National Trust for Historic Preservation
Dr. Audra Bellmore and Priya Chhaya
Road sign along historic Route 66, New Mexico, United States of America, North America (2008-07-15) by Michael DeFreitasGetty Images
Untold stories of the Mother Road
The Hidden Legacies on Route 66 in New Mexico project brings together 66 stories from the” heyday” of Route 66 in New Mexico (1926-1966), before I-40 took over as the primary East-West highway.
These stories of sites, neighborhoods, individuals, and more expand the narrative to include the histories beyond the diners, drive-ins, motels, and road side attractions that we know and love.
Women on Route 66 in NM: Photo Collage (2025) by Center for Southwest Research, Library of Congress, Dorothea Lange, and Carol HighsmithNational Trust for Historic Preservation
7 Trailblazing Women
We wanted to share a glimpse of these stories through the experiences of seven women who lived along Route 66 in Albuquerque, Santa Fe and the surrounding areas.
Artists, suffragists, ranchers, photographers, and airplane pilots, some names on this list might be more familiar than others, but all were trailblazers.
Velarde’s colorful depictions were highly praised, and she soon embarked upon a career as a professional artist.
In 1939, Velarde and 10 other artists (many of whom were also graduates of The Studio) were hired to work on a set of seventeen richly colored frescoes on the walls of the recessed entranceway at Maisel’s Indian Trading Post in downtown Albuquerque in 1939.
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The artists came from New Mexico’s Indigenous Pueblo, Apache, and Navajo communities. Velarde’s contribution is called Santa Clara Women Selling Pottery.
After being hired by the Works Progress Administration from 1930-1945, she created 84 works of art depicting Pueblo life in the visitor’s center of Bandelier National Monument.
Learn more about Pablita Velarde.
Adelina Otero-Warren (1881-1965): Suffragist, public servant
Adelina "Nina" Isabel Emilia Luna Otero-Warren was born to descendants of two wealthy New Mexican landowning, political families. After her father was killed, her mother remarried and eventually moved them to a house at 135 Grant Avenue in Santa Fe.
Educated at Maryville College of the Sacred Heart in Missouri, Otero-Warren became a respected professional, suffragist, and public servant.
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A life of service
Otero-Warren led the New Mexico chapter of the national women’s suffrage organization, the Congressional Union (1915-1920), was superintendent of Santa Fe County Public Schools (1917-1929), and the first female inspector in the Indian Health Service (1922-1924).
She was also the first woman to win the Republican Party nomination for the U.S. House of Representatives (1922) and served as a literacy director for both the Civilian Conservation Corps (1935) and the Works Progress Administration (1937).
With her life and business partner of 20 years, Mamie Meadors, she homesteaded Las Dos Ranch outside of Santa Fe and developed Las Dos Real Estate and Insurance Company which she ran until her death in 1965.
Learn more about Adelina Otero-Warren.
She was the daughter of a senator and the wife of Congressman and later Senator Joseph Medill McCormick of Illinois who died by suicide in 1925. During this first marriage, she took part in progressive reform activities in Chicago while raising their three children.
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A new life in New Mexico
In 1932, she re-married Albert Gallatin Simms, a U.S. Congressman from New Mexico—while they were both serving their terms in Congress (a first!). They soon moved to Simms' hometown Los Ranchos de Albuquerque.
There, McCormick Simms created the Los Poblanos Ranch, a dairy and experimental farm that included grazing land that stretched from the Rio Grande to the foothills of the Sandia Mountains.
McCormick Simms ran the ranch, three media outlets, started the Sandia School for Girls, and built La Quinta, a cultural center adjacent to her ranch home, which served as the neighborhood’s first public library.
Learn more about Ruth Hanna McCormick Simms.
Dorothea Lange (1895-1965): Photographer
Dorothea Lange is best known for her work as a photographer for the Federal Resettlement Administration (FRA, later the Farm Security Administration in 1937) to document the experiences of migrant farm workers, mostly in the Southwest and in California during the Great Depression.
Lange also documented farm workers in New Mexico for the FRA at a planned, cooperative community called Bosque Farms, established on the historic alignment of Route 66 between Los Lunas and Albuquerque in 1935.
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Bosque Farms (Today)
Originally the home of Indigenous Tiwa and Piro tribes, the property became part of a Spanish land grant in the early 18th century known as Bosque del Pino (Forest Pines).
It was then included as part of a New Deal Program in 1934 which purchased land for planting and housing itinerant farm workers.
Women on Route 66 in NM: Dorothea Lange - Bosque Farms (1935-12) by Dorothea Lange and Library of CongressNational Trust for Historic Preservation
Searching for a new life
Here, Lange’s photographs recorded new arrivals to Bosque Farms, including many families with children escaping the Dust Bowl during the Great Depression. The rustic cabins, in some cases little more than tar paper shacks, were their first steps toward a new life.
Lange’s empathetic photographs captured the difficult experiences of families moving across the country in search of work.
Learn more about Dorothea Lange.
During this time, Pueblo pottery—practical craftwork long created for domestic use—was recognized for its artistry, skillfulness, and beauty by a large audience.
Maria and Julian Martinez established close ties and friendships with Edgar Lee Hewett and other Museum of New Mexico staff during the early years of the institution's archaeological field school on the Pajarito Plateau near their home at San Ildefonso Pueblo.
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Mainting ties to home through pottery
When Hewett established the Museum of New Mexico at the Palace of the Governors, Julian became the resident caretaker, and the family moved into the museum's living quarters. Separated from her pueblo, Maria maintained a link to traditional life by working on her pottery.
With Maria working as a potter and Julian as a designer, they created a striking new style by scoring patterns on a polished solid black background.
These pots were eventually sold in the Palace shop where they were highly prized by visitors.
Learn more about Maria Martinez.
Mary Jane Colter (1869-1958): Architect, designer
Santa Fe’s premier historic hotel, La Fonda on the Plaza, tells a multi-layered story, combining Route 66 and women’s history including the story of architect and designer Mary Jane Colter, who was the Harvey hospitality chain's principal interior designer.
As the creator of the hotel’s iconic interiors, Colter established a unique and recognizable aesthetic influenced by the regional vernacular buildings and art of the American Southwest.
For La Fonda, Colter designed every interior element of the hotel’s 156 guest rooms and public spaces.
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Creating an aesthetic
Colter clearly communicated the regional blending of the Indigenous and Spanish antecedents found in New Mexico, and used elaborate, locally-made tin chandeliers and light sconces throughout the hotel, highlighting the state’s traditional craft.
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She hired local artist Olive Rush to paint murals and decorative designs around fireplaces and door and window frames. Rush and her art students at the Santa Fe Indian School painted glass panels to resemble stained glass.
No two guest rooms were alike. Colter created the hotel’s popular Indian Room, a showcase and selling space for local crafts and decorative art. These emporiums, bursting with items displayed like museum exhibitions, marketed Southwest style throughout the country.
Learn more about Mary Jane Coulter and more women's history at La Fonda.
Katherine Stinson Otero (1891-1977): Aviatrix, architect
Katherine Stinson Otero was the fourth woman in the United States to earn a pilot’s license. She learned to fly as a teenager and became a stunt pilot to earn a living for herself and her family earning her the moniker the “Flying School Girl.”
Stinson Otero gained further national fame becoming the first woman to fly U.S. mail cross country.
During World War I, Stinson Otero was denied the option of flying combat missions for the Army Air Corps because of her gender, so she volunteered to drive an ambulance in France only to contract tuberculosis.
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Working toward recovery
Her four-year recovery at Sunmount Sanatorium on Route 66 in Santa Fe was slow, laden with relapses that left her unable to fly. During this time, she began a relationship with local attorney Miguel "Mike" Otero, the son of former governor of New Mexico Miguel Antonio Otero.
A decorated combat pilot during the war, he shared her love of flying. The two married and made their permanent home in Santa Fe.
Frail and with her aviation career over, Stinson Otero self-trained as an architect and began to design residences in Santa Fe, working exclusively in the regional adobe tradition. She became a busy “lay-architect,” builder, and real estate developer.
Learn more about Katherine Stinson Otero.
Discover more about each of these women and additional untold stories along Route 66 in New Mexico through the "Hidden Legacies on Route 66 in New Mexico project. This multi-year collaboration is between the National Trust for Historic Preservation's Preserve Route 66 campaign and the Center for Southwest Research at the University of New Mexico.
Learn more about the National Trust for Historic Preservation's campaign to preserve Route 66, sign our petition to advocate for the Mother Road, and then share your Route 66 story with us.
Explore other stories on the Mother Road
16 Places That Will Make You Want to Explore Route 66
Dr. Audra Bellmore works as a Professor in the University of New Mexico’s College of University Libraries and Learning Sciences, an Adjunct Professor in UNM’s Museum Studies Program, and Curator of the Meem Archives of Southwestern Architecture. Dr. Bellmore serves as the UNM representative on the National Park Service’s initiative, Research Route 66, a multi-state institutional collaborative. In this capacity, she conducts research and
Priya Chhaya is the associate director of content at the National Trust for Historic Preservation.
Entries come from a survey of the National Register of Historic Places, the State Register of Cultural Properties, the State of New Mexico Historic Marker program, the National Park Service Route 66 Corridor Preservation Program survey of extant sites, and local registers of historic properties.
This story is made possible by the generosity of David and Julia Uihlein.
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