Nicholas Roerich Collection

Unique collection of works by Nicholas Roerich sent by the artist himself from India to Riga

Kuluta, Nicholas Roerich (Николай Рерих, 1874–1947), 1936, From the collection of: The Art Museum RIGA BOURSE
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On the Heights (Tummo), Nicholas Roerich (Николай Константинович Рерих, 1874‒1947), 1936, From the collection of: The Art Museum RIGA BOURSE
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Mercy, Nicholas Roerich (Николай Константинович Рерих, 1874‒1947), 1936, From the collection of: The Art Museum RIGA BOURSE
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Bhagavan, Nicholas Roerich (Николай Константинович Рерих, 1874‒1947), 1931, From the collection of: The Art Museum RIGA BOURSE
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Om Mani Padme Hum, Nicholas Roerich (Николай Константинович Рерих, 1874‒1947), 1932, From the collection of: The Art Museum RIGA BOURSE
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The unique collection of paintings and graphic works by Nicholas and Svetoslav Roerich were sent from India to the Latvian Roerich Society (1930–1940) in Riga.

Kuluta (1936) by Nicholas Roerich (Николай Рерих, 1874–1947)The Art Museum RIGA BOURSE

The paintings came to Riga from the Kullu valley and the Western Himalayas.

Om Mani Padme Hum (1932) by Nicholas Roerich (Николай Константинович Рерих, 1874‒1947)The Art Museum RIGA BOURSE

The artist himself and his wife Helena Roerich carefully selected the paintings for Latvia from recently created works.

The larger part of the collection was received in 1937.

Bhagavan (1931) by Nicholas Roerich (Николай Константинович Рерих, 1874‒1947)The Art Museum RIGA BOURSE

At the end of 1930, the Latvian Roerich Society’s museum had become an important centre for culture in Riga. Alongside paintings by Nicholas and Svetoslav Roerich there were also works by well-known Latvian, Lithuanian and Estonian masters.

The Latvian Roerich Society was dissolved in 1940.

On the Heights (Tummo) (1936) by Nicholas Roerich (Николай Константинович Рерих, 1874‒1947)The Art Museum RIGA BOURSE

The further history of the collection is tied to dramatic events – the political situation in Latvia during the war and Stalin’s repressions, which resulted in the collection being deposited to the State Museum of Latvian and Russian Art (now the Latvian National Museum of Art) in 1950.

Perhaps the fact that the artist himself selected the works has given the Riga collection a special uniformity and spirituality.

Mercy (1936) by Nicholas Roerich (Николай Константинович Рерих, 1874‒1947)The Art Museum RIGA BOURSE

Collection works –“Mercy”, “On the Heights”, “The Path” – reflect the artist’s perception of the world and the main ideas of the Living Ethics. 

The paintings reveal the master’s characteristic qualities of his India period: clean, saturated colours, a laconic, generalised form, an expressive composition.

Kuluta (1936) by Nicholas Roerich (Николай Рерих, 1874–1947)The Art Museum RIGA BOURSE

The works are painted in tempera. The velvety surface absorbs light and creates a special depth and saturation of the colours.

The Nicholas Roerich Riga collection that was wholeheartedly gifted to Latvia – the land of his ancestors – has become an inalienable part of the state’s cultural heritage.

Credits: Story

Exhibition Curator: Ksenija Rudzīte, Curator of the Foreign Painting Collection, LNMA / Art Museum RIGA BOURSE 
Photos: Normunds Brasliņš, Gvido Kajons

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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