Bodys Isek Kingelez - Creator of imaginary cities

"I created these cities so there would be lasting peace, justice and universal freedom"

Contemporary African Art Collection - The Jean Pigozzi Collection

New Manhattan (2002) by Bodys Isek KingelezContemporary African Art Collection - The Jean Pigozzi Collection

In the hands of Bodys Isek Kingelez, an artist who was born in 1948, Kimbembele Ihunga, Democratic Republic of Congo and who died in 2015 in Kinshasa, the African metropolis becomes an urban utopia.

Congolese Red Star (1990) by Bodys Isek KingelezContemporary African Art Collection - The Jean Pigozzi Collection

After graduating from secondary school, Kingelez made Kinshasa his home in 1970. Over the next seven years he studied part time, supporting himself through teaching. During these years, Kinshasa had become a sprawling, chaotic, anarchic city that was falling apart.

Mongolique Sovietique (sic) (1989) by Bodys Isek KingelezContemporary African Art Collection - The Jean Pigozzi Collection

After graduating from secondary school, Kingelez made Kinshasa his home in 1970. Over the next seven years he studied part time, supporting himself through teaching. During these years, Kinshasa had become a sprawling, chaotic, anarchic city that was falling apart.

Industria da Pharmacia (1992) by Bodys Isek KingelezContemporary African Art Collection - The Jean Pigozzi Collection

Kingelez, highly aware of this, dedicated himself aesthetically, politically, and poetically to questioning the human condition, and after 1977, he began to experiment with assembling fantastic structures that offered a redemptive vision for the city.

Aéromode, modern airport (1991) by Bodys Isek KingelezContemporary African Art Collection - The Jean Pigozzi Collection

After 1985, Kingelez dedicated himself entirely to what he calls “Architectural Modelism.” For Kingelez, this project is one of regeneration; he has stated, “Art is superior knowledge, a vehicle for individual renewal in improving the general well-being.”

Papitheca (Project for a National Library) (1992) by Bodys Isek KingelezContemporary African Art Collection - The Jean Pigozzi Collection

He has created hundreds of models from found materials in which paper, cardboard, and plastic are used to construct the present, the future, and the hopes of an African renewal. After 1992, he started imagining entire cities.

Bodystate (1999) by Bodys Isek KingelezContemporary African Art Collection - The Jean Pigozzi Collection

These colossal works are made up of buildings—some playful, some imposing, some utterly fantastic—that are incorporated into a carefully conceived urban grid. Avenues, parks, waterways, stadiums, and monuments are also part of Kingelez’s meticulous vision.

Air Force (1990/1991) by Bodys Isek KingelezContemporary African Art Collection - The Jean Pigozzi Collection

Together these elements fulfill all the functions of an ideal metropolis that the artist would like to see built.

Ses Butterfly (1990/1991) by Bodys Isek KingelezContemporary African Art Collection - The Jean Pigozzi Collection

His first city was called Kimbembele Ihunga, to honour his native village, his dead father and his mother, who still lives there.

Ville fantôme (1996) by Bodys Isek KingelezContemporary African Art Collection - The Jean Pigozzi Collection

About these works—Ville Fantôme (1995), Kinshasa: Project for the Third Millennium (1997), the City of the Future (2000), he noted: “I wanted my art to serve the community that is being reborn to create a new world, because the pleasures of our earthly world depend on the people who live in it. I created these cities so there would be lasting peace, justice and universal freedom. They will function like small secular states with their own political structure, and will not need policemen or an army.”

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