A Vision of Jerusalem
Alonso Cano’s compelling painting of Saint John the Evangelist’s Vision of Jerusalem offers a profound exploration of divine revelation.
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The painting, A Vision of Jerusalem, was commissioned by the Hieronymite nuns of the convent of Santa Paula, Seville, around 1635-38.
Saint John the Evangelist's Vision of Jerusalem (1635/1638) by Alonso CanoThe Wallace Collection
It formed part of a larger retable depicting the life of St. John the Evangelist as evidenced by the arched shape at the top of the composition.
This artwork references Revelation Chapter 21, depicting events following the apocalyptic visions and Last Judgement.
John beholds the new heaven and new earth, as prophesied by Isaiah. An angel guides him to a mountaintop where he witnesses the descent of the Holy City, the New Jerusalem.
Guided by an angel, John's ecstatic expression highlights the transition from earthly reality to the divine light of the New Jerusalem, emphasising spiritual transformation.
The painting depicts a time of intense Christian persecution by the Romans, John's hopeful expression reflects anticipation of divine salvation, as described in the Book of Revelation.
John's red robe symbolises martyrdom, mirroring Revelation's apocalyptic themes. His unwavering faith exemplifies steadfastness in the face of persecution.
John's red cloak contrasts with the angel's green (faithfulness), symbolising the connection between earthly suffering and heavenly reward.
Saint John the Evangelist’s Vision of Jerusalem’s masterful execution and universal themes of hope and salvation continue to inspire contemplation and wonder in the face of adversity. Continue exploring the painting in detail here.
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