Mestiço (1934) by CandIdo PortinariPinacoteca de São Paulo
This painting composition follows a typical pattern of Italian Renaissance portraits: nobleman figures in the foreground stand out against bright landscapes set in perspective.
However, this time the subject isn’t an aristocrat, but a farm laborer! His muscles and big hands with slightly dirty nails hint at his job: a Brazilian plantation worker where the painter Candido Portinari spent his childhood.
Mestiço (1934) by CandIdo PortinariPinacoteca de São Paulo
The half-bust frame as well as the great sculptural effect of the naked body, dignify the figure, making him look almost like a monument!
So who’s this Mestiço? This isn’t a particular person’s portrait; it’s rather the face of the Brazilian people, the symbol of a Brazil where several ethnicities coexist harmoniously and each person, even the humblest worker, is an integral part. Or better still, its emblem.
Mestiço (1934) by CandIdo PortinariPinacoteca de São Paulo
Text and audio by eArs ▬ making arts & culture a place for everybody
You are all set!
Your first Culture Weekly will arrive this week.