Mokuria: The Story of the Legendary Progenitor of the Abakuria

Mokuria: The Legendary Progenitor of the Abakuria (Kuria community) (2020) by Shujaa StoriesNational Museums of Kenya

Mokuria: The Father of the Abakuria
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Mokuria: The Father of the Abakuria
According to oral tradition, the father of the Abakuria was called Mokuria. He had several sons from different wives.

Mokuria: The Father of the Abakuria
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The sons formed the major Abakuria sub-tribes such as Abanyabasi, Abatimbaru, Abanyamongo, Abakira, Abairegi, Abakenye, and the Abanchaari. They lived in a place called Misiri. The Abakuria were divided into two families: the Abasai, born of the elder wife of Mokuria and the Abachuma, born of the younger.

Mokuria: The Father of the Abakuria
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The Abakuria migrated from Misiri and after many years of wandering on the other side of Lake Victoria, they eventually reached and settled in present day Bukuria which bestraddles the Kenya-Tanzania border.

Mokuria: The Father of the Abakuria
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Mokuria was a seer, a medicine man and the law giver of the Abakuria. One of the unique customs Mokuria bestowed on his people was Nyumba Ntobu or “house of women”. Under this custom, Abakuria women were allowed to marry each other, but for a specific reason and with no romantic ties.

Nyumba Ntobu was for women who could not have children of their own so that they could still have a family.

Mokuria: The Father of the Abakuria
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Also under Nyumba Ntobu, an older widow who did not have any male descendants could marry a younger woman who did have or would potentially bear a son. The sons born under this custom would inherit the older woman’s land, and thus ensure that her lineage would not fade away.

Nyumba Ntobu became more common as the Abakuria population grew.

Mokuria: The Father of the Abakuria
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Mokuria mandated the Abakuria people to practice circumcision for both sexes at around the age of 13 with the onset of puberty. Circumcision marked a transition from childhood to adulthood. After the ceremony the boys or girls were led back home by fellow villagers amidst much singing and dancing.

Mokuria: The Father of the Abakuria
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Mokuria loved music, and music became a big part of Abakuria life played on instruments such as the Zeze, and the Ritungu.

In Mokuria’s story we can see how the personality of one individual can influence an entire community for generations.

Mokuria's legacy lives on
One of the instruments that the Abakuria love playing is the Zeze. Zeze is a stringed instrument from Sub-Saharan Africa. It is also known by the names tzetze and dzendze, and, in Madagascar, is called lokanga voatavo or lokango voatavo. It is similar to the violin but has one or two strings, made of steel or bicycle brake wire.

Credits: Story

Credits: Story
Research field work was undertaken in Samburu and Marsabit (for Gabbra, Samburu, Rendille, Saakuye, Dasanach, Elmolo, Waayu a.k.a Waata, and Burji superheroes/heroines), Embu and Tharaka (for Aembu, Tharaka, Ameru and Mbeere superheroes/heroines), Mombasa ( for Boni, Swahili, Pokomo, Segeju and Bajuni superheroes/heroines)and Taita-Taveta/Voi (for Taveta superheroes/heroines) capturing all information about the heroes from the 40 selected ethnic groups/communities by Museum’s research team. The illustrations were done using digital media by Shujaa Stories Limited.


National Museums of Kenya - Contributors
Mzalendo Kibunjia (PhD) - Director General
Purity Kiura (PhD) - Director Antiquities, Sites & Monuments
Julias Juma Ogega - Senior Curator/Research Scientist
Njuguna Gichere - Research Scientist
Lydia Gatundu - Art of Curator
Emmanuel Kariuki - Exhibit Designer
Philemon Nyamanga - Curator/Research Scientist
Mercy Gakii - Curator/Research Scientist
Imelda Muoti - Curator/Archivist
Innocent Nyaga - Marketing Officer
Suzanne Wanjaria - Exhibits Designer
Ray Balongo Khaemba - Senior Collection Manager
Raphael Igombo - Education Officer
Eddy Ochieng – Photographer/Videographer


Concept Developer:
Shujaa Stories Ltd


Creative Direction:
Tatu Creatives Ltd
Shujaa Stories Ltd


Shujaa Stories Ltd – Contributors
Masidza Sande Galavu - Illustrator
Jeff Muchina- Editing
Martha Shavuya Galavu - Illustrator
Brian Kiraga – Research and Writing
Daisy Okoti - Editing
Shani Mutarura - Editing
Juelz Laval – Photography/Videographer
Linda Tambo - Photography


Other Contributors
Nature Kenya- The East Africa Natural History Society (EANHS)
Spellcast Media


Date Created:
2019/2020


Location Created:
Kenya

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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