Canadassimo

By Canada - Biennale Arte 2015

Presenting Sponsor: Royal Bank of Canada - Major Sponsor: Aimia

An Installation by the BGL art collective for the Canada Pavilion at the 56th International Art Exhibition – la Biennale di Venezia, 2015; Marie Fraser, Guest Curator; organized by the National Gallery of Canada

Canadassimo (2015) by BGLCanada - Biennale Arte 2015

Canadassimo

Canadassimo, which gives the impression of being still under installation, offers a strange excursion that begins outside the pavilion with the scaffolding that partially obscures its facade. Beneath this platform is the entrance to a small neighbourhood convenience store like many across Quebec.

Canadassimo, BGL, 2015, From the collection of: Canada - Biennale Arte 2015
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BGL's preparatory work

Canadassimo, BGL, 2015, From the collection of: Canada - Biennale Arte 2015
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Transportation and installation

Canadassimo (2015) by BGLCanada - Biennale Arte 2015

A convenience store... 

This typically chaotic and shabby convenience store sells tinned goods and other household essentials. 

Canadassimo, BGL, 2015, From the collection of: Canada - Biennale Arte 2015
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Canadassimo, BGL, 2015, From the collection of: Canada - Biennale Arte 2015
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Canadassimo, BGL, 2015, From the collection of: Canada - Biennale Arte 2015
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Canadassimo, BGL, 2015, From the collection of: Canada - Biennale Arte 2015
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Canadassimo, BGL, 2015, From the collection of: Canada - Biennale Arte 2015
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Canadassimo (2015) by BGLCanada - Biennale Arte 2015

... a living space ...

The next room is a somewhat more organized living space that is evidently the preserve of a recycling enthusiast...

Canadassimo, BGL, 2015, From the collection of: Canada - Biennale Arte 2015
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Canadassimo, BGL, 2015, From the collection of: Canada - Biennale Arte 2015
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Canadassimo, BGL, 2015, From the collection of: Canada - Biennale Arte 2015
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Canadassimo, BGL, 2015, From the collection of: Canada - Biennale Arte 2015
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Canadassimo (2015) by BGLCanada - Biennale Arte 2015

... a studio ...

... followed by a studio crowded with countless objects of all kinds, including tin cans covered in drips of paint.

Canadassimo, BGL, 2015, From the collection of: Canada - Biennale Arte 2015
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Canadassimo, BGL, 2015, From the collection of: Canada - Biennale Arte 2015
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Canadassimo, BGL, 2015, From the collection of: Canada - Biennale Arte 2015
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Canadassimo, BGL, 2015, From the collection of: Canada - Biennale Arte 2015
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Canadassimo (2015) by BGLCanada - Biennale Arte 2015

... and an outdoor balcony.

This bizarre living/working domain leads to an outdoor balcony, a rest area that extends the pavilion and offers a view overlooking the Giardini. Constructed almost entirely out of recycled materials and objects, Canadassimo exposes the excess to which North American society is prone as well as the eccentric character of a tinkerer/junk collector who recycles everything.

Canadassimo, BGL, 2015, From the collection of: Canada - Biennale Arte 2015
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From the second floor balcony, visitors are invited to drop coins into a maze of channels and hear them trickling down all the way to the first floor and see them land between the plexiglass panels.

Canadassimo, BGL, 2015, From the collection of: Canada - Biennale Arte 2015
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Canadassimo, BGL, 2015, From the collection of: Canada - Biennale Arte 2015
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Canadassimo, BGL, 2015, From the collection of: Canada - Biennale Arte 2015
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Canadassimo, BGL, 2015, From the collection of: Canada - Biennale Arte 2015
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BGL (2008) by Photo © Richard-Max TremblayCanada - Biennale Arte 2015

BGL : Jasmin Bilodeau, Sébastien Giguère and Nicolas Laverdière

The BGL art collective is established in Quebec City, Canada.Often described as provocative and critical, BGL’s practice employs humour and extravagance to explore social and political issues related to the world of objects, humanity’s relationship to nature, contemporary lifestyles, economics and the art system. 

Credits: Story

The National Gallery of Canada is grateful to Royal Bank of Canada, the exhibition’s Presenting Sponsor, and Aimia, its Major Sponsor, and also acknowledges the generous support of the Gallery’s Contemporary Art Circle Patrons, its donors, its volunteers from across Canada, and the Distinguished Patrons of the National Gallery of Canada Foundation.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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