"Self-portrait cartema - me and Nilton Picagli (visit to Aloisio Magalhães's house)" (2003) by Gil VicenteMuseum of Modern Art Aloisio Magalhães

Natural from Recife, the visual artist Gil Vicente works with a variety of languages, including drawings, prints, paintings, pictures and sculptures.

"Self-portrait cartema - me and Maurício Castro (visit to Aloisio Magalhães's house)" (2002) by Gil VicenteMuseum of Modern Art Aloisio Magalhães

Although he is mostly known for his figurative paintings, his artistic career also passes through the roads of abstraction and his poetic coherence only reaffirms that subject.

"Self-portrait cartema - me and Ton Marar (visit to Aloisio Magalhães's house)" (2003) by Gil VicenteMuseum of Modern Art Aloisio Magalhães

"Self-portrait cartema - me and Eudes Mota (visit to Aloisio Magalhães's house)", Gil Vicente, 2002, From the collection of: Museum of Modern Art Aloisio Magalhães
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"Self-portrait cartema - me and Agnaldo Farias (visit to Aloisio Magalhães's house)", Gil Vicente, 2003, From the collection of: Museum of Modern Art Aloisio Magalhães
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Series "Sixty heads" No title (1997) by Gil VicenteMuseum of Modern Art Aloisio Magalhães

Gil looks for, as well the curator Moacir dos Anjos punctuated (in Gil Vicente: drawings. 2000), to "turn the representation frees of his glance need, to undo of his capacity to capture, in the clear light that floods the eye, the elements that individualize what he draws or paints."

Series "Sixty heads" No title (1997) by Gil VicenteMuseum of Modern Art Aloisio Magalhães

Series "Sixty heads" No title (1997) by Gil VicenteMuseum of Modern Art Aloisio Magalhães

Series "Sixty heads" No title, Gil Vicente, 1997, From the collection of: Museum of Modern Art Aloisio Magalhães
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“their illustrations, human heads in several positions and expressions, register the artist's capacity to create a type of amazing panel to honor the effort, the drama and the happiness of the human essence" Marcus de Lontra Costa (in Gil Vicente: drawings)

Series "Sixty heads" No title, Gil Vicente, 1997, From the collection of: Museum of Modern Art Aloisio Magalhães
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Series "Sixty heads" No title, Gil Vicente, 1997, From the collection of: Museum of Modern Art Aloisio Magalhães
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Series "Sixty heads" No title, Gil Vicente, 1997, From the collection of: Museum of Modern Art Aloisio Magalhães
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Series "Sixty heads" No title, Gil Vicente, 1997, From the collection of: Museum of Modern Art Aloisio Magalhães
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Series "Sixty heads" No title, Gil Vicente, 1997, From the collection of: Museum of Modern Art Aloisio Magalhães
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Series "Sixty heads" No title, Gil Vicente, 1997, From the collection of: Museum of Modern Art Aloisio Magalhães
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Series "Sixty heads" No title, Gil Vicente, 1997, From the collection of: Museum of Modern Art Aloisio Magalhães
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Series "Sixty heads" No title, Gil Vicente, 1997, From the collection of: Museum of Modern Art Aloisio Magalhães
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Series "Sixty heads" No title, Gil Vicente, 1997, From the collection of: Museum of Modern Art Aloisio Magalhães
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Series "Sixty heads" No title (1997) by Gil VicenteMuseum of Modern Art Aloisio Magalhães

Gil´s professional trajectory in plastic arts began in the 70´s, when still a teenager he dedicated to the study of various techniques in Recife School of Art. By the time he finished the high school, this course was intensified. The artist participated in individual and collective exhibitions in museums and national and international galleries.

Credits: Story

References:

MINDÊLO, Olívia. To friends and enemies. To all off us. In: VICENTE, Gil. Enemies. 2 e. Recife: G. Vicente, 2015.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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