Tarsila in Quotation Marks

By Museu da Imagem e do Som

Interview with Tarsila do Amaral (left), recorded at her apartment on Rua Albuquerque Lins by Plácido de Campos Júnior Museu da Imagem e do Som As you navigate the exhibition, listen to the interview Tarsila do Amaral gave at her residence in 1971. The interview is part of MIS’s online collection and is available at the following links: Part 1 Part 2

Ranch workers lodgings at Santa Tereza Ranch, owned by Tarsila do Amaral’s family by Authorship unknown and Reproduced by Fernando Scavone Museu da Imagem e do Som “I have loads of memories… I was extremely free, I’d play, frolic along the walls and in the trees, I loved to play, I had five brothers.” From the transcription of the interview with Tarsila do Amaral, recorded on May 13, 1971. MIS Collection.

Piolin (Abelardo Pinto) at Santa Tereza Ranch, owned by Tarsila do Amaral by Authorship unknown and Reproduced by Fernando Scavone Museu da Imagem e do Som

Tarsila do Amaral in Paris by Authorship unknown and Reproduced by Fernando Scavone Museu da Imagem e do Som “In 1920, Tarsila embarked for Europe […] settling in Paris […] According to João Souza Lima, the Tarsila that arrived in Paris had girlish airs, but a woman’s boldness.” (Mary Del Priore. From the book Tarsila – Uma vida doce-amarga, 2022)

Tarsila do Amaral in Paris by Authorship unknown and Reproduced by Fernando Scavone Museu da Imagem e do Som “I’d always been bashful, terribly shy, and I still am today… I even quit studying piano under Souza Lima because of it. After three years of lessons, I stopped, because I knew I’d have to go on stage… I started painting out of timidity.”

Oswald de Andrade and Tarsila do Amaral in Paris by Authorship unknown and Reproduced by Fernando Scavone Museu da Imagem e do Som

Oswald de Andrade and Tarsila do Amaral in Paris by Authorship unknown and Reproduced by Fernando Scavone Museu da Imagem e do Som Oswald de Andrade and Tarsila do Amaral in Paris by Authorship unknown and Reproduced by Fernando Scavone Museu da Imagem e do Som

Tarsila do Amaral by Authorship unknown and Reproduced by Fernando Scavone Museu da Imagem e do Som “Paul Poiret used to make my dresses.” (French designer, 1879–1944).

Tarsila do Amaral by Authorship unknown and Reproduced by Fernando Scavone Museu da Imagem e do Som “Paul Poiret used to make my dresses.” (French designer, 1879–1944). Tarsila do Amaral by Authorship unknown and Reproduced by Fernando Scavone Museu da Imagem e do Som

Tarsila do Amaral by Authorship unknown and Reproduced by Fernando Scavone Museu da Imagem e do Som Tarsila do Amaral by Authorship unknown and Reproduced by Fernando Scavone Museu da Imagem e do Som

Tarsila do Amaral by Authorship unknown and Reproduced by Fernando Scavone Museu da Imagem e do Som “I made a painting especially, one of my best, called A caipirinha (Country Girl). Oswald took the title and wrote a poem for me: Caipirinha vestida de Poiret.”

Oswald de Andrade and Tarsila do Amaral on deck by Authorship unknown and Reproduced by Fernando Scavone Museu da Imagem e do Som “I received a letter from Anita Malfatti telling me all about the Modern Art Week.” “Soon after that [June, 1922], Anita, who was already my good friend, introduced me to Oswaldo de Andrade, Menotti del Picchia, and Mário de Andrade.”

Patrícia Galvão, Anita Malfatti, Benjamin Peret, Tarsila do Amaral, Oswald de Andrade, Elsie Houston, Alvaro Moreyra, Eugênia Álvaro Moreyra, and an unidentified individual by Authorship unknown and Authorship of the reproduction unknown Museu da Imagem e do Som “I received visits from lots of people… my studio was huge, so there was room for plenty of people.”

Oswald de Andrade and Tarsila do Amaral photographed alongside dona Olívia Guedes Penteado (center), Betita Penteado (with a copy of Pau Brasil), Goffredo da Silva Telles, and Carolina Penteado da Silva Telles by Authorship unknown and Reproduced by Fernando Scavone Museu da Imagem e do Som “Dona Olívia [Guedes Penteado] often met with us too. And Di Cavalcanti would always be there, as was I.”

Tarsila do Amaral at Santo Antônio Ranch, owned by dona Olívia Guedes Penteado by Authorship unknown and Reproduced by Fernando Scavone Museu da Imagem e do Som

Tarsila do Amaral at Santo Antônio Ranch, owned by dona Olívia Guedes Penteado by Authorship unknown and Reproduced by Fernando Scavone Museu da Imagem e do Som Tarsila do Amaral at Santo Antônio Ranch, owned by dona Olívia Guedes Penteado by Authorship unknown and Reproduced by Fernando Scavone Museu da Imagem e do Som

Trip to Minas Gerais by Authorship unknown and Reproduced by Fernando Scavone Museu da Imagem e do Som “I remember everything about our trip to Minas. Mário de Andrade also came.”

Right to left: Tarsila do Amaral, Oswald de Andrade, Dulce, Dr. Altino Arantes, Biela Arantes, Cláudio de Souza, and Dona Luisinha by Authorship unknown and Reproduced by Fernando Scavone Museu da Imagem e do Som “The tour of the Orient was driven by a curiosity to see new things, see the East, which was so very different to our reality here.”

Right to left: Tarsila do Amaral, Oswald de Andrade, Dulce, Dr. Altino Arantes, Biela Arantes, Cláudio de Souza, and Dona Luisinha by Authorship unknown and Reproduced by Fernando Scavone Museu da Imagem e do Som “The tour of the Orient was driven by a curiosity to see new things, see the East, which was so very different to our reality here.” Right to left: Tarsila do Amaral, Oswald de Andrade, Dulce, Dr. Altino Arantes, Biela Arantes, Cláudio de Souza, and Dona Luisinha by Authorship unknown and Reproduced by Fernando Scavone Museu da Imagem e do Som

Right to left: Tarsila do Amaral, Oswald de Andrade, Dulce, Dr. Altino Arantes, Biela Arantes, Cláudio de Souza, and Dona Luisinha by Authorship unknown and Reproduced by Fernando Scavone Museu da Imagem e do Som Right to left: Tarsila do Amaral, Oswald de Andrade, Dulce, Dr. Altino Arantes, Biela Arantes, Cláudio de Souza, and Dona Luisinha by Authorship unknown and Reproduced by Fernando Scavone Museu da Imagem e do Som

Trip to the Middle East: Oswald de Andrade, Tarsila, and Dulce aboard ship (seated in the second row on the right) by Authorship unknown and Reproduced by Fernando Scavone Museu da Imagem e do Som

Commemoration of the 50th anniversary of the Modern Art Week of 1922: Tarsila do Amaral at the MASP exhibition by Gabriel Bonduki Museu da Imagem e do Som “There’s the thing… I was always very correct in this regard. People were forever saying that I took part in the Modern Art Week, which was almost like a laurel, wasn’t it? But no, I heard all about it in Paris, in a letter from Anita Malfatti.”

Commemoration of the 50th anniversary of the Modern Art Week of 1922: Tarsila do Amaral at the MASP exhibition by Gabriel Bonduki Museu da Imagem e do Som “I still work. These are all new; these paintings are recent … I’m still producing.” “They’re already copying me.” (From the transcription of the interview with Tarsila do Amaral, recorded on May 13, 1971. MIS Collection)

Tarsila in Quotation Marks

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