Discover the Life of Karen Community at Doi Si Than Ecomuseum

Exhibition Episode 1: Forest Culture and a Lifeworld of Karen

Rice field valley (2020) by Patoo CusripituckMuseum of Cultural Anthropology

Doi Si Than Ecomuseum: Platform for cultural transformation

Doi Si Than Ecomuseum is a platform for cultural transformation. The aim was to engage and develop the Karen community on their own cultural heritages. Doi si than Ecomuseum is a co-creation research project between Karen local people and the iCulture group, Research Institute for Languages and Cultures of Asia (RILCA), Mahidol University, unded by Thailand Science Research and Innovation (TSRI).

Hand drawing map of Doi si than Ecomuseum (2020) by Patoo CusripituckMuseum of Cultural Anthropology

Doi Si Than (Four Creeks Mountain)

“Doi Si Than” is the name of a cultural district that was named by the villagers of Lom village, Mae Pakhi village, Pang Bo village and Khi Ma Fa village after developing an ecomuseum with Mahidol University. These villages are located along four creeks, Lom creek, Mae Pam creek at San Sai Subdistrict, Phrao District, Chiang Mai Province.

A story from grandma, Methinee Thathae, 2020, From the collection of: Museum of Cultural Anthropology
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Doi Si Than: a story from grandma

Lom creek, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Mae Pam creek, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Pang Bo creek, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Khi Ma Fa creek, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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“Doi Si Than” is the name of a cultural district that was named by the villagers of Lom village, Mae Pakhi village, Pang Bo village and Khi Ma Fa village after developing an ecomuseum with Mahidol University. These villages are located along four creeks, Lom creek, Mae Pam creek, Pang Bo creek and Khi Ma Fa creek. This area is a part of Sri Lanna National Park.

Gathering around fire (2020) by Patoo CusripituckMuseum of Cultural Anthropology

A new way of life for Karen people

This exhibition is a starting point for retrospect the past and prospect the future in order to help Karen people to be able to design the new way of life.The inspiration of thoughts, critiques, and conversations on conservation and development were ways to generate cultural innovations for sufficiency and sustainability in a shifting world.

Karen house (2020) by Patoo CusripituckMuseum of Cultural Anthropology

Karen Home

Doi Si Than people has a variety of house, traditional and contemporary styles. There are wooden houses, chopped bamboo, thatched roofs, cement stilts houses, artificial wood walls and tiled roofs.

Bamboo house, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Karen kitchen house, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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House porch, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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The Karen hut by the rice field, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Karen family in the bliss of fireplace (2020) by Patoo CusripituckMuseum of Cultural Anthropology

Hearth

A gathering area for family members. The fireplace can be a kitchen, a living room and a bedroom to give warmth and fullness.

Conventional kitchen, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Hearth in the heart of Karen house, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Living in the fireplace, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Basketry storage in the fireplace, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Freedom in the fireplace, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Gathering around fire (2020) by Patoo CusripituckMuseum of Cultural Anthropology

Gathering around fire

On the cold nights, Karen people will comes to firing, sipping tea, talking and discussing the stories of family and community.

Standing back fire, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Heartfelt warmth, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Karen bamboo shoot porridge pair with steam fern (2020) by Patoo CusripituckMuseum of Cultural Anthropology

" Ta Po Po" (Karen porridge)

"Ta Po Po" or "Kaeng Khao Boe", a Karen dish from boiled vegetable, rice and meat.
When everything is brought together then the taste blends well. It is a symbol of the unity of the Karen people.

Karen egg porridge, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Dried lettuce Karen porridge, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Karen pork porridge, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Fried cabbage pair with Karen porridge, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Karen crispy pork rind chili paste (2020) by Patoo CusripituckMuseum of Cultural Anthropology

"Mue Sa To" (Karen chili paste)

"Mue Sa To" a basic Karen dish to pairing with rice. It has chili and salt as a basis with a variety of household ingredients each day, such as chicken, canned fish, frogs, kale, pork rind, cabbage, jackfruit.

Karen jackfruit chili paste, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Karen galangal chili paste, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Karen crispy pork rind chili paste, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Mue Sa To in the bamboo container for sale, iCulture, 2021, From the collection of: Museum of Cultural Anthropology
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Grandma wears Che Su, grandpa wears Che Kwua (2020) by Patoo CusripituckMuseum of Cultural Anthropology

Karen people's lives

Karen people is happy when they have enough rice for eating and family gathering, grandparents, parents and grandchildren. They rely on the the close relationship of the community, living among diverse ideas. beliefs and values.

A boy and his grandma, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Husband and wife, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Middle age Karen couple by the fireplace, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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A boy and his grandpa, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Karen children enjoying lunch, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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The homeland gathering, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Young Karen eating in the city, Jensiri Thathae, 2020, From the collection of: Museum of Cultural Anthropology
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We are Karens, Jensiri Thathae, 2020, From the collection of: Museum of Cultural Anthropology
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A dog and a cat, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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'Chui' (dog), Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Cats and kids, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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A city dog in the highland, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Man, Dog and Cat

Chickens, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Chicken coop, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Little black pigs, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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A black pig under the house, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Back strapped weaving (2020) by Patoo CusripituckMuseum of Cultural Anthropology

Karen's craftmanship

In the past, back strapped weaving was a fundamental feature of Karen women. There has the advantage of being able to weaving at home or carrying  to the fields. The traditional weaving uses threads from home-grown cotton and is dyed with natural dyes. Village women weave shirts, wrap-around skirt, and bags for household members and relatives.

Cotton yarn dyeing, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Cotton yarn spooling, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Cotton yarn weave framing, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Kawa bags, iCulture, 2021, From the collection of: Museum of Cultural Anthropology
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A married woman wears Che Su and two girls wear Che Wa, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Grandma wears Che Su, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Uncle wears red shirt (Che Kwua), auntie wears black shirt (Che Su), Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Che Kwua one style fits all, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Karen bag, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Che Su: a short black shirt for married woman  Che Wa: a long white cloth for non-married women Che Kwua: a male red shirt  Karen bag 

Fashionable young ladies in Che Wa, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Necklace (2020) by Patoo CusripituckMuseum of Cultural Anthropology

Necklaces and bracelets

In the past, they used natural materials as millet and wild banana seed. Now they commonly used beads and yarn. Karen women create handicrafts with the best of their abilities.They develop handmade accessories to be a medium for telling stories about ethnic life.

Karen bracelets, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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A woman wears bead necklace, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Bead necklace pattern, iCulture, 2021, From the collection of: Museum of Cultural Anthropology
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Upland rice field (2020) by Patoo CusripituckMuseum of Cultural Anthropology

Rotation crop is the traditional wisdom of the Karen people

There are many types of plants such as rice, sown plants, creepers, herbaceous plants and root crops. In the past they would rotate the plantation every 7 years, then the old upland field recovered to be their yearly food source and habitat for wild life.

Dutch eggplant, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Turkey berry, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Upland taro, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Chili, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Upland rice, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Wintermelon, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Dutch eggplant, taro, chili, rice and winter melon, the products from rotation crop.

Cabbage garden (2020) by Patoo CusripituckMuseum of Cultural Anthropology

The are less and less rice field in the area. Today, most of the upland field crops are mainly maize, some cabbage, lettuce, pumpkin, and peanuts. Now the villagers have turned their upland rice fields into orchards and upland crop field.

Harvesting peanuts, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Harvesting lettuce, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Maize field, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Maize field chemical fertilization, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Rice terrace (2021) by Patoo CusripituckMuseum of Cultural Anthropology

Upland rice and lowland rice

Doi Si Than people grows two types of rice, upland rice and lowland rice. Upland rice field is drought tolerant and can be grown by less water, but requires a lot of planting area. Lowland rice field is grown by  less area, but needs fertiliser and pesticide.

Most of the villagers prefer to grow lowland rice fields. because it produces more rice, but in the drought the yield is not as good as it should be.

Monet, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Planning to plough the field, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Karen people prepare the soil before starting to cultivate during the rainy season.

Rice seedlings, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Indirect seedling, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Bending and bearing, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Indirect seedling at Mae Pa Ki village, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Happiness in the rice field, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Time of happiness, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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In the middle of the year, villagers help each other in the rice plantation.

Rice terrace, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Newly cultured lowland rice, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Green field, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Exuberant, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Ear of rice, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Golden field, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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There are the small rice terraces on the slightly slope area of the hill. 

Harvesting, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Rice reaping, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Lifting, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Carrying, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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(Howdy Neighbor) Happy Harvest, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Packing, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Around the end of the year is Doi Si Than's harvesting season.

Rice mill, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Rice winnowing, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Milled rice, ready to consume, iCulture, 2021, From the collection of: Museum of Cultural Anthropology
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Rice is important for Karen people (2020) by Patoo CusripituckMuseum of Cultural Anthropology

Karen upland rice

Rice grain (Bue), a product from the field becomes cooking rice (Me), the energy food of Karen people. Karen rice is heaping, soft and chewy. There is the fulling and nourishing dish for hard working.

Conventional Karen dishes (2020) by Patoo CusripituckMuseum of Cultural Anthropology

"O Bae Bae"

"O Bae Bae", a phrase in Karen language in the meal, it means "eat slowly and eat a lot". When the whole family and visitors are full, Karen people will be happy.

'O Bae Bae' (enjoy eating), Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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'O Me' (family gathering), Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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A herd of cattle (2020) by Patoo CusripituckMuseum of Cultural Anthropology

Cattle

Valuable asset in the field

Water buffalos in the swamp, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Tethered buffalos, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Mother and baby, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Boy riding buffalo (2020) by Methinee ThathaeMuseum of Cultural Anthropology

The Happiness in the Rice Field

Animal friends, Methinee Thathae, 2020, From the collection of: Museum of Cultural Anthropology
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Buffalo feeding time for Karen children, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Family, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Mango orchard (2021) by Patoo CusripituckMuseum of Cultural Anthropology

Orchard

Orchard is an alternative way of making a living for Doi Si Than people. After unsuccessful in mono crop, the villagers are growing perennial fruits such as mango, lychee, and longan instead. This is a new hope with the higher costs.

Orchard, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Longan orchard, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Bunches of longan, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Pha Nok Kok cafe (2020) by Patoo CusripituckMuseum of Cultural Anthropology

Coffee in the Backyard

Arabica coffee was planted in the backyard. After yielding, coffee was roasted in the clay pot, grinding and brewing in the house. The coffee tastes great whether drinking hot or cold it's a taste of warmth than any other coffee.

Coffee plantation, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Coffee roasting, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Coffee selecting, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Serving coffee, Patoo Cusripituck, 2021, From the collection of: Museum of Cultural Anthropology
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Coffee grinding, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Coffee dripping, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Bamboo forest (2020) by Patoo CusripituckMuseum of Cultural Anthropology

Money is not the most important thing in the forest

Forests have been the life world of Karen people for a long time.
In the past Doi Si Than people was the mahout for wood trade in this area and they can still harmoniously live in the forest.

Orchard, rice field and bamboo forest (2021) by Patoo CusripituckMuseum of Cultural Anthropology

Karen people relies on but not encroaches the forest, a natural fertility. Doi Si Than people gathers natural food from the community forest for living. Money is not the most important thing when they living with the forest.

Rat trap checking, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Walking into the forest for wild rat trapping, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Wild rat trapping, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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The fern, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Torch ginger, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Ma-kwaen: Sichuan pepper, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Grilled rats, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Red ant eggs, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Foods from the Forest 

Bamboo cutting (2020) by Patoo CusripituckMuseum of Cultural Anthropology

Bamboo in Karen community

Bamboo is a main local plant that grows naturally. There are many types such as Rai Bamboo, Tong Bamboo, Bong Bamboo, Hok Bamboo, Sang Bamboo, Lek Bamboo, Hop Bamboo, Hia Bamboo, and Khao Lam Bamboo. They can be selected to use for housing, cooking, making basket and more.

A variety of bamboo (2020) by iCultureMuseum of Cultural Anthropology

Phai Rai (Gigantochloa albociliata), Phai Bong (Bambusa nutans), Phai Kaolam (Cephalostachyum pergracile), Phai Hia (Cephalostachyum virgatum), Phai Sang (Dendrocalamus strictus), Phai Hok  (Dendrocalamus hamiltonii)

Bamboo house (2020) by Patoo CusripituckMuseum of Cultural Anthropology

Bamboo housing

Karen people use Sang bamboo to build a house. Its duration is most suitable for housing such as pillar, roof, wall and folk. The older the wood is the more durable. In addition, Hok bamboo, Hop bamboo and Khao Lam bamboo can also be used to housing.

Preserved bamboo shoot (2020) by Patoo CusripituckMuseum of Cultural Anthropology

Bamboo in dishes

Karen people consume almost all types of bamboo shoots. Rai bamboo is the most popular because of their size and delicious taste.

Bamboo mugs (2020) by Patoo CusripituckMuseum of Cultural Anthropology

Bamboo for home appliances

Rai bamboo is suitable for making water mug and others. They can also be used to make knife handle or small items. Natural bamboo becomes a household container and creative contemporary food and beverage packaging product.

Karen basketry (2020) by Patoo CusripituckMuseum of Cultural Anthropology

Karen basketry is made of rattan and bamboo

All types of bamboo can use to make different styles of basketry. Karen people makes a plain patterned basket for use in everyday life (Guay Pee) to exquisitely patterned wickerwork (Kuei).The basketry is smoked on the rack above the s

Pati Lipo and his basketry, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Master and student, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Basket seller at Pang Bo village, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Discussion on basketry price, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Splashing (2020) by Patoo CusripituckMuseum of Cultural Anthropology

Forest and lifeworld

Karen people or the mountain people originally lives in the midst of nature. The abundance of nature is the stability of life.Now a new generation brings urban lifestyle to be their esteem. Life in the forest of Doi Si Than people is in the midst of changes in environment, socie

Karen children playing on the creek, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Karen children plays wheeling, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Snack supplies, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Karen children painted their future, Patoo Cusripituck, 2020, From the collection of: Museum of Cultural Anthropology
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Doi Si Than's future depends on them.

Mountain path (2021) by Patoo CusripituckMuseum of Cultural Anthropology

“On the hill there is thorny grass,
On the mountain there is thorny grass,
children go, children ask for directions,
adults go, adults ask for directions,
but the rabbit doesn't ask for directions, 
it lost by itself.."
- "The Song of Karen Life" (by Polepa and Wirasak Yodrabam)

Doi Si Than Ecimuseum is a platform of sparkling ideas
and action taking in the changing life. How can Karen people's way of life continue in the worlds of conservation and development ?
Which path will lead to life changing to survive, sufficiency and sustainability?

Next Episode…..

Transformation of life in the forest
An alternative way of changing Doi Si Than through product, place and practice

Doi si than cultural innovation, iCulture, 2021, From the collection of: Museum of Cultural Anthropology
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Thailand Science Research and Innovation, iCulture, 2021, From the collection of: Museum of Cultural Anthropology
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iCulture, iCulture, 2020, From the collection of: Museum of Cultural Anthropology
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Research Institute for Languages and Cultures of Asia, Mahidol university, iCulture, 2021, From the collection of: Museum of Cultural Anthropology
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Credits: Story

Doi Si Than Ecomuseum
Exhibition Episode 1:  Forest Culture and a Lifeworld of Karen  

Research, Curate and Design
Jitjayang Yamabhai
Patoo Cusripituck
Teerawan Mingbualuang
iCulture
Research Institute for Languages and Cultures of Asia, Mahidol University

Photo
Patoo Cusripituck
Methinee Thathae
Jensiri Thathae

Drawing
Patoo Cusripituck

Video
Patoo Cusripituck
Methinee Thathae

Co-Creator
Doi Si Than Ecomuseum
Mae Paki village
Natthapong Thathae
Maiding Thathae
Methinee Thathae
Jensiri Thathae
Burapha Thathae
Preeda  Pitisak
Wandee Pitisak
Sanchai Phongsittiphrai
Ratthasat Jose

Pang Ba village
Phapulu Jile
Khao Jile
Manop Thana
Amphon Thana
Athittaya Thana
Wanpen Phichitngan
Seree Phichitngan
Lipho Yang
Phaepho Nuser
Kulap Nuser
Praphaphon Chiwaphathananon
Surachai Chiwaphathananon
Thanyalak Doije

Ban Lom village
Khamnoi Muangdee
La Thathae
Chumpon Thathae
Wilai Luatu
Bio Luatu
Buachan Saengkham
Sutthipon Inpa
Sukhsan Yisudee
Ratchadapon Thathae
Noplae Monaeu
Suphat Tana

Ban Khi Ma Fa village
Phaijit Soyu
Narong Soyu
Phimphilai Soyu
Sawan Boonloet

Special Thanks
Chittrawinee Wichianson
Khom Wongsawat

UI and UX Design Volunteer 
Komkrish Sagarik
Athit Theeraphatsakul
Chanathip Theeraphatsakul
Thiwarang Theeraphatsakul
Thiwanisa Theeraphatsakul
Thanong Thongphubet
Natthapon Suriyakanon
Panawat Thongphubet
Thayida Thongphubet
Chanin Suriyakul na Ayutthaya
Wichitta Suriyakul na Ayutthaya
Sudta Champanoi
Araya Bunsri
Banthita Bunsri
Yuichiro Kai
Hashimoto Naoaki

Thank You
Research Institute for Languages and Cultures of Asia
Mahidol Social Engagement
College of Music
Mahidol University

Funding
Thailand Science Research and Innovation


©iCulture

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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