Dhee Kahani (Daughter's Tale) View 3The Herbert Art Gallery and Museum
The work of 13 artists and curators at different stages of their careers are brought together. They bring forth varied and multifaceted views resisting containment to one-sided perspectives. The title is inspired by a poem by Wallace Stevens.
The exhibition explores different strategies of resistance that overlap and intersect in the gallery and online. Challenging where art belongs, where it’s experienced and who is addressed.
Thawra / ثورة View 1The Herbert Art Gallery and Museum
Farwa Moledina’s work is concerned with the lived experiences of Muslim women. This piece explores the erasure that Muslim women have faced throughout history. The title ‘Thawra’ means ‘Revolution’.
The term ‘Thawra’ gained notoriety in the protests of the Arab Spring in the early 2010s. The work comprises a pattern woven through columns of gold thread. An unwoven outline of Alaa Salah, one of many Sudanese women leading protests against the Sudanese government in April 2019, is central to the work.
Virtual Exiles View 1The Herbert Art Gallery and Museum
‘Virtual Exiles’ by Roshini Kempadoo investigates the experiences of persons who have left their country of origin and who are now at ‘home’ in another. Engaging archival and contemporary photographs of Guyana.
Virtual Exiles View 2The Herbert Art Gallery and Museum
The work explores Kempadoo’s status as refugee/exile/expatriate/emigre in relation to her country of birth, England, and her country of origin and upbringing, Guyana.
Moove...[s] In solidarity View 1The Herbert Art Gallery and Museum
'Mooove…[s] - In solidarity' was created by Kempadoo during the UK spring lockdown as a result of COVID19 and response to online consciousness as debate.
A response to activism and artworks about black lives, violence and racism which were circulated by an international - mostly younger generation. “This body is consumed and rocked by sadness, anger and heartbreak as I hear of killings and brutality – by police, by politicians’ lack of caring, by abhorrent cronyism, by white privilege.” Roshini Kempadoo
Navi Kaur's '5:22pm' comprises two short films that place narratives of minoritized voices at their centre - in this case the Punjabi traditions housed in modern day Britain. The work is inspired by the lives of Kaur’s grandparents. It shows their daily routines and their dedication to their Sikh faith, despite being unable to visit the Gurdwara during the lockdown period.
Dhee Kahani (Daughter's Tale) View 1The Herbert Art Gallery and Museum
Hira Butt’s 'Dhee Kahani (Daughter's Tale)' explores the place of South Asian women within marital and domestic spaces.
Dhee Kahani (Daughter's Tale) View 2The Herbert Art Gallery and Museum
This work developed as a result of personal experience and conversations with married Pakistani women during a recent trip to Pakistan by the artist.
The piece centres on golden bangles which are often gifted to Pakistani women on their wedding day, as a symbol of trust and value. Butt reworks these bangles, intertwining them with pieces of ‘dupatta’, an adorned red scarf that forms part of the bride’s traditional wedding attire.
Thirteen Ways of Looking' Gallery Shots Gallery View 1The Herbert Art Gallery and Museum
This show builds on the work of New Art West Midlands and International Curators Forum 2017 Diaspora Pavilion at Venice Biennale supporting recently graduated and emerging artists from the West Midlands .
Thirteen Ways of Looking' Gallery Shots Gallery View 4The Herbert Art Gallery and Museum
It showcases newly commissioned work by 6 artists from the West Midlands – Hira Butt, Andreana Fatta, Navi Kaur, Shiyi Li, Farwa Moledina, and Matías Serra Delmar.
Matías Serra Delmar’s work as part of 'Thirteen Ways of Looking' La distancia con el mundoThe Herbert Art Gallery and Museum
Matías Serra Delmar’s work references the raw materials found encircling construction sites in fast growing cities, such as the precarious constructions found in Buenos Aires, where he was born and raised.
Matías Serra Delmar’s work as part of 'Thirteen Ways of Looking' Painting in front of another paintingThe Herbert Art Gallery and Museum
For this exhibition Serra Delmar has created a number of site-specific installations that incorporate canvas paintings.
The artist seeks to break up the exhibition space and decentre the audience from the traditional utilisation of gallery spaces. The nature of the materials and the way that they have been assembled conveys the notion of something that is both ‘under construction’ and confused. Experimenting with the boundaries between installation and painting is central to Serra Delmar’s work.
THIRTEEN DEADThe Herbert Art Gallery and Museum
Keith Piper made 'THIRTEEN DEAD' in response to the New Cross Fire of January 1981 in which 13 young black people lost their lives in an apparent act of racist violence.
THIRTEEN DEADThe Herbert Art Gallery and Museum
This work featured in The Pan-Afrikan Connection, an exhibition by the Blk Art Group held at the Herbert Art Gallery & Museum in March 1983.
Thirteen Ways of Looking' Gallery Shots Gallery View 2The Herbert Art Gallery and Museum
This show includes selected key artworks made by members of the Blk Art Group, Eddie Chambers, Keith Piper and Donald Rodney. The group has had a substantial impact on the visual arts in Britain. The selection highlights the group’s connections to Coventry...
... including the initial meeting of members Eddie Chambers and Keith Piper 40 years ago as students at Coventry University. The group provided a foundation upon which there emerged artists of South Asian, African and Afro-Caribbean descent, making artwork that formed part of the ‘Black Arts Movement’.
Andreana Fatta’s work addresses the colonial history of Cyprus and how this has affected the culture and identity of the island’s citizens. Focusing on digitally archiving family footage and materials.
The research and artworks reflect Fatta’s experience of going through the United Nation’s Buffer Zone (or Green Line) in the capital Lefkosia, which remains the only divided capital in the world. The Buffer Zone/Green Line divides Cyprus into north and south. Alongside two films, a green line runs through the gallery space from east to west, mirroring that of the island.
Hailing View 2The Herbert Art Gallery and Museum
'Hailing Frequencies Open' by Sonya Dyer intersects the Greek myth of Andromeda, actor Nichelle Nichols’ (Star Trek’s Uhura) astronaut recruitment activism and the complex genesis of HeLa cells.
Auticon (2000) by Donald RodneyThe Herbert Art Gallery and Museum
'Autoicon' is a dynamic internet work and CD-ROM that simulates both the physical presence and elements of the creative personality of the artist Donald Rodney, who died from sickle-cell anaemia.
Flatness addresses the conditions of working semi-digitally and features artists from the exhibition.
Sylvia Theuri has collaborated with Flatness exploring the website as a space of ‘decentring’ and challenging the traditional presentation of artwork in gallery spaces.
Dreamerfly View 1The Herbert Art Gallery and Museum
Shiyi Li’s practice encompasses contemporary jazz music, multi-screen animation projections and live art performance. ‘Dreamerfly’ consists of an animated film incorporating contemporary jazz music composed by James Owston.
Dreamerfly View 2The Herbert Art Gallery and Museum
Li’s work presents the narrative of a Chinese woman who has recently migrated to the UK, exploring the awakenings brought to her as a result. This considers themes of struggle, loss, loneliness, balance, and rebirth.
Li was inspired by the ancient Chinese philosophical narrative ‘A Butterfly Dream’ by Chinese philosopher Chuang Tzu, which highlights tensions between illusion and reality.
NeuroSpeculative AfroFeminism View 1The Herbert Art Gallery and Museum
Hyphen-Labs uses objects and virtual reality (VR) as another dimension in which to tell stories and centre the experiences of women of colour.
NeuroSpeculative AfroFeminism View 2The Herbert Art Gallery and Museum
'NeuroSpeculative AfroFeminism (NSAF)' is a transmedia exploration told through speculative product design, emerging technologies, cognitive research, and transhumanism.
The work presents Black women as neuro-scientists using the space of the beauty salon as a revolutionary underground system for a fundamentally new shared exchange of ideas. With 'NSAF', Black women are the pioneers of brain optimization.
Instead of ordinary braids, customers are fitted with transcranial electrodes, blending the physical with the digital.
Hyphen-Labs presents a multi-layered possible future that transcends the constraints of the present.
An exhibition curated by Dr Sylvia Theuri.
A New Art West Midlands and International Curators Forum Curatorial Residency in partnership with and hosted by Herbert Art Gallery & Museum, in association with Coventry Biennial.
Image credit: Garry Jones
The digital exhibition has been curated by Joy Corcec, Communications Officer at the Herbert Art Gallery & Museum.