Closeness rehearsals

The body is the first border that separates and joins us to the world. It is our means to perceive and relate with others and our surroundings.

In times of an increasing digital life, the physical experience of reality dilutes. This dimension is approached by Victoria Lozano through careful resources.

The feeling of lightness of this work evokes a presence that vanishes.

Two forms coexist. What kind of bond do they have? Through an impeccable synthesis of form, volume and color, Mónica Sartori’s work suggests a reflection on the ways of being with others.

En esta instalación, Rocío Sibecas trabaja con  materiales que activan desde su artificio ideas opuestas:

light and dark, stiffness and softness.

This complementarity is at the same time an explicit device of fantasy.

In this case, it is about the encounter of noble and daily items. A table and a book which cover says “para viver um grande amor”.

Julia Levstein’s work brings, from a simple operation, some questions:
Which is the place of poetry? What are its chances to fix us?

In Perfect spooning, by Gaba de Dios, the contention of the soft is revealed from the literality of the image.

A positional, coherent manifestation, from a materiality from which a certain classicism and tenderness emerge.

In Fire caress by Julia Padilla, the elements are gathered in an arbitrary way, building a sophisticated and fragile totem.

Hybrid relations explored from the versatility of unused materials.

Dana Ferrari searches on the possible affective bonds between dolls and spectators. These beings come to life as soft and painted sculptures. In this work, two of these creatures wait by a piano.

Their exorbitated eyes meet ours.

They are the public of an audition apparently unavoidable.

In this painting by Silvina Sícoli, semi-anthropomorfic animals or almost animal-like humans, establish a dialogue.

A sequence of ceramic fragments lies on a stretcher: relics or souvenirs that, although marginal, are part of the pact in question.

Family is our first social rehearsal. Patricio Escobedo works on his own lineage from graphic design.

The typographies that compose the name of each member of his family are printed overlapped, resulting in twenty portraits.

In the act of naming and being named, a horizon that enhances multiple identities opens.

With an extreme narrative will, Andrea Moccio details and expands the issue of football fans from experimental graphic procedures.

The lightness of the support evokes the fluctuation of a flag or a festive wave. In the crowd, the individual fades, giving space to the collective.