Klipfontein Stone by San and KhoeOriginal Source: Origins Centre, University of the Witwatersrand
Making paint
Q1: How did San artists make their paint? What ingredients did they use?
Colourful powders ground from stones (2020) by Tania OlssonOriginal Source: Tammy Hodgskiss
A1: The main pigments used in rock art paint are ochre, charcoal or ash. Ostrich eggshells were sometimes ground to make white paint.
Egg albumin, resin and blood were also added as binders to the paint to make it last longer - and to make it more potent, spiritually.
Copy of Sebaaieni Cave, Ndedema Gorge (2006) by Harold PagerOriginal Source: Rock Art Research Institute
Special ingredient
Q2: What special ingredient was sometimes added to the paint to make it more potent?
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A2: Eland blood
Fresh eland blood added potency to the paint and painting. This means that painting was sometimes done directly after a hunt.
Trance dance, San rock painting (2019) by San Hunter-GathererOriginal Source: Rock Art Research Institute, University of the Witwatersrand. www.sarada.co.za
Deeper meaning
Q3: What special event is shown in this painted image?
This ritual was intricately linked with much of the imagery seen in San rock art.
Trance dance, redrawing (2019) by San Hunter-GathererOriginal Source: Rock Art Research Institute, University of the Witwatersrand. www.sarada.co.za
A3: A trance dance
For the San, the indigenous people of southern Africa, the activation of energy and contact with the spirit word is achieved through the communal trance dance.
Rain animal (2019) by San Hunter-GathererOriginal Source: Rock Art Research Institute, University of the Witwatersrand. www.sarada.co.za
Mythical beast?
Q4: What mythical beast is believed to be portrayed in this panel. What is the human figure trying to do with the animal?
A4: The rain animal
One of the most fearsome creatures of the spirit world is the rain-animal. In times of drought, a healer must visit the spirit world to lure the ferocious rain-animal out. Once caught, the animal is guided into the real world, where it is taken to the place where rain is needed.
Painted eland and rhebok (2006) by Origins CentreOriginal Source: Origins Centre and the Rock Art Research Institute, University of the Witwatersrand
Antelope
Q5: The main buck in this panel was believed to hold large amounts of spiritual potency (or /nom or !gi). What animal is depicted?
Eland (2006) by Origins CentreOriginal Source: Origins Centre
A5: The eland
The eland, the largest antelope in the world, plays a prominent role in San ritual, belief and rock art.
It is one of the most frequently painted and engraved animals in some parts of southern Africa.
Limpopo, South Africa (2021) by Tammy HodgskissOriginal Source: Origins Centre, University of the Witwatersrand
Knowing the Landscape
Q6: Where, in the landscape, is the painted rock art found, and where are engravings usually found?
Limpopo, South Africa (2021) by Tammy HodgskissOriginal Source: Origins Centre, University of the Witwatersrand
A6: Painted art is found in rock shelters and caves, in special places and where it has been protected from the elements.
Engravings were mostly made on large boulders in an open landscape.
Pecked rock engraving of a rhinoceros (2019) by San Hunter-GathererOriginal Source: Origins Centre and the Rock Art Research Institute, University of the Witwatersrand
Petroglyph
Q7: What gave these engravings a magical quality?
Pecked rock engraving of an eland, indeterminate and graffitti (Poul 1962) (2019) by San Hunter-GathererOriginal Source: Origins Centre and the Rock Art Research Institute, University of the Witwatersrand
A7: Some of the engravings can only be seen with carefully positioned lighting, as would have been the case in their natural landscape. At certain times of day the engravings would have 'magically' appeared, which was presumably the intention of the engraver, and added to the impact of the image.
Wartrail panel (2006) by Origins CentreOriginal Source: Origins Centre and the Rock Art Research Institute, University of the Witwatersrand
Transformations
Q8: What are these part-human, part-animal beings called by researchers?
Axis Mundi (2006) by Russell ScottOriginal Source: Origins Centre, University of the Witwatersrand
A8: Therianthropic or anthropomorphic figures
Therianthropes are beings which are portrayed in the art of many groups across the world, including the rock art of the San in southern Africa. They are depictions of mythical beings which are part-human and part-animal.
Fine-line rock engraving depicting a elephant (2019) by San Hunter-GathererOriginal Source: Origins Centre and the Rock Art Research Institute, University of the Witwatersrand
Technique
Q9: What are the two techniques that San and Khoe people used to create rock engravings?
Geometric pecked rock engraving (2019) by Khoe (Khoi) herdersOriginal Source: Origins Centre and the Rock Art Research Institute, University of the Witwatersrand
A9: The main techniques used to engrave images were pecking and fine-line engraving using a sharp object.
Pecking involves knocking an implement or stone against a boulder to remove small pieces of rock to create the image. Fine-line engravings are made with a sharp object which is used to score lines.
Eland, San rock painting by San Hunter-GathererOriginal Source: Rock Art Research Institute, University of the Witwatersrand. www.sarada.co.za
Dating the painted art
Q10: How old is the rock art that has been dated in South Africa?
Rock paintings are among the most difficult archaeological artifacts to date. The inorganic pigments typically found in rock art cannot be dated.
Trance dance, San rock painting (2019) by San Hunter-GathererOriginal Source: Rock Art Research Institute, University of the Witwatersrand. www.sarada.co.za
A10: The oldest dated representational rock art in southern Africa is from Apollo 11 rock shelter in Namibia. The paintings are 27 000 years old.
Most dated rock art from southern Africa dates to within the last 6000 years. Most of the art in the uKhahlamba-Drakensberg region is thought to be between 3000 and 1500 years old.
The San and Khoe peoples of southern Africa
Rock Art Research Institute
South African Rock Art Digital Archive
Stephen Townley Bassett
Tania Olsson
David Pearce
Online Exhibition Curator: Tammy Hodgskiss