The director
Krzysztof Kieślowski on the final step of his directing career. The film Three Colors: Red (1994) is the last one he made and the last in a trilogy inspired by the colors of the French flag and the slogans of the French Revolution. Red is about brotherhood.
Werk from the film "Three Colors. Red" by Krzysztof Kieślowski. (1994) by Piotr JaxaContemporary Art Foundation In Situ
Valentine - the heroine of the movie
Irène Jacob played the sensitive model, Valentine, in Red. The ballerinas had previously become the heroines of Kieslowski's short documentary Seven Women of Different Ages.
Werk from the film "Three Colors. Red" by Krzysztof Kieślowski. (1994) by Piotr JaxaContemporary Art Foundation In Situ
Rita the dog
Rita - a dog that will lead to the meeting of the two main characters of the film: Valentine and Judge. Kieslowski was a dog lover. His own dog starred in The Scar, Kieslowski's feature debut.
Werk from the film "Three Colors. Red" by Krzysztof Kieślowski. (1994) by Piotr JaxaContemporary Art Foundation In Situ
An accident
The turning point of the film. Valentine hits a dog. An accident that will lead to an encounter between a young empathetic girl and a bitter old man.
Werk from the film "Three Colors. Red" by Krzysztof Kieślowski. (1994) by Piotr JaxaContemporary Art Foundation In Situ
Judge Kern
Krzysztof Kieślowski and Jean-Louis Trintignant in the role of judge Kern. Trintignant: “When I read the script, I was impressed. And then, once I got to know Kieślowski, I was full of enthusiasm.”
Werk from the film "Three Colors. Red" by Krzysztof Kieślowski. (1993) by Piotr JaxaContemporary Art Foundation In Situ
Cinematographer Piotr Sobociński
Krzysztof Kieślowski and cinematographer Piotr Sobociński look at the encounter of the old judge and Valentine. From that moment everything will change in the film. The girl will get involved with the old man and he will change her outlook on the world around her.
Werk from the film "Three Colors. Red" by Krzysztof Kieślowski. (1994) by Piotr JaxaContemporary Art Foundation In Situ
The love of August
A separate theme: the love of August (Jean-Pierre Lorit) for Karin (Frédérique Feder) and her adultery. Kieślowski: “We adopted the conditional mode of narration - what if the judge had been born 40 years later. Everything that happens to August happened to the judge once."
Werk from the film "Three Colors. Red" by Krzysztof Kieślowski. (1994) by Piotr JaxaContemporary Art Foundation In Situ
On set at Valentine's apartment
Kieślowski, on set at Valentine's apartment, looks at Irène Jacob, who previously starred in his La double vie de Véronique.
Werk from the film "Three Colors. Red" by Krzysztof Kieślowski. (1994) by Piotr JaxaContemporary Art Foundation In Situ
Lost love
Red is also a film about lost love, about adultery. Irène Jacob: “When we repeated the scene with Jean-Louis, I tried to imagine the woman the judge once loved.”
Werk from the film "Three Colors. Red" by Krzysztof Kieślowski. (1994) by Piotr JaxaContemporary Art Foundation In Situ
A technocrane
A technocrane at the window of Valentine's apartment. From whose point of view is the camera looking inside? Kieslowski: “Maybe there is someone who sees it all, who is the technocrane (...). I think it's not a game of cinema, it's a game of that someone looking at us.”
Werk from the film "Three Colors. Red" by Krzysztof Kieślowski. (1994) by Piotr JaxaContemporary Art Foundation In Situ
A billiard ball
In a film about chance, is a billiard ball one of its symbols? Piotr Sobociński (behind the camera), cinematographer of Red: “Every little detail was subordinated to something we had thought of beforehand (...). The result was a list of about 300 significant elements.”
Werk from the film "Three Colors. Red" by Krzysztof Kieślowski. (1994/1994) by Piotr JaxaContemporary Art Foundation In Situ
A coded foreshadowing of the events to come
The judge's car against the background of a billboard (...). The same frame will be captured by a TV camera filming survivors of a sea disaster. The billboard turned out to be one of those significant objects that carry in the film a coded foreshadowing of the events to come.
Werk from the film "Three Colors. Red" by Krzysztof Kieślowski. (1994/1994) by Piotr JaxaContemporary Art Foundation In Situ
Piotr Jaxa-Kwiatkowski
Piotr Jaxa-Kwiatkowski took several thousand photographs on the set of Three Colors trilogy. A quarter of a century earlier, he made cinematography for From the City of Łódź, a short documentary and the first professional film that Kieślowski made.
Werk from the film "Three Colors. Red" by Krzysztof Kieślowski. (1994) by Piotr JaxaContemporary Art Foundation In Situ
Theater in Lausanne
Kieślowski in his youth wanted to become a theater director. He shot his first TV feature, Personnel, partly autobiographical, in an opera house. In his last film, one of the most important scenes of Red was shot in a theater in Lausanne.
Texts for Piotr Jaxa’s photos were written by Mikołaj Jazdon.
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