Pera Museum was originally built by architect Achille Manoussos as Hotel Bristol in 1893. Suna and İnan Kıraç Foundation founded the Pera Museum after the Neoclassical building’s renovation in 2005.  Located just off İstiklal Caddesi, this private foundation museum has three large collections: Orientalist Paintings, Anatolian Weights and Measures, and Kütahya Tiles and Ceramics.

15th Istanbul Biennial: a good neighbour (2017) by Curators: Elmgreen & Dragset15th Istanbul Biennial

The 15th Istanbul Biennial, entitled a good neighbour and curated by the artist duo Elmgreen & Dragset.

The biennial located in the heart of Istanbul, and has been visited free of charge at six nearby venues within walking distance.

Bringing together a variety of artworks dealing with different notions of home and neighbourhood, the 15th Istanbul Biennial exhibitions took place at Istanbul Modern, Galata Greek Primary School, Ark Kültür, Pera Museum, an artist collective’s studio, and Küçük Mustafa Paşa Hammam.

Pera Museum15th Istanbul Biennial

Pera Museum

The 15th Istanbul Biennial presents work by sixteen artists on the top three floors of the museum, with two additional works displayed within the museum’s Orientalist Painting collection.

Installation shots from Horror Vacui series Installation Shot from Horror Vacui Serie15th Istanbul Biennial

Alejandro Almanza Pereda*
Horror Vacui series

Pereda’s Horror Vacui (2010–2017) series appropriates existing Romantic-style landscape and genre paintings sourced by the artist from within Istanbul.

*b. 1977, Mexico City, Mexico
lives in Guadalajara, Mexico

The work is an allegory of the entropic forces that can ruin even as they build.

The series’ title, ‘horror vacui’ – ‘fear or dislike of empty spaces’ – refers to a traditional visual technique of filling a pictorial plane’s negative space with detail.

Installation shots from Horror Vacui series Installation Shot from Horror Vacui Serie15th Istanbul Biennial

The installation sets an idyllic view of nature against the corrosive and relentless process of humans shaping geography to their will. It also points to the covering up of history, the translation of values across time.

Museum of Shedding Museum of Shedding15th Istanbul Biennial

Dayanita Singh*
Museum of Shedding

The word curate comes from the Latin word to care for (cura), a fact that points to a link between artistic custodianship and notions of care, attention and stewardship.

*b. 1961, New Delhi, India
lives in New Delhi, India

Her museums– capturing homes, or images of her friends and neighbourhood – are portable structures; subjectively captured, they can be subjectively reconfigured too. For her Museum of Shedding (2016), Singh presents an architectural space for an imagined curator of a museum...

...the image of someone who seems to work and live together with art.

The Museum of Shedding represents a notion of the museum stripped down to its essence: basic objects and furniture.

Museum of Shedding Museum of Shedding15th Istanbul Biennial

Singh's act of sequencing images for display, communicated through the gridded structure of a viewing cabinet, conjures the processes of reshuffling enacted when we choose to curate, to care for, or to document. The work serves more generally as a metaphor for the processes of artistic custodianship, and the linking of space and memory.
In presenting this museum, Singh is interested in archives as sites where space and time are joined, as well as the acts of memory that are invoked when we select and recombine from the past.

Installation shot from Inverted Home series (2017) by Gozde Ilkin15th Istanbul Biennial

Gözde Ilkin*
Inverted Home

Working with found garments and domestic fabrics, Gözde Ilkin is interested in objects that embody cultural codes and collective memory. She uses these clothes and textiles as intimate materials that carry the traces of history.

b. 1981, Kütahya, Turkey
lives in Istanbul, Turkey

For Ilkin, patterns in fabrics are structures that bridge memory and the present, the imagined and the real.

For the Istanbul Biennial, Ilkin presents a number of works constructed from domestic fabrics that come from her family.

The effect, as well as the multiplicity of styles and reference points, is to counteract and render unstable the normativity of family life – making it ‘disjunctive’, to borrow a word used in one of the works in her series Inverted Home.

Boys Eat Turkish Delight (2008) by Gözde İlkin15th Istanbul Biennial

Boys Eat Turkish Delight presents a domestic scene in which three men are seen playfully feeding each other at a table.

Overthrown Alcove from Inverted Home series (2017) by Gözde İlkin15th Istanbul Biennial

Toddler Promession® Toddler Promession®15th Istanbul Biennial

Aude Pariset*
Toddler Promession®

Humans have spent millennia on earth, yet it is only during the past 150 years that we have made an indelible, irreversible imprint on our planet.

*b. 1983, Versailles, France, lives in Berlin, Germany

Toddler Promession® Toddler Promession® (2016) by Aude Pariset15th Istanbul Biennial

Plastics, for instance, cannot be broken down by natural processes, and will remain on the earth for many centuries.

Toddler Promession® Toddler Promession®15th Istanbul Biennial

For the Istanbul Biennial, Aude Pariset is showing a piece that reflects on human interaction with natural ecology, as well as their entanglement with notions of domestic space and child-rearing.
In Toddler Promession® (2016), a mattress made from Styrofoam, a notoriously non-biodegradable material, has been placed in an Ikea infant’s cot and filled with molitor worms.

The term stems from the Italian word for ‘promise’, suggesting in the context of this work a sense of hope for the future. But while ‘toddler’ may refer either to the absent inhabitant of the cot or to the larval worms, it might also evoke an image of destructive humans who, like toddlers, are wreaking havoc on the earth.

Untitled. Liliana Maresca at Marconetti Building (1983/2016) by Liliana Maresca15th Istanbul Biennial

Liliana Maresca*
Untitled. Liliana Maresca at Marconetti Building

The sculptures and actions of Liliana Maresca, who died in 1994 of AIDS, were done in the wake of the Argentinian dictatorship and ensuing state violence, which ended in 1983: a period of state terrorism, bloody strife and numerous unresolved disappearances.

*b. 1951, Buenos Aires, Argentina
d. 1994, Buenos Aires, Argentina

Maresca’s untitled series of photographs from 1984 comprise a laconic photo performance, documented by Marcos Lopez. The abandoned Marconetti building, near Buenos Aires’ Parque Lezama, in whose empty interior the performance took place against a background of peeling wallpaper, was being occupied at the time by artists such as Maresca’s collaborator Daniel Riga.
In one photograph, a hand reaches into the frame holding a small egg, the white light reflecting on the outstretched palm as well as the open door behind it. In another, we see a number of open doors in a room. Representing a transition between exterior and interior, this image has political valence: a political way forward by means of personal actions.

Recolecta Recolecta15th Istanbul Biennial


For the installation Recolecta (1990), Maresca exhibited a real cart rented from a ‘cartonero’ (or cart-pusher), a second, similar cart painted white with a spraygun, and two small carts made of brass and silver mounted on pedestals.

For Maresca, the triad of carts can be thought of as three stages: the real; formal representation (the white cart); and as an ironic national symbol during a neoliberal age. The objects’ transmutation into metal recalls alchemy and transformation (interests of Maresca’s after her HIV diagnosis).

Grounded in, but transcending, immediate politics and personal crisis, Maresca’s work speaks quietly and authoritatively of loss, care, transition, and the fragility of livelihoods.

Recolecta Recolecta15th Istanbul Biennial

The figure of the cartonero was prevalent in the early 1990s in Argentina and during the major economic crisis of 2001. After the neoliberal policies of the new government plunged many into poverty, wheelbarrows became a common sight, used by individuals to collect paper garbage in exchange for a small refund.

Spreken (1999) by Berlinde De Bruyckere15th Istanbul Biennial

Berlinde De Bruyckere*

One could say that clothing was the first architecture used by humans. Before building houses, early nomadic humans wrapped pelts or furs around themselves to warm and protect them.

*b. 1964, Ghent, Belgium
lives in Ghent, Belgium

Artist has long incorporated blankets into her sculptures. While used primarily for warmth, blankets are also tools for disguise and hiding. De Bruyckere’s work Spreken extends this link, becoming a fraught and intenseallegory for human communication, stealth and union, intimacy and speech.

With its ambiguity as to whether these figures are successfully communicating, the work seems to ask: can two humans ever speak to one another in any meaningful sense? Is mutual understanding possible? Who can speak for and to whom?

Or have the figures created a kind of furtive ‘home’ for themselves in order to speak freely?

Perhaps the ultimate question asked by the work is whether intimacy can emerge between people despite the inevitability of human miscommunication and misunderstanding.

Installation shot Installation Shot15th Istanbul Biennial

Sim Chi Yin*
The Rat Tribe Series

In the late twentieth-century, a twenty-four-hour non-stop service culture emerged in many of the world’s cities. In industries such as hospitality, cleaning, cooking and waste disposal, a constant feed of human labour is required. In many places today, from the US to China, inexpensive migrant labour is used – amid unregulated, often exploitative and dangerous conditions.

*b. 1978, Singapore, Singapore, lives in Beijing, China

Installation shot Installation Shot15th Istanbul Biennial

In Beijing, it is estimated that upwards of one million of the city’s inhabitants are low-wage migrant workers living literally underground in the city’s former air-raid shelters.

Today, they are home to many of the city’s waiters, security guards, cleaners, cooks, nannies and drivers...

...who serve one class but belong to another.

Sim Chi Yin’s project is a portrait of the migrants inhabiting these 6,000 basements and air raid shelters, which amount to nearly a third of the city’s underground spaces.

Life Track (2015) by Vajiko Chachkhiani15th Istanbul Biennial

Vajiko Chachkhiani*
Life Track

Chachkhiani's works often question how the living present separates itself from past life and history. His short video is a portrait of human existence under conditions of confinement.

*b. 1985, Tbilisi, Georgia
lives in Berlin, Germany

Unnerving and tender at the same time, the video offers a depiction of human resilience. Chachkhiani has said that it was shot outside a hospice: a place for the terminally ill to be cared for.

Installation shot Installation Shot15th Istanbul Biennial

Tatiana Trouvé*

Tatiana Trouvé’s sculptures respond in an associative and philosophical manner to architectural forms. They often recall interior spaces and examine the conventions of design in order to speculate on the conditions for intimacy, shared experience and human dwelling. Her recent works take the form of lean-tos and huts, made of both ephemeral and more lasting materials, some bearing handwritten labels, markers and scratches. These simple, home-like structures are at once ancient and – in an age of mass migration – all too contemporary.

*b. 1968, Cosenza, Italy
lives in Paris, France

Installation shot Installation Shot15th Istanbul Biennial

Installation shot Installation Shot15th Istanbul Biennial

For the Istanbul Biennial, Trouvé has cast two cardboard huts in bronze that view contemporary realities with a longue durée understanding of cosmic and earthly life cycles.

Installation shot Installation Shot15th Istanbul Biennial

Credits: Story


Project & Exhibition Coordinator: Özkan Cangüven
Digital Adaptation & Curation: Burcu Pek
Photographs: Sahir Uğur Eren, Poyraz Tütüncü
Texts: Pablo Larios
Acknowledgements: Ekin Arslan, Esra Çankaya, Mina Nur Öncel, Erim Şerifoğlu


Istanbul Biennial is organised by Istanbul Foundation for Culture and Arts (İKSV).
İKSV is a non-profit cultural institution. Since 1973, the Foundation continues its efforts to enrich Istanbul’s cultural and artistic life.


Bige Örer

Elmgreen & Dragset

Exhibition Coordinators
Elif Kamışlı
Özkan Cangüven

Project Coordinator
Gamze Öztürk

Assistant Curator
Sofie Krogh Christensen

Public Programme Coordinator
Zeyno Pekünlü

Business Development Coordinators
Serra Gözören
Lale Muşkara
Margo Lauras

Business Development Assistant
Bengisu Çağlayan

Office Coordination
Ekin Arslan

Editorial Team
Ömer Behiç Albayrak
Erim Şerifoğlu
Anita Iannacchione

Design and Art Direction
Rupert Smyth Studio

Graphic Design Assistants
Lucas Odahara
Ferhat Balamir
Elif Çiftçioğlu

Website Programming
Sascha Krischock
Sezen Özgür

Biennial Campaign

Production Research
Merve Yücel
Habib Bolat
Serda Çamlı
Selen Erkal

Research Assistant
Rosa Paardenkooper

Video Projects
Ali Uluç Kutal
Erdal Hamamcı
Başat Karakaş
Matthias Taupitz

Esra Nazlı Apbak

Murat Özçaylak

Guided Tours
Mine Küçük

Guide Coordination
Pelin Kuş

Special Project Coordinator
Kıymet Daştan

Venue Managers
Gamze Öztürk
Habib Bolat
Selen Erkal
Merve Yücel
Ege Yaman
Ömercan Çakır

Exhibition Attendants Coordination
Kamil Kulaksız

Installation Assistants
Melih Aydemir
Mert Bakcacı
Nurettin Ersin Çiçek
Melodi Dilan Gülbaba
Eda Hisarlıoğlu
Ekin İlke Ünsal
Mert Sarısu
Başak Tuna

Photo Archive
Esra Çankaya

Opening Events Coordination
Beril Azizoğlu

Office Assistant
Uğur Ceylan

Technical Team Support
Erdoğan Morgül
Nihat Karakaya
İzzet Taş

Ece Ögel
Burcu Pek
Mina Nur Öncel
Duygu Barlas

Studio Elmgreen & Dragset
Holger Hönck
Anita Iannacchione
Sofie Krogh Christensen
Margo Lauras
Simon Lindhardt
Rosa Paardenkooper
Moritz Pitrowski
Anja Schiller
Sandra Stemmer
Ryan Thayer
Leona Tobien

Participating artists in the 15th Istanbul Biennial

Adel Abdessemed
Njideka Akunyili Crosby
Alejandro Almanza Pereda
Heba Y. Amin
Volkan Aslan
Alper Aydın
Burçak Bingöl
Monica Bonvicini
Louise Bourgeois
Berlinde De Bruyckere
Vajiko Chachkhiani
Mark Dion
Latifa Echakhch
Jonah Freeman & Justin Lowe
Kasia Fudakowski
Candeğer Furtun
Pedro Gómez-Egaña
Lungiswa Gqunta
Gözde İlkin
Mirak Jamal
Andrea Joyce Heimer
Morag Keil & Georgie Nettell
Mahmoud Khaled
Kim Heecheon
Fernando Lanhas
Victor Leguy
Klara Lidén
Liliana Maresca
Olaf Metzel
Lee Miller
Mahmoud Obaidi
Henrik Olesen
Lydia Ourahmane
Erkan Özgen
Aude Pariset
Ugo Rondinone
Stephen G. Rhodes
Leander Schönweger
Sim Chi Yin
Dayanita Singh
Dan Stockholm
Rayyane Tabet
Young-Jun Tak
Ali Taptık
Tatiana Trouvé
Tsang Kin-Wah
Tuğçe Tuna
Kaari Upson
Andra Ursuta
Kemang Wa Lehulere
Lukas Wassmann
Fred Wilson
Bilal Yılmaz
Xiao Yu



Ayşe Bulutgil

Elif Obdan Gürkan
(International Media)
Ayşen Ergene

Ayşen Gürkan
Zeynep Seyhun
(International Media)
Zeynep Topaloğlu
Berk Çakır

Ayşe Zeynep Güldiken

Visual Archive Associate
Poyraz Tütüncü

Visual Archive Assistant
Ozan Şahin

Ayşegül Öneren
(International Media)

Biennial Reporter
Nora Tataryan

Archive Photos
Muammer Yanmaz
Ilgın Erarslan Yanmaz
Mahmut Ceylan
Sahir Uğur Eren

Archive Videos
Hamit Çakır


Didem Ermiş Sezer

Editorial Coordinator
Erim Şerifoğlu

Merve Evirgen

Publications Operator
Ferhat Balamir

Graphic Designers
Esra Kılıç
Ayşe Ezgi Yıldız

Sezen Özgür


Selçuk Metin

Ebru Gümrükçüoğlu


Yasemin Keretli Çavuşoğlu

Zeynep Pekgöz

Zeynep Karaman
Yeşim Birhekimoğlu

Zeynep Bilgihan


İrem Akev Uluç

Marketing Communication Coordinator
Cansu Aşkın

Creative Services Coordinator
Meriç Yirmili

Field Operations Coordinator
Sezer Kari

Digital Media Coordinator
Bahar Helvacıoğlu

Social Media Assistant
Ece Kartal

CRM Coordinator
Özge Genç


Dilan Beyhan

Membership Programme Coordinators
Yıldız Lale Yıldırım
Gülce Şahin

Sales and Business Development Coordinator
Gonca Varol

Sales Operations Coordinator
Ercan Kaya

Sales Operations Associate
Neva Abrar

Operation Associate
Işıl Öztürk

Sales Operations Assistants
Yeliz Vural
Çağlar Koca
Burak Akgün
Canan Alper


Özlem Ece

Research Assistant
Fazilet Mıstıkoğlu


Esra Çankaya


Head of Finance and Administration
Ahmet Balta


Ahmet Buruk (Budget and Accounting)
Başak Sucu Yıldız (Finance)

Accounting and Finance Operations Associate
Deniz Yılmaz

Accounting and Reporting Associate
Kadir Altoprak

Çiğdem Arslan
Büşra Açıkgöz


Aslı Yurdanur


Semin Aksoy

Human Resources Specialist
Eren Ertekin

Human Resources Associate
Cansu Zülfikar

Strategic Planning Specialist
Ezgi Yılmaz

Building Administration and Security Manager
Ersin Kılıçkan

System Administrator
Kadir Ayyıldız

Information Technology Assistant
Tahsin Okan Erdem

Reception Officer
Lidya Durmazgüler

Warehouse Officers
Muzaffer Sayan
Şerif Kocaman

Özden Atukeren
İbrahim Çakmak
Aydın Kaya
Hayrullah Nişancı
Serap Sürgit
Müzeyyen Öztürk



Bülent Eczacıbaşı

Vice Chairmen
Ahmet Kocabıyık
Prof. Dr. Münir Ekonomi

Nuri Çolakoğlu
Hayri Çulhacı
Ahmet Misbah Demircan
Oya Eczacıbaşı
Tayfun İndirkaş
Prof. Yekta Kara
Ergun Özen
Ethem Sancak
Dr. Mimar Kadir Topbaş
Oya Ünlü Kızıl

Corporate Identity Advisor
Bülent Erkmen

Legal Advisor
Av. Sadife Karataş Kural

Administrative Affairs Advisor
Rıfat Öktem


Bülent Eczacıbaşı

Ahmet Kocabıyık
Prof. Dr. Münir Ekonomi


Fatma Okan (Borusan Holding AŞ)
Sibel Yazıcı Kesler (Arçelik AŞ)


General Director
Görgün Taner

Head of Finance and Administration
Ahmet Balta

Human Resources and Administration Director
Semin Aksoy

Marketing Director
İrem Akev Uluç

Sales and Business Development Director
Dilan Beyhan

Sponsorship Programme Director
Yasemin Keretli Çavuşoğlu

Media Relations Director
Ayşe Bulutgil

Corporate Identity and Publications Director
Didem Ermiş Sezer

İKSV Studio Director
Selçuk Metin

Istanbul Music Festival Director
Dr. Yeşim Gürer Oymak

Istanbul Film Festival Director
Kerem Ayan

Istanbul Biennial Director
Bige Örer

Istanbul Theatre Festival Director
Dr. Leman Yılmaz

Istanbul Jazz Festival Director
Pelin Opcin

Istanbul Design Biennial Director
Deniz Ova

Salon İKSV Co-Directors
Egemen Eti
Deniz Kuzuoğlu

Cultural Policy Studies Director
Özlem Ece

Executive Assistant
Nilay Kartal


International Friends and Patrons Council

Istanbul Foundation for Culture and Arts would like to thank the International Friends and Patrons Council members.

Elif Bayoğlu & Mehmet Erdem
Füsun & Faruk Eczacıbaşı
Emin Hitay
Tansa Mermerci Ekşioğlu
Ari Meşulam
Ayşegül & Ömer Özyürek
Canan Pak
Uli Sigg
Chiona Schwarz

Helga de Alvear
Massimo de Carlo
Cecilie & Knut Brundtland
Sevil Dolmacı
Sevda & Can Elgiz
Nesrin Esirtgen
Huma Kabakçı
Johann König
Amanda & Andrew Love
Emmanuel Perrotin
Gizem Uslu Tümer
Şebnem & Mahmut Ünlü
Danh Vo
Pırıl & Igno Van Waesberghe
Nicolai Wallner
Dr. Gisela Winkelhofer & Monsieur Louis Nègre

Associate Friends
Aslı Başgöz
Tom Bergesen
Atle Gerhardsen
Christian Ringnes
Ina Johannesen
Ursula Krinzinger
Tony Ventura


Istanbul Foundation for Culture and Arts extends special thanks to:

TC Kültür ve Turizm Bakanlığı
TC İstanbul Valiliği
İstanbul Büyükşehir Belediye Başkanlığı
TC Başbakanlık Tanıtma Fonu Kurulu
TC Başbakanlık Dış Tanıtım Başmüşavirliği
TC Başbakanlık Gümrük Müsteşarlığı
TC Kültür ve Turizm Bakanlığı Müsteşarlığı
TC Dışişleri Bakanlığı Yurtdışı Tanıtma ve Kültür İşleri Genel Müdürlüğü
TC Kültür ve Turizm Bakanlığı
Telif Hakları Genel Müdürlüğü
TC Kültür ve Turizm Bakanlığı
Tanıtma Genel Müdürlüğü
TC İstanbul Valiliği İl Kültür ve Turizm Müdürlüğü
Devlet Hava Meydanları İşletmesi
Genel Müdürlüğü Atatürk Havalimanı
Mülki İdare Amirliği
İstanbul Gümrükler Başmüdürlüğü
İstanbul Büyükşehir Belediyesi
Kentsel Tasarım Müdürlüğü
İstanbul Büyükşehir Belediyesi Turizm Atölyesi, Sayın Tülin Ersöz
Gümrükler Genel Müdürlüğü
Geçici Muafiyetler Şube Müdürlüğü
İstanbul İl Emniyet Müdürlüğü
Beşiktaş Belediye Başkanlığı
Beyoğlu Belediye Başkanlığı
Beyoğlu Kaymakamlığı
Beyoğlu Emniyet Müdürlüğü
Fatih Belediye Başkanlığı
Kadıköy Belediye Başkanlığı

Adam Mickiewicz Institute (Krzysztof Olendzki, Olga Wysocka, Ewa Borysiewicz)
Arts Council Korea (Seoyeong Byeon)
Arts Council Norway (Kristin Danielsen)
Bernard van Leer Foundation (Michael Feigelson, Jackie Ratsma, Teresa Moreno, Yiğit Aksakoğlu, Neslihan Öztürk)
British Council (Emma Dexter, Margaret Jack, Esra A. Aysun, Su Başbuğu)
Consulate General of Brazil in Istanbul (Paulo Roberto Caminha De Castilhos França, Sena Belkayalı)
Consulate General of Holland in Istanbul (Robert Schuddeboom, Quirine van der Hoeven, Recep Tuna, İpek Sür van Dijk)
Consulate General of Italy in Istanbul (Dr. Federica Ferrari Bravo)
Consulate General of the Republic of Poland in Istanbul (Andrzej Papierz, Piotr Drzewiecki, Edyta Michalska, Iwona Drzewiecka)
Danish Arts Foundation (Gitte Ørskou, Ane Bülow)
Denver Art Museum
Dimitrie Cantemir Romen Kültür Merkezi (Dr. Nadia Tunsu, Şeila Suliman)
Embassy of Canada to Turkey Ankara (Chris Cooter, Simin Taylaner)
Embassy of Mexico in Ankara (Bernardo Córdova Tello, José León Cárdenas Verdugo)
Federal Chancellery of Austria (Christian Kern, Thomas Drozda, Charlotte Sucher)
Flanders State of the Art (Hilde Lievens, Robert Michel)
Goethe-Institut İstanbul (Dr. Reimar Volker, Lena Alpozan)
Institut für Auslandsbeziehungen (Elke aus dem Moore, Ingrid Klenner)
Institut Français (Anne Tallineau, Alexandra Servel, Hélène Maza-Hajmi, Sylvie Riou)
Institut Français Istanbul (Matthieu Bardiaux, Ekim Öztürk, Saadet Ersin, Zeynep Peker, Adeline Chauveau, Christophe Pecot)
Italian Institute of Culture (Alessandra Ricci, Gianni Vinciguerra, Tanju Şahan)
Jerwoord Charitable Foundation (Shonagh Manson, Iona Rowland)
National Arts Council Singapore (Rosa Huey Daniel, Dawn Lim)
Office for Contemporary Art Norway (Katya García-Antón, Anne Charlotte-Hauen)
Phileas – A Fund for Contemporary Art (Moritz Stipsicz, Jasper Sharp, Stefanie Reisinger)
Pinakothek der Moderne, Modern Art Collection, Munich (Bernhart Schwenk)
Pro Helvetia (Philippe Bischof, Andreas Moos, Marianne Burki, Patrick Gosatti)
SAHA (Merve Çağlar, Yavuz Parlar, Arzu Zorlutuna, Ela Perşembe, Berna Karagülle)
Singapore International Foundation (Davina Lai)

Cristina Guerra Contemporary Art (Lisbon)
Dvir Gallery (Tel Aviv)
Galerie Eva Presenhuber (Zurich)
Galerie Kamel Mennour (Paris)
Galleri Nicolai Wallner (Copenhagen)
Galerie Krinzinger (Vienna)
Galerie Perrotin (Paris)
Galleria Raffaella Cortese (Milan)
Gerhardsen Gerner (Berlin)
Galería Helga de Alvear (Madrid)
Kaufmann Repetto (Milan)
König Galerie (Berlin)
Massimo de Carlo (Milan/London)
Pace Gallery (Beijing)
Pace Gallery (New York)
Reena Spaulings Fine Art (New York)
Taka Ishii Gallery (New York/Paris)
Victoria Miro (London)
Zilberman Gallery (Istanbul/Berlin)

Lenders to the exhibition
Antonio Colombo Arte Contemporanea (Milan)
ChertLüdde (Berlin)
Cristina Guerra Contemporary Art (Lisbon)
Daniel Marzona (Berlin)
Frith Street Gallery (London)
Galerie Buchholz (Berlin)
Galeria Quadrado Azul (Lisbon/Porto)
Hometown (New York)
Isabella Bortolozzi Galerie (Berlin)
König Galerie (Berlin)
Lindsay Gallery (Columbus)
Mitchell-Innes & Nash (New York)
Nicelle Beauchene Gallery (New York)
Pace Gallery (New York)
Project Native Informant (London)
Rolf Art Gallery (Buenos Aires)
Sprüth Magers (Berlin)
STEVENSON (Cape Town/Johannesburg)
Tanya Bonakdar Gallery (New York)
Victoria Miro (London)
Zilberman Gallery (Istanbul/Berlin)

Archivo Liliana Maresca
Collection Aaron Zulpo
Collection Aishti Foundation
Collection Artemis Baltoyanni
Collection Ebru Özdemir
Collection Emma Allen & Alex Allenchey
Collection Fundação de Serralves – Museu de Arte Contemporânea
Collection Harvey Fierstein
Collection Jennifer Ley & Kit Skarstrom
Collection Lee Miller Archives
Collection Leila Heller
Collection Lisa Waltuch & Jon Zeitlin
Collection Mara Baldwin & Sarah Hennes
Collection M HKA / Collection Flemish Community
Collection Michael Zamsky
Collection Nina Hale
Oyuncak Müzesi Koleksiyonu
Ömer Koç Koleksiyonu
Sadberk Hanım Müzesi Koleksiyonu
Collection Pedro Lanhas
Collection Victoria Elman & George Wong
The Napoleone Collection

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
Google apps