 B.C.) by Тhe "Mali Dunav" centre of the Faculty of Agriculture in Belgrade and Belgrade City MuseumArcheological Sites of Serbia
Although Belo brdo in Vinča is best known for its Vinča culture, the impressive ten meter cultural layer preserves evidence of the existence of younger cultures that follow the Vinča culture; Eneolithic, Bronze and Iron Ages, until the Middle Ages, when perhaps the largest medieval necropolis in the territory of Belgrade was formed in this area, with over a thousand graves. The Belo brdo site in Vinča has been under state protection since 1950, and in 1979 it was declared an archaeological site of exceptional importance for the Republic of Serbia.
Ministry of Culture and Media of the Republic of Serbia
Republic Institute for the Protection of the Monuments of Culture – Belgrade
Belgrade City Museum
National Museum in Belgrade
The narration was provided by Dragana Stojić, curator.