By Biennale of Sydney
22nd Biennale of Sydney: NIRIN
Shaheed / Witness / Kashmir Installation ImageBiennale of Sydney
Introduction
At Campbelltown Arts Centre and Cockatoo Island, Shaheed / Witness / Kashmir presents the work of nine photographers from Kashmir.
These images were created between 1986-2016 in Indian controlled Kashmir, as its people found themselves pulled between the exhilaration of a struggle for freedom and the violence of its consequences.
"The images were first brought together in the photobook Witness (2017). "The men who took these pictures had drifted – untrained – into photojournalism, and for the most part seen it as job, not an artistic practice. But to feed the insatiable appetites of the global hunger for images meant going out every-day, forced to look at their own world, and relentlessly pushed to engage with a story that in many ways was also about themselves."
- Sanjay Kak, Artist
About the artists
Meraj Ud Din
Born 1959 in Srinagar, Kashmir
Lives and works in Srinagar
Javeed Shah
Born 1967 in Srinagar, Kashmir
Lives and works in Srinagar
Dar Yasin
Born 1973 in Srinagar, Kashmir
Lives and works in Srinagar
Javed Dar
Born 1975 in Anantnag, Kashmir
Lives and works in Srinagar, Kashmir
Altaf Qadri
Born 1976 in Srinagar, Kashmir
Lives and works in Srinagar
Sumit Dayal
Born 1981 in Srinagar, Kashmir
Lives and works in Kathmandu, Nepal and New Delhi, India
Showkat Nanda
Born 1982 in Baramulla, Kashmir
Lives and works in Baramulla
Syed Shahriyar
Born 1992 in Srinagar, Kashmir
Lives and works in Srinagar
Azaan Shah
Born 1997 in Srinagar, Kashmir
Lives and works in Srinagar
Sanjay Kak
Born 1958 in Pune, India
Lives and works in New Delhi, India
Shaheed / Witness / Kashmir Shaheed / Witness / Kashmir (1986/2016)Biennale of Sydney
1986-2016
In Arabic, Persian & Urdu, the word ‘witness’ translates as ‘Shaheed’. In all three languages, the word also carries a second implication, that of ‘martyr’. It is in the breach offered between these parallel meanings that we locate the photographic work represented in 1986-2016.
Shaheed / Witness / Kashmir Installation ImageBiennale of Sydney
The images here were made in Kashmir between 1986-2016. These were decades of strife that came as the culmination of an older discontent, first against the feudal order of a Maharaja, and after the partition of British India in 1947, with Indian rule.
Shaheed / Witness / Kashmir Installation ImageBiennale of Sydney
This anger and restlessness broke out in mass protests on the street, and by 1990 this had metamorphosed into an armed uprising. This is what Kashmiris call the ‘militancy’.
Shaheed / Witness / Kashmir Installation ImageBiennale of Sydney
The presence of more than half a million Indian soldiers has transformed the Kashmir valley into one of the most militarized zones in the world. The crisis has only deepened in the present. In February 2020, Kashmir’s punishing internet shutdown entered its sixth month.
Shaheed / Witness / Kashmir Installation ImageBiennale of Sydney
This comprehensive installation of work presents a way for audiences to witness a conflict from afar which rages on after three decades in the Kashmir valley. This war has left at least 70,000 dead, 10,000 'missing' and many more carrying trauma from torture, sexual violence and an oppressive military presence that has turned the region into one of the most militarized zones in the world.
Tap to explore
Navigate through the gallery at Campbelltown Arts Centre and explore the installation 1986-2016.
Shaheed / Witness / Kashmir Installation ImageBiennale of Sydney
1992-2014
In addition to the Campbelltown Arts Centre, displayed on structures at Cockatoo Island are several large-scale works from 1992-2014 .
Shaheed / Witness / Kashmir Installation ImageBiennale of Sydney
Shaheed / Witness / Kashmir Shaheed / Witness / Kashmir (1992/2014)Biennale of Sydney
Shaheed / Witness / Kashmir Installation ImageBiennale of Sydney
Campbelltown Arts Centre
1986-2016
mixed-media installation, Campbelltown Arts Centre
Courtesy the artists
Installation design: Itu Chaudhuri Design; Print and digital imaging: Kaushik Ramaswamy
Cockatoo Island
1992-2014
mixed-media installation
Courtesy the artists: Sumit Dayal, Meraj ud Din, Showkat Nanda
Installation design: Itu Chaudhuri Design; Print and digital imaging: Kaushik Ramaswamy
Presented at the 22nd Biennale of Sydney with assistance from NIRIN 500 patrons
You are all set!
Your first Culture Weekly will arrive this week.