for the clouds that dance

User-created

This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.

I bow to my own wisdom mind which is my best wisdom teacher, the source of all visible and invisible qualities. Sentient beings are always in time and place. If sentient beings are in time, my wisdom teacher dances magically in time. If sentient beings are in place,my wisdom teacher dances magically in place. If really examined, you never remain anywhere. You are only display. To whatever never remains, to you, my best wisdom teacher, I bow.    - Thinley Norbu - 

Little Dancer, aged fourteen, Edgar Hilaire Germain Degas, 1880-1881 - 1922, From the collection of: Museum Boijmans Van Beuningen
Fourth Position Front, on the Left Leg, Edgar Degas, Original model 1882-1895; this cast 1919-1921, From the collection of: The Baltimore Museum of Art
Little Dancer Aged Fourteen, Edgar Degas, 1880/1922, From the collection of: Virginia Museum of Fine Arts
Two Blacks and White, Ellsworth Kelly, 1991, From the collection of: The Baltimore Museum of Art
Nude study for Little dancer, Edgar Degas, design circa 1878 - cast after 1917, From the collection of: Kunstmuseum
Little Dancer Aged Fourteen, Edgar Degas, 1878-1881, From the collection of: National Gallery of Art, Washington DC
Dancer Looking at the Sole of Her Right Foot, Edgar Degas, Original model 1882-1895; this cast 1919-1921, From the collection of: The Baltimore Museum of Art
Open: Surrender and Mourn, David Diao, 2011, From the collection of: UCCA Center for Contemporary Art
Floor mosaic, Unknown, c. 1120 - c. 1130, From the collection of: Palazzo Madama
Female dancer., Unknown, 1st cent. BC, From the collection of: Acropolis Museum
Light Grey Wall, Josef Albers, 1958, From the collection of: Museum of Fine Arts, Budapest
So much of our universe is in motion. In outer space, planets circle the sun. our own circling planet, the earth, turns upon its axis ― a pattern of motion that is repeated within each atom, where spinning electrons circle a nucleus of protons and neutrons. Looking around us, we behold the stately passage of the seasons and the inexorable passage of each separate life from birth to maturity to old age and death. Life itself is movement. No wonder, then, that one of the oldest of the arts is the art of movement ― dance. -Jack Anderson-
Four Dancing Muses, Zoan Andrea (?), c. 1497, From the collection of: Kunstpalast
Apollo Dancing with the Nine Muses, German 16th Century, 1500/1599, From the collection of: National Gallery of Art, Washington DC
Cupid Dancing with Two Allegorical Women, Paulus Moreelse, 1612, From the collection of: National Gallery of Art, Washington DC
Be bolder, let yourself go more. -Frédéric Chopin-
Dancer Adjusting Her Slipper, Edgar Degas, 1873, From the collection of: The Metropolitan Museum of Art
Ballet Dancer Adjusting Her Costume, Edgar Degas, 1872/1873, From the collection of: Detroit Institute of Arts
Dancers Practising at the Barre, Edgar Degas, 1876-1877, From the collection of: British Museum
Arrest 2, Bridget Riley, 1965, From the collection of: The Nelson-Atkins Museum of Art
To understand dance for what it is, it is necessary we know from whence it comes and where it goes. It comes from the depths of man's inner nature, the unconscious, where memory dwells. As such it inhabits the dancer. it goes into the experience of man, the spectator, awakening similar memories. -Martha Graham-
A Group of Dancers, Hilaire-Germain-Edgar Degas, About 1898, From the collection of: National Galleries Scotland: National
Two Dancers, Edgar Degas, around 1898, From the collection of: New Masters Gallery, Dresden State Art Collections
Dancers, DEGAS, Edgar, 1900, From the collection of: Tokyo Fuji Art Museum
Study for Homage to the Square: Still Remembered, Josef Albers, 1954-1956, From the collection of: Mart, Museum of modern and contemporary art of Trento and Rovereto
You have to frame music with your body, you have to give poetry with your body. -Héctor Zaraspe-
Ballet Dancers on the Stage, 1883, From the collection of: Dallas Museum of Art
Three Dancers (Blue Tutus, Red Bodices), Edgar Degas, ca. 1903, From the collection of: Fondation Beyeler
Three Dancers in Red Costume, Edgar Degas, 1896, From the collection of: Ohara Museum of Art
Estudo para bandeiras, Alfredo Volpi, c. 1957, From the collection of: The Adolpho Leirner Collection of Brazilian Constructive Art at The Museum of Fine Arts, Houston
Listen to the music with your soul. Now, while listening, do you not feel an inner self awakening deep within you ― that it is by its strength that your head is lifted, that your arms are raised, that you are walking slowly toward the light? -Isadora Duncan-
Dancers, Edgar Degas, 1884 - 1885, From the collection of: Musée d’Orsay, Paris
The Rehearsal, Hilaire-Germain-Edgar Degas, c. 1873 - 1878, From the collection of: Harvard Art Museums
La Répétition au foyer de la danse, Hilaire-Germain-Edgar Degas, circa 180-1872, From the collection of: The Phillips Collection
Variação de quadrados, Judith Lauand, 1957, From the collection of: The Adolpho Leirner Collection of Brazilian Constructive Art at The Museum of Fine Arts, Houston
I was brought up to believe that if someone really wanted to dance, you must do everything for them. -Leon Danielian-
Examen de Danse (Dance Examination), Edgar Hilaire Degas, 1880, From the collection of: Denver Art Museum
Young dancer standing, Edgar Degas, 1878, From the collection of: Staatliche Kunsthalle Karlsruhe
Incubus, Gary Hume, 1991-01-01, From the collection of: Tate Britain
An outsider is fascinated to be let in on the minuteness of the workmanship. But then he finds no way out of that minuteness. Listening to the same few bars pounded again and again on the piano, watching the same movements started at top speed and broken off, again and again, the fascinated outsider after two hours and a half of that finds himself going stir crazy. -Edwin Denby-
Dancer Stretching, Edgar Degas, c. 1882–85, From the collection of: Kimbell Art Museum
Ballet Dancer with Arms Crossed, Edgar Degas, about 1872, From the collection of: Museum of Fine Arts, Boston
Dancer, Edgar Degas, c. 1897-1900, From the collection of: The Baltimore Museum of Art
Untitled, Yellow (After the Sun), Marco Villegas, 2006, From the collection of: The Museum of Fine Arts, Houston
Seeing a ballet in the theatre the momentum of action and music carries the audience into a world of zest and grandeur. In performance the dancers look ravishing. In rehearsal they look like exhausted champions attempting Mt. Everest, knowing how limited the time is, step by step, hold by hold, roped together by the music, with the peak nowhere in sight... -Edwin Denby-
Ballet Rehearsal on Stage, Edgar Degas, 1874, From the collection of: Musée d’Orsay, Paris
Галина Уланова в роли Золушки, 1945, From the collection of: The Institute of Russian Realist Art (IRRA)
White Cube in Brown Cube, Samia Halaby, From the collection of: Barjeel Art Foundation
What the dancer does physically, is not of maximum importance. It is how the dancer enlivens the space in which he moves that is important. -Karel Shook-
Ballettissimo, Czech National Ballet, Uwe Scholz, 2015/2015, From the collection of: Prague National Theatre
Ballettissimo, Czech National Ballet, Uwe Scholz, 2015/2015, From the collection of: Prague National Theatre
Gui Tablet, Late Shang Dynasty, 1100 B.C. - The Western Zhou Dynasty, 771 B.C., From the collection of: Jinsha Site Museum
The dance is a living language which speaks of man ― an artistic message soaring above the ground of reality in order to speak, on a higher level, in images and allegories of man's innermost emotions and need for communication. -Mary Wigman-
Photos from the National Gugak Center Dance Company Regular Performance, "Crossing the border of traditional, Variation for court dances", Photographed by Na Seung-yeol, 2012-11-06, From the collection of: National Gugak Center
Photos from the Dance Theater Regular Performance, "Crossing the border of traditional, Variation for court dances", Photographed by Na Seung-yeol, 2012-11-06, From the collection of: National Gugak Center
Pensive Bodhisattva, Unknown, Three Kingdoms Period, Late 6th century, From the collection of: National Museum of Korea
When I first visualize the dance, I see the characters moving in color and costume. Before I go into rehearsal, I know what costumes the people wear and generally what color and texture. I also, to a large extent, hear the orchestral effects . . . -Agnes de Mille-
Decadance, Czech National Ballet, The New Stage, Ohad Naharin, 2015/2015, From the collection of: Prague National Theatre
Ballettissimo, Czech National Ballet, Uwe Scholz, 2015/2015, From the collection of: Prague National Theatre
Ballettissimo, Czech National Ballet, Uwe Scholz, 2015/2015, From the collection of: Prague National Theatre
Chisel, Late Shang Dynasty, 1100 B.C. - The Western Zhou Dynasty, 771 B.C., From the collection of: Jinsha Site Museum
You see, art emanates from humanity, and we are dealing first with human beings and secondly with dancers. -Karel Shook-
Decadance, Czech National Ballet, The New Stage, Ohad Naharin, 2015/2015, From the collection of: Prague National Theatre
Decadance, Czech National Ballet, The New Stage, Ohad Naharin, 2015/2015, From the collection of: Prague National Theatre
Ballettissimo, Czech National Ballet, Uwe Scholz, 2015/2015, From the collection of: Prague National Theatre
Jade Zhang Blade, Late Shang Dynasty, 1100 B.C. - The Western Zhou Dynasty, 771 B.C., From the collection of: Jinsha Site Museum
The idea of my life in dance is to absorb as much as possible. . . I had to prove my good will . . . That I do not want to be just star . . . -Rudolf Nureyev-
Decadance, Czech National Ballet, The New Stage, Ohad Naharin, 2015/2015, From the collection of: Prague National Theatre
The Nutcracker and the Cuddly Mouse, Pyotr Ilyich Tchaikovsky, 2015/2015, From the collection of: Prague National Theatre
The Nutcracker and the Cuddly Mouse, Pyotr Ilyich Tchaikovsky, 2015/2015, From the collection of: Prague National Theatre
Sun and Immortal Bird Gold Foil, Late Shang Dynasty, 1100 B.C. - The Western Zhou Dynasty, 771 B.C., From the collection of: Jinsha Site Museum
... becoming masterly takes a long time and a constant escalation in personal expectation. To keep growing as a dancer takes tenacity and the willingness to explore new methods.You keep feeling doors opening, and you become a little bit more a dancer all the time. -Virginia Johnson-
KIng Samaratungga seduced by a bad spirit, PT.Taman Wisata Candi Borobudur, Prambanan & Ratu Boko [PERSERO], From the collection of: PT. Taman Wisata Candi Borobudur Prambanan dan Ratu Boko
Rahwana's troop., PT.Taman Wisata Candi Borobudur, Prambanan & Ratu Boko [PERSERO], From the collection of: PT. Taman Wisata Candi Borobudur Prambanan dan Ratu Boko
The fight, PT.Taman Wisata Candi Borobudur, Prambanan & Ratu Boko [PERSERO], From the collection of: PT. Taman Wisata Candi Borobudur Prambanan dan Ratu Boko
Pensive Bodhisattva, Unknown, Three Kingdoms Period, Early 7th century, From the collection of: National Museum of Korea
I really don't think there's much need for us to turn into a society of wagons-lits, but I do think that, in order to attain the goals which"Contemporary Art" has set itself, it should come nearer to life and comprehend present-day demands; only then will it become a "enterprise" and not a fantasy. -Sergei Diaghilev-
"Steps in the Street" from Chronicle (1936), From the collection of: Martha Graham Center of Contemporary Dance
PeiJu Chien-Pott and the Martha Graham Dance Company in "Steps in the Street" from Chronicle (1936), 2013, From the collection of: Martha Graham Center of Contemporary Dance
Miki Orihara and The Martha Graham Dance Company in "Steps in the Street" from Chronicle (1936), From the collection of: Martha Graham Center of Contemporary Dance
Jade Ring, Unknown, Late Shang Dynasty, 1100 B.C. - The Western Zhou Dynasty, 771 B.C., From the collection of: Jinsha Site Museum
Creative ability belongs to the sphere of reality as much as to the realm of fantasy. And there are always two currents, two circles of tension, which magnetically attract one another, flash up and oscillate together until, complete attuned, they penetrate one another. -Mary Wigman-
Peggy Lyman Hayes in Martha Graham's Lamentation, From the collection of: Martha Graham Center of Contemporary Dance
Martha Graham in Lamentation (1930), From the collection of: Martha Graham Center of Contemporary Dance
Joyce Herring in Martha Graham's Lamentation, From the collection of: Martha Graham Center of Contemporary Dance
Ritual disk (bi), 3rd-1st century B.C.E., From the collection of: Smithsonian's National Museum of Asian Art
. . . actually I found more personal freedom in the West. I have found the freedom to fail, to be pessimistic. All Soviet art has to be optimistic. The sun must always shine. -Rudolf Nureyev-
Martha Graham in Ekstasis (1933), From the collection of: Martha Graham Center of Contemporary Dance
Martha Graham in Ekstasis (1933), From the collection of: Martha Graham Center of Contemporary Dance
Martha Graham in "Tragic Holiday" from Chronicle (1936), From the collection of: Martha Graham Center of Contemporary Dance
Jade Zhang Blade, Late Shang Dynasty, 1100 B.C. - The Western Zhou Dynasty, 771 B.C., From the collection of: Jinsha Site Museum
The great quality of true art is that it rediscovers, grasps and reveals to us that reality far from where we live, from which we get farther and farther away as the conventional knowledge we substitute for becomes thicker and more impermeable.  - Marcel Proust -
National Theater of Korea, From the collection of: National Theater of Korea
Terese Capucilli in "Spectre-1914" from Chronicle (1936), From the collection of: Martha Graham Center of Contemporary Dance
National Theater of Korea, 1990, From the collection of: National Theater of Korea
Bronze Standing Figure, Late Shang Dynasty, 1100 B.C. - The Western Zhou Dynasty, 771 B.C., From the collection of: Jinsha Site Museum
Ballet is a delicate art, but it requires more will power and self-discipline than any other art. It expressed the strongest feelings of a human being ― from the deepest despair and anger to the purest and most ecstatic joy. -Felia Doubrovska-
La Bayadère, Czech National Ballet, Ludwig Minkus, 2014/2015, From the collection of: Prague National Theatre
La Bayadère, Czech National Ballet, Ludwig Minkus, 2014/2015, From the collection of: Prague National Theatre
The Suzanne Farrell Ballet, Paul Kolnik, 2003-12-05, From the collection of: The John F. Kennedy Center for the Performing Arts
Ceremonial chisel (gui) with face and bird, Artist: Longshan culture, ca. 2200-1900 B.C.E., From the collection of: Smithsonian's National Museum of Asian Art
. . . the greatest ballerina in the world. Like a Taglioni, Anna Pavlova doesn't dance, but floats; of her, also, one might say she could walk over a cornfield without breaking a stalk. -Sergei Diaghilev-
Anna Pavlowa, Arnold Genthe, about 1915, From the collection of: The J. Paul Getty Museum
The Exercise on Six, From the collection of: Martha Graham Center of Contemporary Dance
Maria Tallchief, prima ballerina of the New York City Ballet, Stupakoff, Otto, circa 1954, From the collection of: Instituto Moreira Salles
Head of a Buddha, Unknown, Thailand, 16th century, From the collection of: Cantor Arts Center at Stanford University
In those eleven years of waiting to get to Kirov school ― of course you travel in your mind, and with the help of a map, to all the places so far you knew the existence of, Paris, Milano, London, the Metropolitan, Buenos Aires. . . and you knew the importance of all those places as being centers of ballet . . . -Rudolf Nureyev-
Rudolf Nureyev in the presentation of "Aureole.", From the collection of: Fundação Theatro Municipal de São Paulo
Mikhail Baryshnikov in "Le Spectre de la Rose.", 1980, From the collection of: Fundação Theatro Municipal de São Paulo
Ritual Disk (bi), Unknown, -426, From the collection of: Corning Museum of Glass
Now I realize: it is my sovereign light that has cleared the mist to let me see the bright moon shining on me from above. -Asukai Masayori-
"Koshi no Kigami", the natural paper of the Koshi district, Echigo Kadoide paper, Photo by Minamoto Tadayuki, Echigo Kadoide Washi, From the collection of: Art Research Center, Ritsumeikan University
This is a memory for the journey I took to Arizona, not long ago. Nature express itself in so many forms, the mountains and the clouds, particularly, which are so magnificently in tune with it. Clouds that dance which not only bring me endless inspirations but they also give a little mystical hints to those who just raise their head to see.
Credits: All media
This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.
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