Photographing in Chicago

A selection of Chicago photographers in the MoCP collection

Jim's Original, Maxwell St. (1987/1990) by Patty CarrollMuseum of Contemporary Photography

Blues Brothers (1987/1990) by Patty CarrollMuseum of Contemporary Photography

Patty Carroll

Carroll photographed some of the 2,000 hot dog stands in Chicago, a cultural staple to the city’s urban landscape. Interested in the history of these popular establishments, she was also drawn to the vibrant, eccentric, and comical characteristics of their hand-painted signage.

Superdawg, Dusk, Milwaukee and Devon (1987/1990) by Patty CarrollMuseum of Contemporary Photography

Carroll has long been in interested in the vivid colors and iconography of American pop culture, and the Chicago hot dog stands provided the perfect subject matter. 

FORMS AND RECORDS BW NO. 8 (2014) by Doug FogelsonMuseum of Contemporary Photography

Doug Fogelson

Fogelson pays tribute to Chicago’s Institute of Design, which was established in 1937 and produced some of the earliest innovators in the field of photography. Working in the school’s original darkroom, these prints are the last works ever created there before remodeling.

FORMS AND RECORDS NO. 13 (2014/2015) by Doug FogelsonMuseum of Contemporary Photography

In his photograms, using a retro color palette, Fogelson channels how Chicago’s history of photography and design are indebted to the legacy of the Institute of Design.

Perpetual Shadow (2014) by Clarissa BonetMuseum of Contemporary Photography

Clarissa Bonet

Bonet observes and takes note of chance encounters and interactions she witnesses between strangers on the streets of downtown Chicago.

Absence Presence (2014) by Clarissa BonetMuseum of Contemporary Photography

Initially recording the interactions with her iPhone, she later restages the moments, setting up her location, lighting, and models to recreate the scenes, featuring individuals anonymously and solitarily navigating an urban terrain. 
 

Girls Dancing, Englewood, Chicago (2008) by Carlos Javier OrtizMuseum of Contemporary Photography

Lil Al Vigil, Englewood, Chicago (2008) by Carlos Javier OrtizMuseum of Contemporary Photography

Carlos Javier Ortiz

Ortiz photographs youth and families that have been involved in or affected by acts of gun violence. He began the project by focusing on the families of two young girls from Chicago who were the unintended victims of a neighborhood shooting.

Lil Al Funeral, Englewood, Chicago (2008) by Carlos Javier OrtizMuseum of Contemporary Photography

Ortiz considers gun violence from multiple perspectives over the course of many months and years. This approach creates a complex narrative that traces issues beyond headline appeal.

Credits: Story

To learn more about photographers in Chicago visit mocp.org

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
Explore more
Related theme
United States of Culture
From Yosemite to Broadway, take a trip around the States with more than 560 American institutions
View theme

Interested in Visual arts?

Get updates with your personalized Culture Weekly

You are all set!

Your first Culture Weekly will arrive this week.

Home
Discover
Play
Nearby
Favorites