An Ode to the Femminielli

Giuseppe Bonito's "Il Femminiello" (1740/1760) offers the only known depiction of overlooked members of Neopolitan society

The Femminiello (1740/1760) by Giuseppe BonitoPortland Art Museum

Femminielli

Due to social prejudice, cross-dressing was rarely depicted in European art until the modern era. This recently discovered painting from the mid-eighteenth century is a testament to the exceptional and long-standing acceptance of cross-dressers known as femminielli in Naples.

The Femminiello (1740/1760) by Giuseppe BonitoPortland Art Museum

The term, which might be translated “little female-men,” is not derogatory, but rather an expression of endearment. 

Femminielli come from impoverished neighborhoods, as is evidenced by this individual’s missing tooth and goiter, a common condition among the poor.

The Femminiello (1740/1760) by Giuseppe BonitoPortland Art Museum

Although femminielli cross-dress from an early age, they do not try to conceal their birth sex completely. 

Rather than being stigmatized, they are deemed special and accepted as a “third sex” that combines the strengths of both males and females. They are thought to bring luck.

The Femminiello (1740/1760) by Giuseppe BonitoPortland Art Museum

Femminielli are also popular companions for an evening of gambling. This association is represented by the necklace of red coral, which is similarly thought to bring good fortune. 

The Femminiello (1740/1760) by Giuseppe BonitoPortland Art Museum

Neapolitan genre paintings (images of everyday life) frequently feature a grinning figure to engage the viewer. We are invited to consider the artist’s playful inversion of traditional views of gender, which contrasts a "pretty" young male with the more masculine femminiello.

The Femminiello (1740/1760) by Giuseppe BonitoPortland Art Museum

In spite of Neapolitan acceptance, this painting is the only known representation of a femminiello before photographs made at the end of the nineteenth century. 

Credits: Story

Giuseppe Bonito (Italian, 1707–1789), Il Femminiello, 1740/1760. Oil on canvas; 30 3/8 × 24 7/8 in. Gift of the Ross Family Fund of Equity Foundation, 2014.107.1

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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