By Museum of Contemporary Art Bogotá
Gustavo A. Ortiz Serrano
Evolucionando by Liz Maria FernanadaMuseum of Contemporary Art Bogotá
Evolving
One of the qualities of the human being is his ability to adapt to change, this is the invitation that Maria Fernanda Liz makes us.
Procesos by Carolina VillamilMuseum of Contemporary Art Bogotá
Processes
To understand our existence as a process giving us an opportunity to exchange, so we planted it in his work Carolina Villamil.
Paisaje (1997) by Luz Helena CaballeroMuseum of Contemporary Art Bogotá
Landscape
Broad and contrasting areas of color give shape to a new interpretation of the landscape in the work of Luz Helena Caballero.
La Nina y La Muneca (1965) by Sofia UrrutiaMuseum of Contemporary Art Bogotá
Innocence
The innocence of this painting is not what it seems, behind the apparent image is a whole social code on the role of women.
Colombian Circus (2012) by Diana FarfánMuseum of Contemporary Art Bogotá
La idea vino del mar (2002) by Cecilia OrdóñezMuseum of Contemporary Art Bogotá
From the sea
We have an aquatic origin, we are beings of water and preserving it is synonymous with life. Cecilia Ordóñez focuses her work on this proposal.
Sin titulo by Esperanza PaezMuseum of Contemporary Art Bogotá
Threshold
Transparency, the air that circulates and renews the environment is vital in the work of Esperanza Páez.
Agua verde # 1 by Maria Cristina CortesMuseum of Contemporary Art Bogotá
Green water
Green is also synonymous with life, María Cristina Cortés takes fragments of puddles and invites us to observe the unexpected.
We want to highlight the valuable contributions of the women who are part of the permanent collection of our museum in the construction of a broader and more inclusive meaning about the social, political and aesthetic realities of our century.
We have established a common thread on the three primary colors, yellow, blue and red, which are also the colors of the Colombian flag, to group various trends, styles and concepts that women have worked on; the subject is not exhausted and we leave the interpretation open to our audience.
Curatorship and texts: Gustavo A. Ortiz Serrano