Autumn

Gregorio Vásquez de Arce y Ceballos (attributed)

By Colonial Museum

Beyond the symbolism of this painting lies a fascinating story. Discover it on this tour!

Autumn (Siglo XVII) by Gregorio Vásquez de Arce y CeballosColonial Museum

This painting belongs to the series The Four Seasons, attributed to the renowned colonial neogranadine painter Gregorio Vásquez de Arce y Ceballos. 

Currently, only two of the four paintings from this series are preserved: “Autumn”, which belongs to the collection of the Colonial Museum; and “Winter”, which is part of a private collection. 

“Summer” and “Spring” were lost on February 7th , 1945, in a fire. These works, along with other pieces, were sent to the Atlantic coast to exhibit part of the museum’s heritage there. 

Upon returning, some crates containing the paintings of the Seasons burned in the storage warehouses of the Calamar port in Bolívar. 

This painting could be classified as a still life, a pictorial genre that represents inanimate objects such as fruits, flowers, or utensils, typically arranged in a carefully crafted composition. 

Along with depicting everyday aspects, these types of paintings often contain symbolic messages associated with both secular and religious themes. 

In “Autumn”, the fruits harvested in the northern hemisphere during this season stand out. We can thus see clusters of grapes, symbols of Christ. 

The pomegranate, another autumnal fruit, represents the unity of the faithful congregated under the Catholic Church. Furthermore, in the context of this painting, it alludes to the New Kingdom of Granada. 

On the other hand, the royal crown engraved on the jug represents monarchical power. The pomegranate located beside it complements the message, alluding to the union between the monarchy and the Church. 

The iconographic motif of the four seasons also symbolizes the four stages of life. In this case, autumn represents maturity, personified by the male figure participating in the scene. 

In these types of images, both the complex symbolic framework of Baroque painting and the European influences that marked American pictorial production are evident. 


Autumn 

Gregorio Vásquez de Arce y 

Ceballos (attributed) 

Oil on canvas 

c. 1675 

Credits: Story


Créditos 

MUSEOS COLONIAL Y SANTA CLARA 

 

Dirección / Museum Director 

María Constanza Toquica Clavijo 

 

Curaduría / Curation 

Anamaría Torres Rodríguez 

María Isabel Téllez Colmenares 

 

Administración de colecciones / Collection Management 

Paula Ximena Guzmán López 

 

Editorial / Editorial 

Tanit Barragán Montilla 

 

Divulgación y prensa / Communications 

Jhonatan Chinchilla Pérez 

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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