Freedom Rising: Remembering the Abolition Movement and Campaign for Civil Rights in Boston, 1770s - 1930s

By Museum of African American History, Boston and Nantucket

Museum of African American History, Boston and Nantucket

Meet Boston's black community leaders, abolitionists, and
activists and explore the ways in which they strategically used the power of
public memory in their pursuit of freedom.

First Independent Baptist Church, Belknap Street (1843) by Dickinson, S. N.Museum of African American History, Boston and Nantucket

This exhibition examines the lives, work, and legacies of Boston’s black and abolitionist communities and the ways they documented their history, memory, and activism. From the American Revolution through the end of Reconstruction, black Bostonians pushed to expand the boundaries of freedom and citizenship in Boston, Massachusetts and the United States.

This movement manifested in petitions, speeches, organizations, lawsuits, writings, and protests spanning over eight decades and culminated with the 13th amendment ending slavery in 1865. The legal, constitutional, and social advances that followed during Reconstruction secured citizenship, equal protection, and voting rights for African Americans. Memory was and continues to be a powerful tool strategically levied in the process of crafting meaning, purpose, and legacy for this work and the men, women, and families who made it possible.

Petition by a number of African Blacks to the General Court of the Commonwealth of Massachusetts Petition by a number of African Blacks to the General Court of the Commonwealth of Massachusetts (1786/1787)Museum of African American History, Boston and Nantucket

The American Revolution and Abolitionist Activism (1770-1863)

Black abolitionists critically
challenged popular memory of the American Revolution to position their cause as
the fulfillment of those Revolutionary promises of liberty and equality. Black leaders deliberately elevated the public
memory of African American participation in the American Revolution to bolster
their campaign for citizenship through the 19th century. Further,
the community’s founders of the Revolutionary era, most notably Prince Hall (c.1735-1807),
provided a useful model to fuse the work of cultivating leadership, community
uplift, and abolition that continued well into the 20th
century. Early victories in the global
campaign against slavery – the independence of Haiti in 1804, the end of the
international slave trade in 1808, and emancipation in the British West Indies
– were commemorated and utilized to support the anti-slavery movement at home.

Prince Hall, a man who had formerly been enslaved, was an active citizen in Revolution-era Boston. He was an entrepreneur, a voter, and one of the founders of the African Masonic Lodge. He was a principal leader among Boston’s black community.

During and after the Revolution, Prince Hall and other black citizens actively criticized the denial of the ideals of freedom, rights, and equality to black men, women, and children. With the end of slavery in Massachusetts in 1783, Prince Hall and other African Americans repeatedly petitioned the Massachusetts legislature for their rights – to education for their children, to protection against illegal enslavement, and for amends for the disadvantages wrought by enslavement.

For example, in this petition from 1787, “a number of African blacks” requested financial support from the state for their plan to re-settle with their families in West Africa and establish a commercial enterprise based on the cultivation of sugar cane.

Their plan to re-settle was a direct response to the “strong prejudices, fixed by custom and education” that they faced in America. While this document is unsigned, a petition bearing strikingly similar language – likely a later draft - was submitted to the legislature on January 1, 1787 with eighty signatures, including Prince Hall’s.

Lewis Hayden by J. S. Conant & Co., EngraversMuseum of African American History, Boston and Nantucket

The tradition established by Prince Hall and his contemporaries provided an important foundation for anti-slavery and civil rights activism that black Bostonians continued to build on well into the 19th and 20th centuries.

John J. Smith (1890/1900) by Smith, Hamilton Sutton (1857-1924)Museum of African American History, Boston and Nantucket

As members of the Prince Hall Masons, leading Boston black activists such as Lewis Hayden and John J. Smith applied these principles within their immediate community and to the broader national abolition movement.

Masonic Centennial, Prince Hall Grand Lodge (1908) by Smith, Hamilton Sutton (1857-1924)Museum of African American History, Boston and Nantucket

The memory of Prince Hall’s life and work is also deeply embedded in the traditions of the Prince Hall Masonic Order, which grew to include auxiliaries across the country and still exists today.

In this photograph, a group of Prince Hall Masons gather for a centennial celebration at Prince Hall’s gravesite in Boston’s Copp’s Hill Burying Ground in 1908.

Prince Hall Monument (1895/1915) by Smith, Hamilton Sutton (1857-1924)Museum of African American History, Boston and Nantucket

The Masons installed this monument at the site in 1895, which reflects the deep significance that his life and work held, even after the Civil War and nearly a hundred years after his death.

Monument to Crispus Attucks and victims of the Boston Massacre (1890/1910) by Smith, Hamilton Sutton (1857-1924)Museum of African American History, Boston and Nantucket

Crispus Attucks is another Revolutionary-era figure who became a powerful symbol for Boston’s black abolitionists.

A man of African and Native American descent, Crispus Attucks had been enslaved in Framingham, Massachusetts, but ran away as a young man in 1750. On March 5, 1770, Crispus Attucks was the first man killed in the Boston Massacre, arguably the starting point of the American Revolution.

However, during and after the Revolution, Crispus Attucks’ name and his ancestry as a man of color disappeared from public discourse and was widely forgotten.

The Colored Patriots of the American Revolution, with sketches of several Distinguished Colored Persons: to Which is Added a Brief Survey of the Condition and Prospects of Colored Americans. The Colored Patriots of the American Revolution, with sketches of several Distinguished Colored Persons: to Which is Added a Brief Survey of the Condition and Prospects of Colored Americans. (1855) by Nell, William Cooper (1816-1874)Museum of African American History, Boston and Nantucket

However, Attucks’ story re-emerged within the Boston black community in the late 1830s, with additional research spearheaded by pioneering black historian William Cooper Nell in his work The Colored Patriots of the American Revolution.

The Colored Patriots of the American Revolution, with sketches of several Distinguished Colored Persons: to Which is Added a Brief Survey of the Condition and Prospects of Colored Americans. Crispus Attucks, the first martyr of the American Revolution, King (now State) Street, Boston, March 5, 1770Museum of African American History, Boston and Nantucket

The memory of Crispus Attucks and his position as the first martyr of the American Revolution became a powerful tool for organizing and activism within the anti-slavery movement.

Commemorative Meeting in Faneuil Hall (1858-03-05) by Nell, William Cooper (1816-1874)Museum of African American History, Boston and Nantucket

By the 1840s and 1850s, black community militias throughout the North were named in his honor and annual commemorations of “Crispus Attucks Day” on March 5 were regular occurrences.

During the 1850s, when black Bostonians were campaigning for their right to serve in the armed forces and the idea of black citizenship was directly challenged by the Supreme Court in the Dred Scott decision, abolitionists raised the example of Crispus Attucks to serve their agenda.

If a black man was first to die in the fight to create this country, they reasoned, how dare the United States government now deny them the right to fight for their country and fail to guarantee their full citizenship within it?

A Memorial of Crispus Attucks, Samuel Maverick, James Caldwell, Samuel Gray, and Patrick Carr from the City of Boston FrontispieceMuseum of African American History, Boston and Nantucket

William Nell and others petitioned for a permanent monument to Crispus Attucks as early as 1851. It was not until 1887 that the legislature approved and commissioned the memorial.

It was dedicated on Boston Common in 1888.

The Rights of All The Rights of All (1829-10-09) by Cornish, Samuel (1795-1858), editorMuseum of African American History, Boston and Nantucket

Abolitionists also strategically re-purposed the rhetoric of the American Revolution as a way of linking their objectives of ending slavery and securing equal rights with national identity and shared memory. Newspapers provide one example where this practice is clear.

The first documented African American newspaper was called Freedom’s Journal and its successor, also published by Samuel Cornish, was The Rights of All. Both newspapers employed Revolutionary values in their titles.

The Cradle of Liberty masthead (1839-06-15) by Garrison, William Lloyd (1805-1879), editorMuseum of African American History, Boston and Nantucket

Later, William Lloyd Garrison republished anti-slavery content from The Liberator in another newspaper, The Cradle of Liberty.

The masthead includes an image Faneuil Hall, a site of Revolutionary fame, at the center and a quote by former President John Adams. The quote visually and rhetorically links the memory of the struggle for freedom from the British with their contemporary struggle for freedom from enslavement.

Discourse Delivered at the African Meeting House, in Boston, July 14, 1808, in Grateful Celebration of the Abolition of the African Slave Trade by the Governments of the United States, Great Britain and Denmark Discourse Delivered at the African Meeting House, in Boston, July 14, 1808, in Grateful Celebration of the Abolition of the African Slave Trade by the Governments of the United States, Great Britain and Denmark, Morse, Jedidiah (1761-1826), 1808, From the collection of: Museum of African American History, Boston and Nantucket
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International victories against slavery, particularly the abolition of the slave trade by Britain and the United States in 1808 and Emancipation in the British West Indies in 1834, served as cause for celebration and commemoration for black Bostonians.

Dr. Channing's Last Address Delivered at Lenox, on the First of August, 1842, at the Anniversary of Emancipation of the British West Indies, Channing, William Ellery (1780-1842), 1842, From the collection of: Museum of African American History, Boston and Nantucket
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Published sermons delivered on these occasions reflect the community’s purposeful cultivation of these events as moments of pride and celebration. They came together to remember these moments of progress toward freedom and to reinforce and re-energize the continued work towards ending slavery at home and abroad.

Henry Augustus Monroe, Drummer (1863/1865)Museum of African American History, Boston and Nantucket

Emancipation and the Civil War (1863-1910s)

The Civil War brought about many of the core objectives of the abolition movement: the Emancipation Proclamation, black military service, and the 13th amendment to the Constitution permanently ending slavery. Still, the battle for the lasting public memory of these landmark moments had only begun. Black Bostonians actively participated in the battle for Civil War memory, especially for the recognition of black soldiers’ service and the meaning and legacy of Emancipation.  

First Reading of the Emancipation Proclamation Before the Cabinet (1866) by Ritchie, Alexander Hay (1822-1895), engraver and Carpenter, Francis Bicknell (1830-1900), artistMuseum of African American History, Boston and Nantucket

Emancipation, proclaimed by President Abraham Lincoln on January 1, 1863 and secured by the 13th amendment to the Constitution in 1865, marked a turning point in the meaning of freedom in America.

President Abraham Lincoln was remembered as the “Great Emancipator” for his role in these important milestones, a characterization that was often reinforced by art and imagery.

This widely distributed print depicts President Lincoln’s first reading of the Emancipation Proclamation to his Cabinet in the summer of 1862.

Emancipation Group, Washington, D.C. (1890/1910) by Smith, Hamilton Sutton (1857-1924)Museum of African American History, Boston and Nantucket

The Freedman’s Monument, designed by sculptor Thomas Ball, and unveiled in Washington D.C. in 1876, likewise depicts Lincoln as granting emancipation to a kneeling enslaved man.

Emancipation (1913) by Fuller, Meta Vaux Warrick (1877-1968)Museum of African American History, Boston and Nantucket

But for black communities and abolitionists – black and white, men and women – emancipation represented the culmination of decades of their activism and protest against slavery. Thousands of enslaved men and women whose flight from southern plantations forced the government to take a stand also helped bring about emancipation.

In 1913, W.E.B. DuBois commissioned African American artist Meta Vaux Warrick Fuller to create a new interpretation of emancipation in honor of its fiftieth anniversary.

Fuller’s Emancipation depicts male and female figures emerging from the tree of knowledge with grace and determination. This sculpture shows emancipation as a transformation that African American men and women faced with strength and dignity.

This interpretation was particularly important in the context of the early 20th century, when black communities across the country faced continuing civil rights campaigns and the threat of violence.

Marching On! - The Fifty-fifth Massachusetts Colored Regiment Singing John Brown's March in the Streets of Charleston, February 21, 1865 (1865-03-18)Museum of African American History, Boston and Nantucket

The Emancipation Proclamation represented a turning point in the history of black military service, too, as it officially invited black men to serve in the armed forces of the United States in the Civil War. Nearly two hundred thousand African Americans served in the Civil War, including Massachusetts’ 54th and 55th Regiments and 5th Cavalry.

Sergeant Major John H. Wilson, 1864-06-03, From the collection of: Museum of African American History, Boston and Nantucket
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The service of these young black men marked a turning point for them, their families, and for the nation.

For soldiers like Sgt. John Wilson, this photograph in uniform may have been a way to document with pride his war service for later generations.

Henry Augustus Monroe, Drummer, 1863/1865, From the collection of: Museum of African American History, Boston and Nantucket
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For drummer Henry Monroe, a photograph may have been a poignant keepsake left with family before departing for war. Monroe was only thirteen when he enlisted and many years later he recalled his comrades’ keen awareness of remembrance and sacrifice before the regiment’s first major engagement at the Battle of Fort Wagner:

“…for the first time in history, black men would lead white men on the field of battle…Watches, rings, letters and loving messages for the dear ones at home are confided to the care of the men who remain behind guarding the captured outworks.”

Sergeant William H. Carney holding 54th Regiment flag, 1863, From the collection of: Museum of African American History, Boston and Nantucket
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Sergeant William Carney was awarded the Medal of Honor for his service at Fort Wagner in 1900.

The Charge on Fort Wagner (1900) by Carney, William Harvey (1840-1908)Museum of African American History, Boston and Nantucket

He too recalled the details of the battle in his acceptance speech, even though it was delivered thirty-seven years after the Battle of Fort Wagner.

Frances Ellen Watkins Harper (1893) by Louis Edward Levy (1846-1919) and Max Levy (18571926) as Levytype Co., Philadelphia, Pennsylvania, photoengraversMuseum of African American History, Boston and Nantucket

Poet and activist Frances Ellen Watkins Harper was among many who were keenly aware of both the black community’s and the nation’s attention on the service of the 54th and other black regiments.

Soon after the 54th Regiment’s charge at Fort Wagner, Harper published a poem in tribute to them, becoming an early participant in the process of commemorating black service.

Her poem acknowledges the death of Colonel Robert Gould Shaw, but pays equal attention to the enlisted black men whose “dying hearts poured out a balm | To heal the wounded nation’s life.”

Even at this mid-point in the war, she framed black service as essential to healing the nation.

Robert Gould Shaw (1864) by Lewis, Edmonia (c.1845-c.1911)Museum of African American History, Boston and Nantucket

The process of securing the public memory of the 54th Regiment and other black soldiers’ Civil War service began immediately and continued well into the 20th century.

Early commemorative efforts focused on the regiment’s martyred white leader, Robert Gould Shaw, who was killed at the Battle of Fort Wagner.

Sculptor Edmonia Lewis, a woman of African and Native American descent, had recently arrived in Boston when she was commissioned to create this bust of Colonel Robert Gould Shaw in 1864. Plaster copies of the work were then sold at the Soldier’s Relief Fair to benefit the war effort.

Exercises at the Dedication of the Monument to Colonel Robert Gould Shaw and the Fifty-Fourth Regiment of Massachusetts Infantry, May 31, 1897 FrontispieceMuseum of African American History, Boston and Nantucket

The Boston black community, led by caterer and community activist Joshua Bowen Smith, spearheaded an effort to install a permanent memorial to Shaw in 1865. Finally, in 1883, the monument was commissioned by a largely white committee of patrons.

In 1897, sculptor Augustus Saint-Gaudens’ masterpiece was unveiled and dedicated on Boston Common. Significantly, it depicts the martyred Shaw on horseback at the center.

But it also includes the enlisted men of the 54th marching honorably and purposefully toward their destiny.

Proposed layout for added inscription Robert Gould Shaw Memorial (1982) by John Stevens Shop, TheMuseum of African American History, Boston and Nantucket

The careful and dignified representation of the 54th Regiment’s enlisted men was unique in the context of late nineteenth century war memorials. Still, the monument’s inscriptions only mentioned the regiment’s white officers.

It was not until 1982, nearly over eighty years after it was first installed and 119 years after the regiment left Boston, that the names of any black men were added to this monument of public memory.

This is one of the proposed layouts for how the added names would be arranged.

Frederick Douglass Frederick Douglass (1994) by Lillie, Lloyd (1932 - ), sculptor and Green, Almont, photographerMuseum of African American History, Boston and Nantucket

Remembering Abolitionists and Activists (1860s-1930s)

By the closing decades of the 19th century, abolitionists had witnessed their primary objective of ending slavery achieved. The goal of securing equal rights and citizenship for black Americans had seen stunning advances made during Reconstruction, but had also seen those gains reversed or curtailed by law and practice after the end of Reconstruction. As the abolitionists and activists who had dedicated their lives to this work aged, they faced the challenge of both preserving the legacy of the work they had done and making the lessons of the past usable to the rising generation of leaders. This new set of activist men and women would have to continue the campaign for equal rights and justice in the face of increasingly rampant legal, economic, and physical subjugation of black people throughout the country. The late 19th and early 20th centuries proved to be a test of abolitionist memory and its usefulness in sustaining both community and activism.

Hon. Frederick Douglass (1895)Museum of African American History, Boston and Nantucket

Frederick Douglass, who was born into enslavement but escaped to become one of the nation’s most prominent abolitionists and voices of freedom, was keenly aware of the power of memory.

As the nation rushed to reunite and move on in the wake of the Civil War and Reconstruction, Douglass was one of the most commanding voices to challenge the conciliatory attitude toward the War.

Instead, he argued the Civil War must be remembered as a war fundamentally about slavery in which there was a right side, a wrong side, and unfinished promises yet to fulfill.

The Life and Times of Frederick Douglass, from 1817 to 1882, Written by Himself. (1882) by Douglass, Frederick (c.1817-1895) and Lobb, John, editorMuseum of African American History, Boston and Nantucket

In his third and final autobiography, Life and Times of Frederick Douglass, published in 1882 and again in 1892, Douglass recalled his life’s work and shared his interpretation of its usefulness for the rising generation; he called the final chapter of his life “a life of victory, if not complete” alluding to the unfinished work of the pursuit of equality.

William Lloyd Garrison and His Times; or, Sketches of the Anti-Slavery Movement In America and of the Man Who Was Its Founder and Moral Leader William Lloyd Garrison and His Times; or, Sketches of the Anti-Slavery Movement In America and of the Man Who Was Its Founder and Moral Leader (1880) by Johnson, Oliver (1809-1889)Museum of African American History, Boston and Nantucket

Like Douglass, many others hurried to document the abolition movement and its legacy before it was too late and history had written their story for them.

Abolitionist Oliver Johnson revealed his sense of anxiety about public understanding of abolitionism in his introduction to his biography of William Lloyd Garrison:

“The abolition of slavery in the United States is an event of the past, and the generation now coming upon the stage will know no more of the struggles it cost, or of the men and women by whose toils and sacrifices it was brought about than can be found in a chapter of history but imperfectly written.”

Anti-Slavery Boston Anti-Slavery Boston (1890-12) by Grimke, Archibald (1849-1930)Museum of African American History, Boston and Nantucket

Journalist and lawyer Archibald Grimké also wrote a full-length biography of William Lloyd Garrison as well as this article titled “Anti-Slavery Boston.”

Anti-Slavery BostonMuseum of African American History, Boston and Nantucket

Grimké's article was particularly focused on remembering not only the people, but the sites, that were significant to the abolitionist movement.

Pioneers of Freedom (1866) by B. B. Russell & Co.Museum of African American History, Boston and Nantucket

However, even those who were conscious of preserving the memory of the abolitionist movement could easily conjure a distorted history of abolition. Both Johnson and Grimké contributed to a historical narrative and public memory of abolition that began with and revolved around William Lloyd Garrison – rather than crediting early black anti-slavery activists such as Prince Hall, David Walker, and many others.

The Underground Rail Road. A Record of Facts, Authentic Narratives, Letters &c., Narrating the Hardships Hair-breadth Escapes and Death Struggles of the Slaves in their efforts for Freedom, as related by themselves and others, or witnessed by the author The Underground Rail Road. A Record of Facts, Authentic Narratives, Letters &c., Narrating the Hardships Hair-breadth Escapes and Death Struggles of the Slaves in their efforts for Freedom, as related by themselves and others, or witnessed by the author (1872) by Still, William (1821-1902)Museum of African American History, Boston and Nantucket

Abolitionist William Still published The Underground Rail Road in 1872. In it, he documented the many diverse experiences of individuals’ and families’ self-emancipation and of the complex network that assisted them. His records provided an important counterpart to growing mythology about what it was like to escape enslavement.

Harriet Tubman (1869) by Bradford, Sarah H. (1818-1912)Museum of African American History, Boston and Nantucket

Sarah Bradford’s biographies of Harriet Tubman, published in 1869 and 1886, were based on interviews and stories collected from Harriet. Bradford specifically stated that she wanted to preserve Harriet Tubman’s place in history and memory:

“Her name deserves to be handed down to posterity, side by side with the names of Jeanne D'Arc, Grace Darling, and Florence Nightingale, for not one of these women, noble and brave as they were, has shown more courage, and power of endurance, in facing danger and death to relieve human suffering...”

Autograph Album Frederick Douglass (c.1818-1895), 1883, From the collection of: Museum of African American History, Boston and Nantucket
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It was not just the abolitionists who were concerned about their prior careers though – rising generations of activists and community members also sought them out as renowned and accomplished leaders.

Abolitionist autograph albums compiled during the 1880s reveal the high regard in which community members held abolitionist men and women such as Frederick Douglass, Lewis Hayden, and Maria Weston Chapman.

Autograph Album Lewis Hayden (c.1811-1889), 1883-01-11, From the collection of: Museum of African American History, Boston and Nantucket
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Autograph Album Maria Weston Chapman (1806-1885), 1883-02-10, From the collection of: Museum of African American History, Boston and Nantucket
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John J. Smith (1890/1900) by Smith, Hamilton Sutton (1857-1924)Museum of African American History, Boston and Nantucket

The Smith Family also illustrates the importance of family as an avenue for preserving the memory of abolition. John J. Smith was a Prince Hall Mason and ardent abolitionist as well as a business owner, Civil War recruiter, and elected official.

John J. Smith Family Group by Smith, Hamilton Sutton (1857-1924)Museum of African American History, Boston and Nantucket

John and his wife Georgianna had six children, each of whom went on to be accomplished artists, educators, and professionals.

John and Georgianna’s only son, Hamilton, became a dentist and lawyer and was an avid photographer.

Julia Hamilton Smith (1905/1920) by Smith, Hamilton Sutton (1857-1924)Museum of African American History, Boston and Nantucket

Hamilton’s daughter, Julia was born in 1885 and lived until 1980. In 1978, she gave an extensive oral history interview as part of the Black Women Oral History Project conducted with support from the Radcliffe Institute at Harvard University.

In Julia’s interview at age 93, she revealed the important role that the memory of her grandfather as an activist and abolitionist played in her life and identity:

“My grandfather was a very strong-minded man, very kind hearted, very keen, and an excellent orator, and he did his own thinking, and fearless. He persisted to be interested in the abolitionist movement until the Civil War was fought, and the slaves were supposed to be free and have the same rights as other citizens, people in America. And up to this present day, the struggle is still going on. I want that recorded.”

Hamilton Sutton Smith by Smith, Hamilton Sutton (1857-1924)Museum of African American History, Boston and Nantucket

Hamilton’s photographs also reveal the importance of family and heritage in his life.

Hamilton Sutton Smith and John James Smith (1890/1900) by Smith, Hamilton Sutton (1857-1924)Museum of African American History, Boston and Nantucket

His subjects include his parents, especially his father...

The Smith Family (1900/1910) by Smith, Hamilton Sutton (1857-1924)Museum of African American History, Boston and Nantucket

...as well as his sisters, wife, and children.

Masonic Centennial, Prince Hall Grand Lodge (1908) by Smith, Hamilton Sutton (1857-1924)Museum of African American History, Boston and Nantucket

Hamilton’s photos also capture Boston’s monuments to Crispus Attucks and the 54th Regiment as well as gatherings of the Prince Hall Masons, a group to which both he and his father belonged.

Hamilton is pictured here second from the right.

The Woman's Era The Woman's Era by Ruffin, Josephine St. Pierre (1842-1924), editor and Matthews, Victoria Earle (1861-1907)Museum of African American History, Boston and Nantucket

The work of abolitionists also proved valuable to the rising generation of civil rights activists during the late 19th and early 20th centuries.

In this 1896 issue of The Woman’s Era magazine, created by and for black women, Victoria Earle Matthews reported on efforts to feature eighty year old Harriet Tubman as a guest at their next meeting:

“It will be an inspiration for the rising generation to see and clasp hands with this noble mother in Israel!”

Celebration of the One Hundredth Anniversary of the Birth of William Lloyd Garrison Celebration of the One Hundredth Anniversary of the Birth of William Lloyd Garrison (1905-12-10/1905-12-11) by Citizens of Boston and Suffrage League of Boston and VicinityMuseum of African American History, Boston and Nantucket

In 1905, Boston hosted a two day centennial celebration of abolitionist William Lloyd Garrison’s life and work, organized primarily by black community leaders under the Boston Suffrage League.

Organizers called the event “a remarkable tribute to the memory of one of the world’s great moral heroes by the citizens of the city where he worked, suffered and triumphed, a generation after his death.”

The One Hundredth Anniversary of the Birthday of William Lloyd Garrison at the Joy Street African Baptist Church The One Hundredth Anniversary of the Birthday of William Lloyd Garrison at the Joy Street African Baptist Church (1905-12-10) by Boston Literary and Historical AssociationMuseum of African American History, Boston and Nantucket

One session of this celebration was held in the African Meeting House, which was then used as a synagogue. The speeches and ceremony focused on Garrison’s accomplishments but the featured speakers also talked about the importance of continuing to channel the dedication and sacrifice that Garrison had demonstrated toward uplift within black communities of their time.

Journalist and playwright Pauline Hopkins said: “Let us vow, as the greatest tribute we can pay to Mr. Garrison’s memory, to keep alive the sacred flame of universal liberty in the Republic for all races and classes, by every legitimate means.”

All Day Observance of the One Hundredth Anniversary of the Birth of Frederick Douglass All Day Observance of the One Hundredth Anniversary of the Birth of Frederick Douglass (1917) by Citizens of Greater Boston and National Equal Rights LeagueMuseum of African American History, Boston and Nantucket

In 1917, the Boston Suffrage League, led by journalist William Monroe Trotter, honored the one hundredth birthday of leading abolitionist, Frederick Douglass.

Organizers insisted this commemoration should be a city-wide event in honor of Douglass. They requested a square in Roxbury to be named in his honor, that his image be displayed in public libraries, and that exercises be held in public schools.

Garrison Centennial to celebrate the 100th Anniversary of the Founding of The Liberator by William Lloyd Garrison (1931-01-01)Museum of African American History, Boston and Nantucket

In 1931, the city again turned its attention to abolitionist William Lloyd Garrison and the 100th anniversary of the founding of The Liberator newspaper.

The Guardian The Guardian (1931-01-03) by Trotter, William Monroe (1872-1934), editorMuseum of African American History, Boston and Nantucket

Within the black community, leaders used the opportunity to highlight the increasingly violent prejudice that many black Americans faced. The headline in Boston’s leading black newspaper The Guardian, which positioned itself as a successor to The Liberator, read: “25 Lynched in Year Ending at Liberator 100th”

An Ongoing Campaign (1960s-present)

In the 20th century, the memory of abolitionists took on new relevance during the Civil Rights Movement, both nationally and locally in Boston.  Today, clashes over the memory and meaning of abolition, emancipation, and the Civil War remain contentious and weigh heavily on the interpretation of current events and social movements. This exhibit challenges us to look for and understand the work of black abolitionists and activists of the 18th and 19th centuries and, like they did, study the past and use the memory of their work, both challenges and successes, in order to bolster our activism and continue to pursue their agenda of social justice and freedom in our time.

Freedom Trails of Negro History in Boston (1964) by Thurman, Sue Bailey (1903-1996) and Chiarenza, Anne Thurman (1933-2001)Museum of African American History, Boston and Nantucket

The Museum of African American History is a product of this process. Museum founder Sue Bailey Thurman used the monuments, memorials, historic sites, and cemeteries of Boston as a starting point to investigate the history of the Beacon Hill black community.

The Freedom Trails of Negro History and, ultimately, the Museum of African American History, were the results of her work, once again resurrecting the history of Boston’s black revolutionaries, activists, and abolitionists in order to instruct and inspire the present and future generations.

The Freedom Trails of Negro History developed into today's Black Heritage Trail. Visit our other exhibition to virtually "walk" the Trail!

Credits: Story

Samantha Gibson, Manager of Education and Interpretation
Cara Liasson, Collections Associate
L’Merchie Frazier, Director of Education and Interpretation

© Museum of African American History, Boston and Nantucket

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The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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