In early days(1920s) cinema was considered to be of ill repute and it was not considered acceptable for women of high caste to work in cinema. Hence the first workforce came from women from performing traditions, Eurasian, Jewish and Anglo Indian women.
Photographic still of Nadira from the Hindi film, Garma Garam (1957) by UnknownMuseum of Art & Photography
Nadira, a Baghdadi Jew played many pivotal roles in Bombay cinema.
Film still for possibly 'Humari Betiyan' by UnknownMuseum of Art & Photography
Many Jewish women like Ruby Myers (Sulochana), Iris Gasper (Sabita Devi) were superstars in Bombay cinema.
Esther Victoria Abraham(Pramila) was a Baghdadi Jew. She was the winner of first miss India pageant.
Photographic lobby still for the film 'Halaku' by Possibly Studio Shangri-LaMuseum of Art & Photography
Helen who became synonymous with cabaret dance in Bombay cinema is of Anglo Indian descent.
Eurasian women addressed the fantasy of English memsahib and Indian heroine. They played a wide range of roles ranging from protagonists to dancers.
Photographic lobby still for the film 'Akeli Mat Jaiyo' by Possibly Studio BrilliantMuseum of Art & Photography
Gohar Mamajiwala hailing from Dawoodi Bohra family was an actor, singer, producer who founded Ranjit Studios with Chandulal Shah. Ranjit Studio was a successful business enterprise which was churning out six films a year by 1935. It had several in house stars and experts.
Film still for unknown film featuring actress Nargis by UnknownMuseum of Art & Photography
Jaddanbai, mother of Nargis was one of the first female music composers in Bombay cinema. A director, producer, singer and actor, she came from the courtesan culture of Allahabad.
Photographic lobby still for the film 'Laila' by Possibly Mudnaney Film ServiceMuseum of Art & Photography
Coming from Maharashtra Durga Khote became a super star in Bombay. Her most famous role was as a pirate in Amar jyoti (1936). Devika Rani was another early super star who also led Bombay Studios.
Photographic lobby still for the film 'Farz Aur Mohobat' / 'Nausherwan -e- Adil' featuring actress Mala Sinha by UnknownMuseum of Art & Photography
Bombay cinema was greatly influenced by the song dance tradition of Parsee theatre, Sohrab Modi comes from that tradition. He founded Minerva Movietone and made several films. He wrote, directed and acted in most of them. Modi was known for historical films such as Pukar(1939), Sikandar (1941), Jhansi ki Rani(1953), Mirza Ghalib (1954).
Film still for possibly 'Humari Betiyan' by UnknownMuseum of Art & Photography
Ardeshir Irani started the Imperial Film studio with Abdulally Esoofally. The early movie mogul produced more than 200 films including the first Iranian sound film, Dukhtar-e-Lur.
Photographic lobby card for the film 'Alibaba and Forty Thieves' by Possibly Kishan MistryMuseum of Art & Photography
J.B.H. Wadia and Homi Wadia started Wadia Movietone, which produced Western films in Bombay cinema. It produced fearless Nadia films with the first stunt heroine Nadia.
Photographic lobby still for the film 'Farz Aur Mohobat' / 'Nausherwan -e- Adil' featuring actor Sohrab Modi by UnknownMuseum of Art & Photography
Another Parsee movie moghul Jamshedji Fareedoonji Madan (J.F. Madan) controlled many cinema theatres allover in India.
Photographic lobby still for the film 'Akeli Mat Jaiyo' featuring actress Meena Kumari by Possibly Studio BrilliantMuseum of Art & Photography
Chandulal Shah, a Gujarati stock broker became a movie mogul and later on the first president of Film Federation of India. He invested the earnings from stock market in film. This is the beginning of investment of trader money into film production, for reaping very high returns.
Photographic lobby card for the film 'Jhansi Ki Rani' by UnknownMuseum of Art & Photography
Geza Herczeg, an Austro-Hungarian screen writer wrote several films for Sohrab Modi. Many other Europeans worked in Bombay cinema, such as Franz Osten who collaborated with Himanshu Rai
Film still for 'Dahej' featuring actress Jayashree by UnknownMuseum of Art & Photography
V.Shantaram initially collaborated with Damle, Fatehlal and Babu Rao Painter. Painter hailed from the Princely state of Kolhapur.
Many princely states patronized films in early days.
Film poster for 'Sharda' by Poster Center, BombayMuseum of Art & Photography
L.V. Prasad who did a small role in Alam Ara and sometimes acted in Prithvi Theatre went on to become a renowned producer in South India and produced films in Telugu, Tamil, and Hindi. He represents the talent from south in Bombay cinema
Curated by: C.Yamini Krishna
References:
Rajadhyaksha, Ashish, and Paul Willemen, eds. Encyclopedia of Indian cinema. Routledge, 2014.
Niazi, Sarah Rahman. "White Skin/Brown Masks: The Case of ‘White’Actresses From Silent to Early Sound Period in Bombay." Culture unbound: Journal of current cultural research 10.3 (2019): 332-352.
Majumdar, Neepa. Wanted cultured ladies only!: female stardom and cinema in India, 1930s-1950s. University of Illinois Press, 2010.