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The Useless Resistance, Jean-Honoré Fragonard, French, 1732 - 1806, c. 1770-1773, From the collection of: Philadelphia Museum of Art
Oh! If Only He Were as Faithful to Me, Jean-Honoré Fragonard, about 1770 - 1775, From the collection of: The J. Paul Getty Museum
Les Hazards heureux de l'Escarpolette, Nicolas Delaunay after Jean-Honoré Fragonard, probably 1782, From the collection of: National Gallery of Art, Washington DC
La fuite a dessein, Charles François Adrien Macret after Jean-Honoré Fragonard, 1783, From the collection of: National Gallery of Art, Washington DC
Le Baiser à la Derobée (The Stolen Kiss), Nicolas Francois Regnault after Jean-Honoré Fragonard, 1746/1810, From the collection of: National Gallery of Art, Washington DC
Le Verrou, Maurice Blot after Jean-Honoré Fragonard, 1753/1818, From the collection of: National Gallery of Art, Washington DC
Le Contrat, Maurice Blot after Jean-Honoré Fragonard, 1753/1818, From the collection of: National Gallery of Art, Washington DC
Dubonnet, Cassandre, 1932, From the collection of: Museu Nacional d'Art de Catalunya - MNAC, Barcelona
Mountain landscape, Dong Qichang, 1617, From the collection of: National Gallery of Victoria
New York (Brooklyn Bridge), Louis Lozowick, 1923, From the collection of: Spencer Museum of Art
Brooklyn Bridge, Louis Lozowick, 1930, From the collection of: The Nelson-Atkins Museum of Art
Two-door cabinet, "Cabanel" model, Designed by Jacques-Emile Ruhlmann (French, 1879-1933), made by Chanaux & Pelletier, Designed c. 1921, made about 1925, From the collection of: Royal Ontario Museum
Radha, Paul Philippe, c. 1913, From the collection of: Museo Art Nouveau y Art Déco - Casa Lis
Necklace, Marie Křivánková, 1910/1912, From the collection of: Museum of Decorative Arts In Prague
Flamingoes, Sydney LONG, c.1905-06, From the collection of: National Gallery of Australia, Canberra
Study for Looking at 1998 San Francisco from the Top of 1925, Rigo 98 (now Rigo 23), 1998, From the collection of: San Francisco Museum of Modern Art (SFMOMA)
Loïe Fuller Lamp, Raoul François Larche, 1895/1905, From the collection of: Virginia Museum of Fine Arts
The Dancer of Thebes, Claire J. R. Collinet, ca.1925, From the collection of: Museo Art Nouveau y Art Déco - Casa Lis
The Triumph of Venus, BOUCHER, François, 1745, From the collection of: Tokyo Fuji Art Museum
Jupiter and Leda, William Wynne Ryland after François Boucher, 1758, From the collection of: National Gallery of Art, Washington DC
Mount St Michael, Cornwall, Clarkson Stanfield, 1830, From the collection of: National Gallery of Victoria
Russian dancer, Paul Philippe, c.1913, From the collection of: Museo Art Nouveau y Art Déco - Casa Lis
Daughter of Bacchus, Pierre Le Faguays, c. 1920, From the collection of: Museo Art Nouveau y Art Déco - Casa Lis
Moorish Dancer, Carl Kauba, ca.1900, From the collection of: Museo Art Nouveau y Art Déco - Casa Lis
Curiosity, Affornunato Gory, From the collection of: Museo Art Nouveau y Art Déco - Casa Lis
Hindu dancer, Claire J. R. Collinet, From the collection of: Museo Art Nouveau y Art Déco - Casa Lis
La Goulue, Henri de Toulouse-Lautrec, 1894, From the collection of: National Gallery of Art, Washington DC
A Spectator (Une spectatrice), Henri de Toulouse-Lautrec, 1893, From the collection of: National Gallery of Art, Washington DC
La Passagère du 54 (Salon des Cent), Henri de Toulouse-Lautrec, 1895-1896, From the collection of: Los Angeles County Museum of Art
Composition with Red, Blue and Yellow, Piet Mondrian, 1930, From the collection of: Kunsthaus Zürich
Marc Chagall’s Ceiling for the Paris Opéra, Marc Chagall, 1963-01-01/1964-09-23, From the collection of: Opéra national de Paris
The Floor Planers, Gustave Caillebotte, 1875, From the collection of: Musée d’Orsay, Paris
The Clown Cha-U-Kao, Henri de Toulouse-Lautrec, 1895, From the collection of: Musée d’Orsay, Paris
A Sunday on La Grande Jatte, Georges Seurat, 1884-1886, From the collection of: The Art Institute of Chicago
Marie-Antoinette with the Rose, Louise Elisabeth Vigée-Lebrun, 1783, From the collection of: Palace of Versailles
Intermission. On Stage, Jean-Louis Forain, 1879, From the collection of: Dixon Gallery and Gardens
Bust of Diana, Jean-Louis Forain, ca. 1890 - 1895, From the collection of: Dixon Gallery and Gardens
The Toff with a Bouquet, Jean-Louis Forain, ca. 1876, From the collection of: Dixon Gallery and Gardens
Dancer Tying Her Slipper, Jean-Louis Forain, c. 1891, From the collection of: National Gallery of Art, Washington DC
Lucerne from the Lake, Joseph Mallord William Turner, 19th century, From the collection of: The Morgan Library & Museum
Caligula's Palace and Bridge, Joseph Mallord William Turner, 1833, From the collection of: Tate Britain
The Bay of Baiae, with Apollo and the Sibyl, Joseph Mallord William Turner, 1823, From the collection of: Tate Britain
Landscape with Waterfall, Formerly attributed to Edward Dayes, 1763–1804, British, Joseph Mallord William Turner, 1775–1851, British, ca. 1796, From the collection of: Yale Center for British Art
Near Grindelwald, Joseph Mallord William Turner, 1775–1851, British, ca. 1796, From the collection of: Yale Center for British Art
A Disaster at Sea, Joseph Mallord William Turner, 1835, From the collection of: Tate Britain
Waterfall of Lodore, Cumberland, Joseph Mallord William Turner, 1775–1851, British, undated, From the collection of: Yale Center for British Art
Fishermen at Sea, Joesph Mallord William Turner, 1801, From the collection of: Tate Britain
Morning amongst the Coniston Fells, Cumberland, Joseph Mallord William Turner, 1798, From the collection of: Tate Britain
The Pass of St Gotthard, Switzerland, J. M. W. Turner, 1803 - 1804, From the collection of: Birmingham Museum and Art Gallery
The Passage of Mount St Gothard from the centre of Teufels Broch Devil’s Bridge, JMW Turner, 1804, From the collection of: Lakeland Arts - Abbot Hall Art Gallery and Museum
The Artist and his Admirers, Joseph Mallord William Turner, 1827, From the collection of: Tate Britain
The Death of Sardanapalus, Ferdinand-Victor-Eugène Delacroix, French, 1798 - 1863, 1844, From the collection of: Philadelphia Museum of Art
Royal Tiger, Eugène Delacroix, 19th century, From the collection of: The Morgan Library & Museum
Mephistopheles in the Sky, Eugène Delacroix, 1828, From the collection of: Zimmerli Art Museum at Rutgers University
Mephistopheles in the Air, Eugène Delacroix, 1828, From the collection of: National Gallery of Art, Washington DC
Crouching Woman, Eugène Delacroix (French, 1798-1863), 1827, From the collection of: The Art Institute of Chicago
Tiger, Eugène Delacroix, c. 1830, From the collection of: National Gallery of Art, Washington DC
Polar Bear, Francois Pompon, 1922 - 1922, From the collection of: The Art Museum RIGA BOURSE
Panthère, François Pompon, 1924/1931, From the collection of: MuMa - Musée d'art moderne André Malraux
Black Panther newspaper, poster, August 21, 1971, Emory Douglas, 1971-08-21, Original Source: AIGA Design Journeys: Emory Douglas
Inrō, Ojime, Netsuke, Unknown, 18th century, From the collection of: Los Angeles County Museum of Art
Inrō, Unknown, 18th – 19th century, From the collection of: Calouste Gulbenkian Museum
Netsuke: Kazan Figure Holding a Fan and Staff, Unknown, ca. 19th century, From the collection of: The Patricia & Phillip Frost Art Museum
Netsuke: Seated Monkey Holding a Peach, Unknown, ca. 19th century, From the collection of: The Patricia & Phillip Frost Art Museum
Inrō, Ojime, and Netsuke, From the collection of: Los Angeles County Museum of Art
Oni, unknown, 17th century - 18th century, From the collection of: Linden-Museum Stuttgart
Wood Carving Netsuke, an Octopus with the Pot, Ikkyu, Edo period, 18th century, From the collection of: Osaka City Museum of Fine Arts
Inrō, Ojime, Netsuke, From the collection of: Los Angeles County Museum of Art
Utagawa Kuniyoshi, Princess Takiyasha summons a skeleton spectre to frighten Mitsukuni, a triptych of colour woodblock prints, 1844/1844, From the collection of: British Museum
The Lantern Ghost, Iwa, Katsushika Hokusai, c. 1831-1832, From the collection of: Minneapolis Institute of Art
The Ghost of Okiku, Artist: Toyohara Kunichika, 1892, From the collection of: National Museum of Asian Art
Tawara Tōda Protecting the Dragon's Daughter from the Giant Millipede, Tsukioka Yoshitoshi, 1865, 2nd month, From the collection of: Los Angeles County Museum of Art
The Greedy Old Woman with a Box of Demons, Tsukioka Yoshitoshi, 1865, 9th month, From the collection of: Los Angeles County Museum of Art
Lord Sadanobu Threatens a Demon in the Palace at Night, Tsukioka Yoshitoshi, 4/1/1889, From the collection of: Los Angeles County Museum of Art
Bōtarō's Nurse Otsuji Prays to the God of Kompira for His Success, Tsukioka Yoshitoshi, 1892, From the collection of: Los Angeles County Museum of Art
Minamoto no Yorimitsu Cuts at the Earth Spider, Tsukioka Yoshitoshi, 1892, From the collection of: Los Angeles County Museum of Art
No title (Couple with a cabinet photograph and ghost in background), Kusakabe Kimbei, (1880s), From the collection of: National Gallery of Victoria
Two Geishas and a Tipsy Client, Kitagawa Utamaro I, Japanese, 1753 - 1806, c. 1805, From the collection of: Philadelphia Museum of Art
Looking suitable: the appearance of a geisha of the licensed quarters in the Koka era (1844-1848), from the series Thirty-two Aspects of Customs and Manners, Artist: Tsukioka Yoshitoshi, Publisher: Tsunashima Kamekichi, 1888.4, From the collection of: National Museum of Asian Art
Album of woodblock prints of women and geishas, Artist: Yamanaka Kodo, Publisher: Hakubunkan, 1913, From the collection of: National Museum of Asian Art
Album of woodblock prints of women and geishas, Publisher: Hakubunkan, Artist: Yamanaka Kodo, 1914, From the collection of: National Museum of Asian Art
Geisha by Cherry Trees at 3:00 p.m., Tsukioka Yoshitoshi, 1880, 10th month, From the collection of: Los Angeles County Museum of Art
Geisha Playing Samisen, Kazumasa Ogawa, 1897, From the collection of: The J. Paul Getty Museum
Toji san bijin (Three Beauties of the Present Day)From Bijin-ga (Pictures of Beautiful Women), published by Tsutaya Juzaburo, Kitagawa Utamaro, about 1793, From the collection of: The Toledo Museum of Art
Thirty-six Views of Mount Fuji: Fine Breezy Day, Katsushika Hokusai, 1830/1832, From the collection of: Tokyo Fuji Art Museum
Thirty-six Views of Mount Fuji: The Great Wave off Kanagawa, Katsushika Hokusai, 1830/1832, From the collection of: Tokyo Fuji Art Museum
Shower Below the Summit (Sanka hakuu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), Katsushika Hokusai (Japanese, 1760–1849), About 1830-32, From the collection of: The Art Institute of Chicago
Vase in Shape of Jade Cong, Celadon, Long-quan Ware, From the collection of: Tokyo Fuji Art Museum
Jar, Green Glaze, Gongyi Ware, From the collection of: Tokyo Fuji Art Museum
Fifty-Three Stations of the Tokaido Hoeido Edition “Hara (Mt. Fuji in the Morning)”, Utagawa Hiroshige, 1833, From the collection of: Shizuoka city Tokaido Hiroshige Museum of Art
Fierce Tiger, Gan Ku, From the collection of: Tokyo Fuji Art Museum
Toad Sage, Attributed to Soga Shohaku, From the collection of: Tokyo Fuji Art Museum
Katsushika Hokusai, 'Ejiri in Suruga Province' (Sunshū Ejiri), a colour woodblock print, 1831/1831, From the collection of: British Museum
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