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Saul’s Conversion, Ignaz Elhafen, late 17th century - early 18th century, From the collection of: Kunstpalast
Gymnastic Games, Eduard Bendemann, c. 1838, From the collection of: Kunstpalast
Allegory of Peace, Fertility and Science, Hans von Aachen, c. 1601, From the collection of: Kunstpalast
Male Nude (Hercules ?), Ludovico Carracci, 1588, From the collection of: Kunstpalast
Study of God the Father, Pietro da Cortona, (Pietro Berrettini), 1647, From the collection of: Kunstpalast
Hecate (the Moon), Francesco Salviati, 1543/1545, From the collection of: Palazzo Vecchio Museum
Hercules kills Nessus, Marco Marchetti from Faenza, 1555/1556, From the collection of: Palazzo Vecchio Museum
Mercury, Cristofano Gherardi called il Doceno, 1555/1557, From the collection of: Palazzo Vecchio Museum
Scene from the Nile Mosaic of Palestrina, Unknown, -300/-250, From the collection of: Altes Museum, Staatliche Museen zu Berlin
Man Struggling with a Boa Constrictor, Study for “The Liboya Serpent Seizing His Prey”, James Ward, 1769–1859, British, ca. 1803, From the collection of: Yale Center for British Art
Childhood, Eduard Bendemann, c. 1838, From the collection of: Kunstpalast
Minerva, Hendrick Goltzius, c. 1596, From the collection of: Kunstpalast
Apollo in his Chariot, Cosmas Damian Asam, 1730, From the collection of: Kunstpalast
Time Unveils the Truth, Jean-Charles Frontier, 1755, From the collection of: Kunstpalast
Pluto, Cristofano Gherardi called il Doceno, 1555/1557, From the collection of: Palazzo Vecchio Museum
Hercules and the hydra from Lerna, Marco Marchetti from Faenza, 1555/1556, From the collection of: Palazzo Vecchio Museum
The first fruits from earth offered to Saturn, Giorgio Vasari, 1555/1557, From the collection of: Palazzo Vecchio Museum
Sleeping Diana Watched by Two Fauns, Arnold Böcklin, 1877/85, From the collection of: Kunstpalast
Four Dancing Muses, Zoan Andrea (?), c. 1497, From the collection of: Kunstpalast
Battle Scene with the Appearance of the Angel of Victory, Giulio Benso, 1648, From the collection of: Kunstpalast
The Great Frieze, Wilhelm von Kaulbach, 1847 - 1848, From the collection of: Kunstpalast
Inscription Plate in Scroll Ornament, François Cuvilliés the Younger, dated 1768 - 1769, From the collection of: Kunstpalast
Hercules suffocates Antaeus, Marco Marchetti from Faenza, 1555/1556, From the collection of: Palazzo Vecchio Museum
Hercules kills the lion Nemean, Marco Marchetti from Faenza, 1555/1556, From the collection of: Palazzo Vecchio Museum
Centaur mosaic from the Villa Hadriana, Unknown, 120/130, From the collection of: Altes Museum, Staatliche Museen zu Berlin
The Adoration of the Magi, El Greco, 1565/1567, From the collection of: Benaki Museum of Greek Civilization
Saint Michael, Martyrdom of Saint Eulalia and Saint Catherine, Bernat Martorell, Around 1442-1445, From the collection of: Museu Nacional d'Art de Catalunya - MNAC, Barcelona
Bacino di S. Marco: From the Piazzetta, Canaletto, (c. 1750), From the collection of: National Gallery of Victoria
View of the Grand Canal, Canaletto Canal, 1726 - 1728, From the collection of: Uffizi Gallery
London: The Thames from Somerset House Terrace towards the City, Canaletto, 1750 - 1751, From the collection of: Royal Collection Trust, UK
Martyrdom of Saint Eulalia, Bernat Martorell, Around 1442-1445, From the collection of: Museu Nacional d'Art de Catalunya - MNAC, Barcelona
Saint Stephen, Bernat Martorell, Around 1445-1452, From the collection of: Museu Nacional d'Art de Catalunya - MNAC, Barcelona
The Solitude. Recollection of Vigen, Limousin, Jean-Baptiste-Camille Corot, 1866, From the collection of: Museo Nacional Thyssen-Bornemisza
Saint John the Baptist in the Desert, Aeken, Hieronymus van, El Bosco, End of the 15th century, From the collection of: Museo Lázaro Galdiano
View of the Château de Fontainebleau, Pierre-Denis Martin, 1718/1723, From the collection of: Château de Fontainebleau
The Ardabil Carpet, Unknown, ca. 1539-1540 (made) - 1543, From the collection of: The Victoria and Albert Museum
Martyrdom of Saint Lucy, Bernat Martorell, Around 1435-1440, From the collection of: Museu Nacional d'Art de Catalunya - MNAC, Barcelona
The Piazza San Marco in Venice, Canaletto, Around 1723 - 1724, From the collection of: Museo Nacional Thyssen-Bornemisza
View of the Ducal Palace in Venice, Canaletto Canal, Before 1755, From the collection of: Uffizi Gallery
The Lock at Dolo, Canaletto, 1763, From the collection of: Museum of Fine Arts, Budapest
Bacino di San Marco, Venice, Canaletto (Giovanni Antonio Canal), about 1738, From the collection of: Museum of Fine Arts, Boston
The Bucintoro at the Molo on Ascension Day, Canaletto (Giovanni Antonio Canal), 1760, From the collection of: Dulwich Picture Gallery
The Grand Canal in Venice with the Rialto Bridge, Canaletto, 1724, From the collection of: Old Masters Picture Gallery, Dresden State Art Museums
The Porta Portello with the Brenta Canal in Padua, 1740-1743, Antonio Canal, called Canaletto, 1740-1743, From the collection of: Albertina
A View of Walton Bridge, Canaletto (Giovanni Antonio Canal), 1754, From the collection of: Dulwich Picture Gallery
The Bucintoro at the Molo on Ascension Day, Canaletto (Giovanni Antonio Canal), Italian (active Venice, Rome, and England), 1697 - 1768, c. 1745, From the collection of: Philadelphia Museum of Art
The City of Westminster from Near the York Water Gate, Canaletto, 1697–1768, Venetian, active in Britain (1746–55), between 1746 and 1747, From the collection of: Yale Center for British Art
Old Walton Bridge seen from the Middlesex Shore, Canaletto, 1697–1768, Venetian, active in Britain (1746–55), 1755, From the collection of: Yale Center for British Art
Westminster Bridge, with the Lord Mayor's Procession on the Thames, Canaletto, 1697–1768, Venetian, active in Britain (1746–55), 1747, From the collection of: Yale Center for British Art
Saber, Klingenthal Armory, c. 1799, From the collection of: The White House
The Entrance to the Grand Canal, Venice, Canaletto, c. 1730, From the collection of: The Museum of Fine Arts, Houston
A capriccio with a monumental staircase, Canaletto, c.1755 - c.1760, From the collection of: Royal Collection Trust, UK
The Piazza San Marco, Venice, Canaletto, 1742-1746, From the collection of: Art Gallery of New South Wales
St. Paul's Cathedral, Canaletto, 1697–1768, Venetian, active in Britain (1746–55), ca. 1754, From the collection of: Yale Center for British Art
Warwick Castle, Canaletto, 1697–1768, Venetian, active in Britain (1746–55), 1748 to 1749, From the collection of: Yale Center for British Art
Prà della Valle in Padua, Giovanni Antonio Canal called Il Canaletto, 1741 - 1746, From the collection of: Museo Poldi Pezzoli
Orpheus Leading Eurydice from the Underworld, Jean-Baptiste-Camille Corot, 1861, From the collection of: The Museum of Fine Arts, Houston
Le vieux pont, attrib. Camille Jean Baptise Corot, 1796/1875, From the collection of: Art Gallery of New South Wales
A World, Maximilian Lenz, 1899, From the collection of: Museum of Fine Arts, Budapest
The Devonshire Hunting Tapestries; Boar and Bear Hunt, Unknown, late 1425-1430 (made) - 1430, From the collection of: The Victoria and Albert Museum
In Spring (Blossom Time), Vilhelms Purvītis, 1933/1934, From the collection of: Latvian National Museum of Art
Seine Landscape near Chatou, Camille Corot, around 1855, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin
A Morning. The Dance of the Nymphs, Camille Corot, circa 1850, From the collection of: Musée d’Orsay, Paris
Passenger Pigeon, John J. Audubon, 1838, From the collection of: Cincinnati Museum Center
The Devonshire Hunting Tapestries; Swan and Otter Hunt, Unknown, 1430s (made) - 1439, From the collection of: The Victoria and Albert Museum
View of Dresden by Moonlight, Johan Christian Dahl, 1839, From the collection of: New Masters Gallery, Dresden State Art Collections
Bucentaur's return to the pier by the Palazzo Ducale, Giovanni Antonio Canal, 1728/1729, From the collection of: The Pushkin State Museum of Fine Arts
View of the Arch of Constantine with the Colosseum, Canaletto (Giovanni Antonio Canal), 1742–1745, From the collection of: The J. Paul Getty Museum
Old Walton Bridge, Canaletto, 1697–1768, Venetian, active in Britain (1746–55), 1755, From the collection of: Yale Center for British Art
Young Women of Sparta (Jeunes filles de Sparte), Jean-Baptiste-Camille Corot, 1868-1870, From the collection of: Brooklyn Museum
Two Men Contemplating the Moon, Caspar David Friedrich, 1819 - 1820, From the collection of: New Masters Gallery, Dresden State Art Collections
Westminster from Near the Terrace of Somerset House, Canaletto, 1697–1768, Venetian, active in Britain (1746–55), ca. 1750, From the collection of: Yale Center for British Art
Portrait of the Dancer Anna Pawlowa, Max Slevogt, 1904, From the collection of: New Masters Gallery, Dresden State Art Collections
Animal Folly, Goya y Lucientes, Francisco de, 1815 - 1819, From the collection of: Museo Lázaro Galdiano
Eland Main Panel, Southern San, 4000BP-100BP, From the collection of: The Rock Art Research Institute, University of the Witwatersrand, Johannesburg
Long Panel, Southern San, 4000BP-100BP, From the collection of: The Rock Art Research Institute, University of the Witwatersrand, Johannesburg
The Massacre of the Innocents, Angelo Visconti, 1860 - 1861, From the collection of: Fondazione Musei Senesi
Universal astrolabe, Ahmad ibn al-Sarraj, 1328/1329, From the collection of: Benaki Museum of Islamic Art
Allegory of Love, Cupid and Psyche [?], Francisco de Goya, 1798 - 1805, From the collection of: Museu Nacional d'Art de Catalunya - MNAC, Barcelona
The sleep of reason produces monsters (No. 43), from Los Caprichos, Francisco José de Goya y Lucientes, 1799, From the collection of: The Nelson-Atkins Museum of Art
Eland Panel, Southern San, 4000BP-100BP, From the collection of: The Rock Art Research Institute, University of the Witwatersrand, Johannesburg
Rosetta Stone, Southern San, 4000BP-100BP, From the collection of: The Rock Art Research Institute, University of the Witwatersrand, Johannesburg
Warlugulong, Clifford POSSUM TJAPALTJARRI | Anmatyerr people, 1977, From the collection of: National Gallery of Australia, Canberra
Snake Rock, Southern San, 4000BP-100BP, From the collection of: The Rock Art Research Institute, University of the Witwatersrand, Johannesburg
Section of a panel of six tiles, Iznik workshop, 1570/1590, From the collection of: Benaki Museum of Islamic Art
Parrot mosaic, Unknown, Early to mid-2nd century BCE, From the collection of: Pergamonmuseum, Staatliche Museen zu Berlin
View of the Château de Fontainebleau, Pierre-Denis Martin, 1718/1723, From the collection of: Château de Fontainebleau
The Pedlar, Jheronimus Bosch, circa 1500, From the collection of: Museum Boijmans Van Beuningen
Death and the Miser, Hieronymus Bosch, c. 1485/1490, From the collection of: National Gallery of Art, Washington DC
Market Scene, Pieter Aertsen, 1569, From the collection of: Hallwyl Museum
Vampire, Edvard Munch, 1895, From the collection of: The Munch Museum, Oslo
Ethernal Father, Rutilio Manetti, Early XVIIth century, From the collection of: Fondazione Musei Senesi
La Huega, Ica, Billy Hare, 1984, From the collection of: MALI, Museo de Arte de Lima
The Tree-Man, c. 1505, Hieronymus Bosch, c. 1505, From the collection of: Albertina
The Sun, Edvard Munch, 1910/1911, From the collection of: The Munch Museum, Oslo
Justice Punishing, Noël Coypel, Around 1681, From the collection of: Palace of Versailles
The Kiss, Edvard Munch, 1897, From the collection of: The Munch Museum, Oslo
Weeping Nude, Edvard Munch, 1913/1914, From the collection of: The Munch Museum, Oslo
Winter, Vilhelms Purvītis, 1910/1910, From the collection of: Latvian National Museum of Art
Death and Life, Edvard Munch, 1894, From the collection of: The Munch Museum, Oslo
Two People: The Lonely Ones, Edvard Munch, 1899, From the collection of: The Munch Museum, Oslo
Via Appia at Sunset, Aleksander Ivanov, 1845, From the collection of: The State Tretyakov Gallery
Red and White, Edvard Munch, 1899/1900, From the collection of: The Munch Museum, Oslo
Separation, Edvard Munch, 1896, From the collection of: The Munch Museum, Oslo
Spring Waters (Maestoso), Vilhelms Purvītis, 1910/1910, From the collection of: Latvian National Museum of Art
Altarpiece of Saint Vincent, Bernat Martorell, Circa 1438-1440, From the collection of: Museu Nacional d'Art de Catalunya - MNAC, Barcelona
The Death of Marat II, Edvard Munch, 1907, From the collection of: The Munch Museum, Oslo
Saint George Killing the Dragon, Bernat Martorell (Spanish, about 1400–1452), 1400/52, From the collection of: The Art Institute of Chicago
Capriccio of a Venetian Courtyard, formerly attributed to William Henry Hunt, 1790–1864, British, Follower of Canaletto, 1697–1768, Venetian, active in Britain (1746–55), undated, From the collection of: Yale Center for British Art
The Ascension with Christ giving the Keys to St Peter, Donatello, ca. 1428-1430 (carved) - 1432, From the collection of: The Victoria and Albert Museum
Embarking to Cythera, Jean-Antoine Watteau, 1709 - 1710, From the collection of: Städel Museum
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