Similar to the last piece, I wanted to find something with a unique color scheme. The most striking part of this piece to me is the use of contrast and the deep, deep saturation of the color. The whiteness of the skin and sky glows so strongly against the richness of the women’s clothing, the trees, and even the dirt. Different from a lot of the other pieces, nearly the entire painting takes place in the foreground. As in a lot of the other pieces, we see the women weeping, the INRI plaque, and the bizarre time period and geography of the scene.