1990 -1997

By Pérez Celis - Museo Virtual

Fundación Pérez Celis

The warrior, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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It is important to be oneself and not let yourself be hypnotized by fashion or fame. You have to give the best of yourself in this competitive world. Giving the best without comparing to others is the only possible way not to obscure your own creative capacity.
Pérez Celis 1990.

Artes y Antigüedades Review Artes y Antigüedades Review, Roberto Guevarra, 1990, From the collection of: Pérez Celis - Museo Virtual
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Artes y Antigüedades Review, From the collection of: Pérez Celis - Museo Virtual
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Artes y Antigüedades Review, From the collection of: Pérez Celis - Museo Virtual
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Artes y Antigüedades Review, From the collection of: Pérez Celis - Museo Virtual
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Oscuros poderes, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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Newspaper Listin Diario, 1990, From the collection of: Pérez Celis - Museo Virtual
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Totémico volcánico, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
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The argentine painters that are successful abroad The argentine painters that are successful abroad, Diana Castelar, 1990, From the collection of: Pérez Celis - Museo Virtual
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The argentine painters that are successful abroad, From the collection of: Pérez Celis - Museo Virtual
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Volcanic time, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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Measuring the flow of time, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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Travesia I, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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When I paint I don't think of the result, neither in competing with other artists, nor in pleasing the public. If I do this I would cease to put all my attention, passion and love into what I am doing. I don't think an artist can explain his work or the work needs to be explained.
Pérez Celis 1990.

Yellow and white, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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Adoración ceremonial, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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Collection Polly Ferman,
New York, USA.

Recuerdo pampeano, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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Pérez Celis with the rug Collection Louis de Poortere, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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Carpet for Collection Louis De Poortere.
Louis De Poortere

Especie desaparecida, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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The Beginnings, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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Signo cautivo II, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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Sincronizar el tiempo, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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Hoy Newspaper, Agustin Martin C., 1990, From the collection of: Pérez Celis - Museo Virtual
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Al otro lado del tiempo, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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The great day, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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Gaceta Iberoamericana, 1990, From the collection of: Pérez Celis - Museo Virtual
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Ángel poderoso, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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Listin Diario Newspaper, Gaston Diehl, 1990, From the collection of: Pérez Celis - Museo Virtual
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Mariposa loca, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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Collection, Edificio Central Park

Mariposa loca. Oil on canvas. 122 x 167 cm / 48 x 66 in. New York, USA. 1990.

Anterior al fuego, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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Vanquisher, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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Emergent, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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Black Sun, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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Traced territory I, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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Totémico volcánico, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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Touring Sto. Domingo, newspaper, Domingo González, 1990, From the collection of: Pérez Celis - Museo Virtual
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Lístin diario Newspaper, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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Volcanic Vertical, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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Life & Fitness Review, 1990, From the collection of: Pérez Celis - Museo Virtual
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Archive file, 1990, From the collection of: Pérez Celis - Museo Virtual
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Pérez Celis invited by IBM to the Annual Convention in Puerto Rico, along with Jorge Amado and Carlos Fuentes, representing Latin American art. 1990.

Video Convention IBM Latin America, 1990, From the collection of: Pérez Celis - Museo Virtual
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Sol Negro emergente, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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You can paint a circle, a splash, an apple or a landscape and transmit the essence and heritage of the Latin American spirit, which differentiates us from a French, German or North American artist.

The Latin American artist has in addition the great possibility to add the essence of his own culture to those that have been incorporated from Europe or the United States. This enables our enrichment and becomes something different and personal.
Pérez Celis, Puerto Rico 1990.

Catalogue Show in Elite Fine Art Gallery, 1990, From the collection of: Pérez Celis - Museo Virtual
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Agua escondida, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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El Caribe Newspaper, Laura Gil, 1990, From the collection of: Pérez Celis - Museo Virtual
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Catalogue exhibition Casas de Bastidas Catalogue exhibition Casas de Bastidas, Marianne de Tolentino, 1990, From the collection of: Pérez Celis - Museo Virtual
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Catalogue exhibition Casas de Bastidas, From the collection of: Pérez Celis - Museo Virtual
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Casa de Bastidas

Exhibition, Dominican Republic, Sto. Domingo. 1990.

El último viaje de Ulise, Pérez Celis, 1990/1991, From the collection of: Pérez Celis - Museo Virtual
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La Razón del Occidente, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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In fact, one of the most evident notes of Pérez Celis pictorial production since he arrived to New York is the velocity with which his interests, themes and plastic approximations change. The freedom finally found in this city lets him change all the time without having to renounce to himself. Thus, the temperamental dynamism at the beginnings of the eighties leads without conflicts to the quietness of paintings that explore the solid existence of certain symbols as the religious symbols ( the David Star and The cross in La razón de Occidente, 1990). Rodrigo Alonso, Without net.

Luces Milenarias, Pérez Celis, 1995, From the collection of: Pérez Celis - Museo Virtual
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Zen, Pérez Celis, 1988, From the collection of: Pérez Celis - Museo Virtual
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Catalogue Show Two Worlds at Anita Shapolsky Gallery, 1990, From the collection of: Pérez Celis - Museo Virtual
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The Washington Times, Alice Thorson, 1990, From the collection of: Pérez Celis - Museo Virtual
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Mail Guard, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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Collection Smithsonian Institute, American Art Archives

Mail Guard. Metal sculpture. 190 x 99 x 88 cm / 75 x 39 x 35 in. USA, New York. 1990.

Archive file, 1991, From the collection of: Pérez Celis - Museo Virtual
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Guerra Santa, Pérez Celis, 1990/1991, From the collection of: Pérez Celis - Museo Virtual
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Pérez Celis Creed, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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Pérez Celis about Creative Process, 2000, From the collection of: Pérez Celis - Museo Virtual
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Midiendo el fluir del tiempo, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
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Hispanic Review Hispanic Review, Estados Unidos, New York, From the collection of: Pérez Celis - Museo Virtual
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Hispanic Review, From the collection of: Pérez Celis - Museo Virtual
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Hispanic Review, From the collection of: Pérez Celis - Museo Virtual
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De fuentes sagradas - Mensajes, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
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Tempus White, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
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Encuentro de dos mundos, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
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Umbilical, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
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El Gráfico Newspaper, 1991, From the collection of: Pérez Celis - Museo Virtual
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Catalog shows Contemporary Plastic Gallery, 1991, From the collection of: Pérez Celis - Museo Virtual
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Vuelo a Venus - Panama, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
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The Americas Collection Private and Corporate Fine arts dealers

Vuelos a Venus - Serigraph

Sepulcro en Ginebra, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
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Europe Art Review Europe Art Review, Berta Sichel, 1991, From the collection of: Pérez Celis - Museo Virtual
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Europe Art Review, From the collection of: Pérez Celis - Museo Virtual
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Nuestra Sangre Colección, Casa Rosada. Casa de Gobierno, Buenos Aires, Argentina. 

Europe Art Review, From the collection of: Pérez Celis - Museo Virtual
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Herencia de una visión, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
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¿Victoria de quién?, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
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Collection Terra Bank, Miami

¿Victoria de quién?. Polychrome metal. 220 x 110 x 136 cm / 86 x 43 x 45 in. USA, New York. 1991.

Paisaje japonés, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
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La gran ceremonia, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
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Código Maya, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
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Catalogue Galería Sanyo Catalogue Galería Sanyo, 1991, From the collection of: Pérez Celis - Museo Virtual
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Catalogue Galería Sanyo, From the collection of: Pérez Celis - Museo Virtual
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Catalogue Galería Sanyo, From the collection of: Pérez Celis - Museo Virtual
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Catalogue Galería Sanyo, From the collection of: Pérez Celis - Museo Virtual
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Catalogue Galería Sanyo, From the collection of: Pérez Celis - Museo Virtual
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Catalogue Galería Sanyo, From the collection of: Pérez Celis - Museo Virtual
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Invitation Show in Sanyo Gallery, 1991, From the collection of: Pérez Celis - Museo Virtual
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Archive file, 1991, From the collection of: Pérez Celis - Museo Virtual
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Espacios nuevos, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
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La Nación Newspaper, Enrique Tovar, 1991, From the collection of: Pérez Celis - Museo Virtual
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In the country of the simple men, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
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Artist' Studio, 1991, From the collection of: Pérez Celis - Museo Virtual
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Pérez Celis Studio

United States, New York.

Vuelo liberador, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
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Liberar la presencia, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
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White Phoenix, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
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Plate Theory (Continentes en movimiento), Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
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Collection Mercedes Benz Factory Japan

Plate Theory (Continents in movement ) Mural, oil on canvas. 193 x 320 cm /76 x 128 in. Japan, Tokyo. 1991.

La Gaceta Newspaper, Rodolfo Windhausen, 1991, From the collection of: Pérez Celis - Museo Virtual
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Encerrar mensajes, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
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El País Cultural, Mónica Flores Correa, 1991, From the collection of: Pérez Celis - Museo Virtual
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Aguas del cenote, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
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Red essence, Pérez Celis, 1992/1993, From the collection of: Pérez Celis - Museo Virtual
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" Concéntricas memorias " técnica mixta sobre tela 178 x 138 cm / 60 x 54 inches, 1997, From the collection of: Pérez Celis - Museo Virtual
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1997.27 Germinal, 1997, From the collection of: Pérez Celis - Museo Virtual
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Text Pérez Celis, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
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Point of departure, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
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Utopía, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
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Utopía II, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
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Eco-logico alternativo, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
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Eco-lógico Rescate, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
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Eco-lógico Green, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
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Eco-lógico Tesion, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
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Eco-Sistema Blue, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
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Eco-sistema Red II, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
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Eco-tiempo Blue, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
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Man-Dragon, Pérez Celis, 1992/1993, From the collection of: Pérez Celis - Museo Virtual
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Condor, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
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Presencia Maya - Mariposa, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
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Video Show in Klemm Gallery, 1993, From the collection of: Pérez Celis - Museo Virtual
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Collection Foundation Federico Klemm

Presencia Maya - Mariposa. Oil on canvas. 122 x 274 cm /48 x 108 in. USA, New York. 1992.

Región Visible (I), Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
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Leyenda del maíz, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
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Newspaper article Passion and Liberty, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
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LP Cover Jean Manuel Serrat, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
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Centro de Arte Euroamericano show poster, 1992, From the collection of: Pérez Celis - Museo Virtual
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El Comercio Newspaper, 1992, From the collection of: Pérez Celis - Museo Virtual
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Catalogue Show in Expresiones Gallery, Abil Peralta Aguero, 1992, From the collection of: Pérez Celis - Museo Virtual
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Traced territory (1992) by Pérez CelisPérez Celis - Museo Virtual

Pérez Celis, today master of the lights and fantastic greys of New York, is and will remain what the unforgettable Martha Traba, great critic of art who left before the time, wrote before dying on the personality of Pérez Celis: "The peculiarity of Pérez Celis is that he paints a geometry with" swing "cheerful and charming, but at the same time with depth, with hidden situations, with symbols to decipher and also - why not? with the cursed word for a painter, poetry.
Abil Peralta Agüero. Latin American Art. 1992.

Occult laws (1992) by Pérez CelisPérez Celis - Museo Virtual

Mayan presence (1992) by Pérez CelisPérez Celis - Museo Virtual

Extreme South, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
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Show Museo de Arte Moderno Benjamín Carrión, M.Barrágan Dumet, 1992, From the collection of: Pérez Celis - Museo Virtual
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Show Museo de Arte Moderno Benjamín Carrión, Abil Peralta Aguero, From the collection of: Pérez Celis - Museo Virtual
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Casa de la Cultura ecuatoriana - Benjamín Carrión

Exhibition. Ecuador, Quito. 1992.

Vanidades Continental Review, From the collection of: Pérez Celis - Museo Virtual
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El Nuevo Herald Newspaper El Nuevo Herald Newspaper, Armando Alvarez Bravo, 1993, From the collection of: Pérez Celis - Museo Virtual
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El Nuevo Herald Newspaper, From the collection of: Pérez Celis - Museo Virtual
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Tributo al fuego, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
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Movimiento percutor, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
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Pérez Celis throws water on a canvas already painted with a motif. Without letting the water dry on the canvas, throws blue paint and gives brushstrokes to cover much of the background.” This is a technique that I discovered one day when I spilled water and paint on the floor and saw the effect that caused when running on the wood. A painter always finds something new in a mistake that has an unexpected effect. One has to be alert.”
Pérez Celis Interview Newspaper El Cronista, 1992

Personas Review Personas Review, 1993, From the collection of: Pérez Celis - Museo Virtual
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Personas Review, From the collection of: Pérez Celis - Museo Virtual
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Espíritu ritual II, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
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Active memory, Pérez Celis, From the collection of: Pérez Celis - Museo Virtual
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Thru the eyes of the heart, From the collection of: Pérez Celis - Museo Virtual
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Ritmo ecológico, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
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El libro de la memoria, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
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De antiguas escrituras, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
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La capital Newspaper, Fernando Farina, 1993, From the collection of: Pérez Celis - Museo Virtual
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Convergencias y Divergencias, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
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Tenebrae Lux, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
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La Nación Newspaper, Rafael Squirru, 1993, From the collection of: Pérez Celis - Museo Virtual
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Tributo, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
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La fuente del tiempo, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
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Unicenter Review, Luján Cambariere, 1993, From the collection of: Pérez Celis - Museo Virtual
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Leyenda del vuelo, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
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Vegetal origen, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
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LEA Magazine LEA Magazine, 1993, From the collection of: Pérez Celis - Museo Virtual
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LEA Magazine, Eduardo Mercedes Daconte, From the collection of: Pérez Celis - Museo Virtual
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Trama radiante, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
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Artículo de archivo Artículo de archivo, 1993, From the collection of: Pérez Celis - Museo Virtual
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Artículo de archivo, From the collection of: Pérez Celis - Museo Virtual
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Catalogue Exhibition, Museum of Modern Art of Mendoza, 1993, From the collection of: Pérez Celis - Museo Virtual
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Logo of the Museum designed by Pérez Celis

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Museum of Modern Art Mendoza, Argentina

Exhibition Works of New York Mendoza, Argentina. 1992

Blue star, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
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De antiguas memorias, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
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Integra natura, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
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Puerta sagrada, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
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La fuga del tiempo, Pérez Celis, 1994, From the collection of: Pérez Celis - Museo Virtual
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Memoria del Sur, Pérez Celis, 1994, From the collection of: Pérez Celis - Museo Virtual
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Libro testigo, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
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En el fondo de la memoria, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
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Metanoia radiante, Pérez Celis, From the collection of: Pérez Celis - Museo Virtual
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Los Orantes, Pérez Celis, 1994, From the collection of: Pérez Celis - Museo Virtual
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El disco de Odin (serie J.L.Borges), Pérez Celis, 1994, From the collection of: Pérez Celis - Museo Virtual
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Pérez Celis whith Piazzolando, Pérez Celis, 1995, From the collection of: Pérez Celis - Museo Virtual
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Collection Museum Amalia Lacroze De Fortabat

Piazzolando. Mixed media on canvas. 191 x 162 cm / 75 x 64 in. Buenos Aires, Argentina. 1995.

Historia de la noche (serie J.L.Borges), Pérez Celis, 1995, From the collection of: Pérez Celis - Museo Virtual
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" El libro de las noches, técnica mixta sobre tela 120 x 120 cm / 47 x 47 inches, 1995, From the collection of: Pérez Celis - Museo Virtual
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Tapa, 1999, From the collection of: Pérez Celis - Museo Virtual
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Encuentro de la luz, Pérez Celis, 1994, From the collection of: Pérez Celis - Museo Virtual
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Las leyes de la opulencia, 1996, From the collection of: Pérez Celis - Museo Virtual
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Nazca, Pérez Celis, 1994, From the collection of: Pérez Celis - Museo Virtual
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Collection, Museo Municipal de Bellas Artes Juan B.Castanino. Rosario, Argentina

Nazca. Mixed media on canvas. 180 x 200 cm / 71 x 79 in. Buenos Aires, Argentina. 1994.

Newspaper file, Orlando Barone, 1994, From the collection of: Pérez Celis - Museo Virtual
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El Gran Libro El Gran Libro, 1994, From the collection of: Pérez Celis - Museo Virtual
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"I probably felt that just as I was painting something so dramatic, as death I had to paint something as exciting as life by the side." El Gran libro is an entity, life and death.
Pérez Celis in an Interview about the 96 skulls.

El Gran Libro, Pérez Celis, From the collection of: Pérez Celis - Museo Virtual
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Working El gran libro, Pérez Celis, 1994, From the collection of: Pérez Celis - Museo Virtual
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El Gran Libro, From the collection of: Pérez Celis - Museo Virtual
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El Gran Libro, Pérez Celis, From the collection of: Pérez Celis - Museo Virtual
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Each one of the few friends who saw the painting felt or interpreted different things: "Dante The Divine Comedy, the Bible, Heart of Darkness, The missing peoples. I never thought of anything conscious about the missing ones, beyond the respect that they deserve. Nor did I think of Dante or Joseph Conrad. Just one night I couldn’t sleep with them in mind, I did a minimal sketch and began to paint day and night for fifteen days in a row. So focused, that I forgot to eat and lost four kilos. Pérez Celis in an interview about the 96 skulls.

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Collection Faculty of Architecture, Design and Urban Planning (FADU), University of Buenos Aires.

El gran libro. Mixed media on canvas. 800 x 600 cm / 314 x 236 in. Buenos Aires, Argentina. 1994.

Picture of performance in Biblioteca Nacional Picture of performance in Biblioteca Nacional, 1994, From the collection of: Pérez Celis - Museo Virtual
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Performance "El grand libro" during the Exhibition in National Public Library 300,000 visitors

Picture of performance in Biblioteca Nacional, From the collection of: Pérez Celis - Museo Virtual
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Picture of performance in Biblioteca Nacional, From the collection of: Pérez Celis - Museo Virtual
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Picture of performance in Biblioteca Nacional, From the collection of: Pérez Celis - Museo Virtual
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Picture of performance in Biblioteca Nacional, From the collection of: Pérez Celis - Museo Virtual
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Exhibition in the National Library, 1994, From the collection of: Pérez Celis - Museo Virtual
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How painting El Gran Libro took place, Gustavo Balboa and Alvaro Errandonea, From the collection of: Pérez Celis - Museo Virtual
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Arte al Día Internacional Arte al Día Internacional, From the collection of: Pérez Celis - Museo Virtual
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Arte al Día Internacional, From the collection of: Pérez Celis - Museo Virtual
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De Ronda Miami Herald, Armando Alvarez Bravo, 1994, From the collection of: Pérez Celis - Museo Virtual
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Noticias Review, Marina Denoy, 1994, From the collection of: Pérez Celis - Museo Virtual
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Al dios de la lluvia, Pérez Celis, 1994, From the collection of: Pérez Celis - Museo Virtual
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La Nación Newspaper, Rafael Squirru, 1994, From the collection of: Pérez Celis - Museo Virtual
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Gente Review, 1994, From the collection of: Pérez Celis - Museo Virtual
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Pérez Celis: La vida en colores, 1993, From the collection of: Pérez Celis - Museo Virtual
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Gente Review, 1994, From the collection of: Pérez Celis - Museo Virtual
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Pérez Celis: The Art of freedom, 1994, From the collection of: Pérez Celis - Museo Virtual
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Ámbito Financiero Newspaper, Orlando Barone, 1994, From the collection of: Pérez Celis - Museo Virtual
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Pérez Celis Voyage to inner matter, E.P.K., 1994, From the collection of: Pérez Celis - Museo Virtual
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Cable Vision Review Cable Vision Review, 1994, From the collection of: Pérez Celis - Museo Virtual
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Cable Vision Review, Cesar Magrini, From the collection of: Pérez Celis - Museo Virtual
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Cable Vision Review, Cesar Magrini, From the collection of: Pérez Celis - Museo Virtual
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Cable Vision Review, Maria D'Adamo, From the collection of: Pérez Celis - Museo Virtual
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National Library Mariano Moreno

Buenos Aires, Argentina.

Razones para salir Review, Enrique L. Gariglio, 1994, From the collection of: Pérez Celis - Museo Virtual
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Networking, Pérez Celis, 1996, From the collection of: Pérez Celis - Museo Virtual
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La Prensa Newspaper, Marta Garcia Falco, 1994, From the collection of: Pérez Celis - Museo Virtual
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Los cuatros elementos, Pérez Celis, 1995, From the collection of: Pérez Celis - Museo Virtual
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Universitas Universitas, Pérez Celis, 1995, From the collection of: Pérez Celis - Museo Virtual
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Universitas, From the collection of: Pérez Celis - Museo Virtual
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Mural, University of Morón

Universitas. Concrete, bronze, polychrome iron. 50 x 14 x 0.90 meter / 164 x 42 x 2 feet. Buenos Aires, Argentina. 1995.

Working at the Morón University Mural, Pérez Celis, 1994, From the collection of: Pérez Celis - Museo Virtual
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El Nuevo Herald Newspaper El Nuevo Herald Newspaper, Armando Alvarez Bravo, 1995, From the collection of: Pérez Celis - Museo Virtual
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1995 Libro Rafel Squirru Tapa, 1995, From the collection of: Pérez Celis - Museo Virtual
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1995 Libro Rafel Squirru Contra tapa178, 1995, From the collection of: Pérez Celis - Museo Virtual
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El talismán y su memoria (J.L.Borges), Pérez Celis, 1995, From the collection of: Pérez Celis - Museo Virtual
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Pérez Celis with the Mural XII Pan American Games, Pérez Celis, 1995, From the collection of: Pérez Celis - Museo Virtual
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Mar del Plata, Argentina.

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Mural, Polideportivo Islas Malvinas Mar del Plata, Argentina

Mural XII Pan-American Games. 2.1 x 7 mt / 82 x 275 in. Mixed media on canvas. Buenos Aires, Argentina. 1995.

El Nuevo Herald Newspaper, From the collection of: Pérez Celis - Museo Virtual
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Energía transformadora, Pérez Celis, 1995, From the collection of: Pérez Celis - Museo Virtual
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Comments on Argentinean Trade Comments on Argentinean Trade, Bonnie Tucker, 1995, From the collection of: Pérez Celis - Museo Virtual
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Comments on Argentinean Trade, From the collection of: Pérez Celis - Museo Virtual
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El Libro, Pérez Celis, 1994/1995, From the collection of: Pérez Celis - Museo Virtual
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Comments on Argentinean Trade, From the collection of: Pérez Celis - Museo Virtual
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Architecure with Art Catalogue Architecure with Art Catalogue, 1995, From the collection of: Pérez Celis - Museo Virtual
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Architecure with Art Catalogue, From the collection of: Pérez Celis - Museo Virtual
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Architecure with Art Catalogue, From the collection of: Pérez Celis - Museo Virtual
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Architecure with Art Catalogue, From the collection of: Pérez Celis - Museo Virtual
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Pérez Celis, itinerary of a painter, 1997, From the collection of: Pérez Celis - Museo Virtual
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S.O.S. Salvar la tierra, 1992, From the collection of: Pérez Celis - Museo Virtual
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Neuqén Newspaper, 1995, From the collection of: Pérez Celis - Museo Virtual
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Oltre il tempo, 1995, From the collection of: Pérez Celis - Museo Virtual
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Alcorta Review Alcorta Review, 1996, From the collection of: Pérez Celis - Museo Virtual
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Alcorta Review Alcorta Review, From the collection of: Pérez Celis - Museo Virtual
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Alcorta Review Alcorta Review, From the collection of: Pérez Celis - Museo Virtual
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Travesía, Pérez Celis, 1996, From the collection of: Pérez Celis - Museo Virtual
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Ventana para Matisse, Pérez Celis, 1996, From the collection of: Pérez Celis - Museo Virtual
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Collection Museum Amalia Lacroze de Fortabat

Ventana para Matisse. Mixed media on canvas. 107 x 132 cm / 42 x 52 in. Miami, USA . 1996.

Nocturno pampeano, Pérez Celis, 1996, From the collection of: Pérez Celis - Museo Virtual
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A genious called Pérez Celis A genious called Pérez Celis, 1997, From the collection of: Pérez Celis - Museo Virtual
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A genious called Pérez Celis, From the collection of: Pérez Celis - Museo Virtual
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A genious called Pérez Celis, From the collection of: Pérez Celis - Museo Virtual
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A genious called Pérez Celis, From the collection of: Pérez Celis - Museo Virtual
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El Iniciado II, Pérez Celis, 1997, From the collection of: Pérez Celis - Museo Virtual
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The soccer field of Boca an art work, 1997, From the collection of: Pérez Celis - Museo Virtual
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About Murals, 1997, From the collection of: Pérez Celis - Museo Virtual
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La Nación Newspaper, Luis Casabal, 1996, From the collection of: Pérez Celis - Museo Virtual
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Los Ídolos, Pérez Celis, 1997, From the collection of: Pérez Celis - Museo Virtual
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Mural, Athletic Club Boca Juniors

Los Ídolos. Venetian mosaic and bronze on cement. 400 x 1800 cm / 13 x 58 feet and 8 in. Buenos Aires, Argentina. 1997.

Mito y Destino, Pérez Celis, 1997, From the collection of: Pérez Celis - Museo Virtual
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Mural, Athletic Club Boca Juniors

Myth and Destiny. 4 x 18 mts /13 x 58 feet. Venetian mosaic, bronze and concrete. Buenos Aires, Argentina 1997..

Argentinean art Murals in Boca Junior Soccer Club, 1999, From the collection of: Pérez Celis - Museo Virtual
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Boca Superstar, Pérez Celis, 1997, From the collection of: Pérez Celis - Museo Virtual
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Germinal II, Pérez Celis, 1997, From the collection of: Pérez Celis - Museo Virtual
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Esplendor, Pérez Celis, 1997, From the collection of: Pérez Celis - Museo Virtual
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Místico, Pérez Celis, 1997, From the collection of: Pérez Celis - Museo Virtual
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La oración, Pérez Celis, 1997, From the collection of: Pérez Celis - Museo Virtual
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Camino del conocimiento, Pérez Celis, 1997, From the collection of: Pérez Celis - Museo Virtual
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University of Belgrano, Buenos Aires

Path to Knowledge. Polychrome wood. 500 x 300 cm / 16 x 10 feet. Buenos Aires, Argentina. 1997.

Galicia en el mundo Review Galicia en el mundo Review, 1997, From the collection of: Pérez Celis - Museo Virtual
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Galicia en el mundo Review, Carlos Penelas - Pérez Celis, From the collection of: Pérez Celis - Museo Virtual
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MAG & A Publicaciones, 1994, From the collection of: Pérez Celis - Museo Virtual
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Credits: Story

Fundación Pérez Celis
Designers: Iván Villani and Luz Arias

Request files at: fundacionperezcelis@gmail.com

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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