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Thoughts of the Past, John Roddam Spencer Stanhope, 1859, From the collection of: Tate Britain
A Foregone Conclusion, Sir Lawrence Alma-Tadema, 1885, From the collection of: Tate Britain
Forum Romanum, for Mr Soane's Museum, Joseph Mallord William Turner, 1826, From the collection of: Tate Britain
Multiple Sketch for the Banqueting House Ceiling, Sir Peter Paul Rubens, Around 1629, From the collection of: Tate Britain
The Lady of Shalott, John William Waterhouse, 1888, From the collection of: Tate Britain
Ophelia, Sir John Everett Millais, Around 1851, From the collection of: Tate Britain
King Cophetua and the Beggar Maid, Edward Coley Sir, Burne-Jones, 1884, From the collection of: Tate Britain
Sheerness and the Isle of Sheppey (after J.M.W. Turner), Augustus Wall Callcott, Around 1807, From the collection of: Tate Britain
Christ in the House of His Parents (`The Carpenter's Shop'), Sir John Everett Millais, Around 1849, From the collection of: Tate Britain
All Hands to the Pumps, Henry Scott Tuke, Around 1888, From the collection of: Tate Britain
The Lament for Icarus, Herbert Draper, 1898, From the collection of: Tate Britain
Venice, the Bridge of Sighs, Joseph Mallord William Turner, 1840, From the collection of: Tate Britain
The Harvest Moon, George Mason, 1870, From the collection of: Tate Britain
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The Dogano, San Giorgio, Citella, from the Steps of the Europa, Joseph Mallord William Turner, 1842, From the collection of: Tate Britain
From my camp (Sirius Cove), Arthur Streeton, 1896, From the collection of: Art Gallery of New South Wales
Malham Cove, Arthur Streeton, circa 1911, From the collection of: Art Gallery of New South Wales
Ruins of the Forum, Rome, Bernardo Bellotto, (c. 1743), From the collection of: National Gallery of Victoria
Mischief and Repose, John William Godward, 1895, From the collection of: The J. Paul Getty Museum
Scene from Greek history: The deaf-mute son of King Croesus prevents the Persians from killing his father, Salvator ROSA, c.1663-64, From the collection of: Art Gallery of South Australia
Early summer - gorse in bloom, Arthur STREETON, 1888, From the collection of: Art Gallery of South Australia
Punchinello gives counsel from the series 'Scherzi di Fantasia', Giambattista TIEPOLO, c. 1743-57, From the collection of: Art Gallery of South Australia
The four seasons, Hugh RAMSAY, c.1902, From the collection of: Art Gallery of South Australia
The Tower of Babel, Pieter Bruegel the Elder, 1563, From the collection of: Kunsthistorisches Museum Wien
The Marketplace at Pirna, Bernardo Bellotto, c. 1764, From the collection of: The Museum of Fine Arts, Houston
Alexander the Great and Campaspe in the Studio of Apelles, Giovanni Battista Tiepolo, about 1740, From the collection of: The J. Paul Getty Museum
Salving from the wreck, Samuel PROUT, 1848, From the collection of: Art Gallery of South Australia
The skeletons, Giovanni B. PIRANESI, 1747-49, published 1750-early 1770s, From the collection of: Art Gallery of South Australia
The portico with a lantern from the series 'Vedute' (Views), Antonio Canal, called CANALETTO, c.1740-44, From the collection of: Art Gallery of South Australia
Side View of the Trevi Fountain, formerly the Acqua Vergine from Vedute di Roma (Views of Rome), Giovanni-Battista Piranesi, 1747/1748, From the collection of: Zimmerli Art Museum at Rutgers University
Dresden seen from the Right Bank of the Elbe, beneath the Augusts Bridge, Canaletto, 1748, From the collection of: Old Masters Picture Gallery, Dresden State Art Museums
Bridge in an Italian Landscape, Pynacker, Adam, c.1653-54, From the collection of: Dulwich Picture Gallery
The skeletons, Giovanni B. PIRANESI, 1747-49, published 1750-early 1770s, From the collection of: Art Gallery of South Australia
Priestess of Delphi, John COLLIER, 1891, From the collection of: Art Gallery of South Australia
The fisherman: evening effect, Jean-Baptiste C. COROT, c.1865-70, From the collection of: Art Gallery of South Australia
Return of the Prodigal Son, Rembrandt Harmensz van Rijn, 1663 - 1665, From the collection of: The State Hermitage Museum
Whirlwind, Filipp Malyavin, 1906, From the collection of: The State Tretyakov Gallery
Alleluia, Thomas Cooper Gotch, 1896, From the collection of: Tate Britain
Jakob Muffel, Albrecht Dürer, 1526, From the collection of: Gemäldegalerie, Staatliche Museen zu Berlin
The sea hath its pearls, William Henry Margetson, 1897, From the collection of: Art Gallery of New South Wales
The sisters, Hugh Ramsay, 1904, From the collection of: Art Gallery of New South Wales
The end of a dream, Giuseppe Pennasilico, circa 1908, From the collection of: Art Gallery of New South Wales
The sculptor's studio, Tom ROBERTS, 1885, From the collection of: National Gallery of Australia, Canberra
From a distant land, David Davies, 1889, From the collection of: Art Gallery of New South Wales
Holiday in Essex, George W Lambert, 1910, From the collection of: Art Gallery of New South Wales
Cleopatra, Sir Lawrence Alma-Tadema, 1875, From the collection of: Art Gallery of New South Wales
Sarah Bernhardt, Bertram Mackennal, (circa 1892-circa 1893), From the collection of: Art Gallery of New South Wales
Adelaide, E Phillips Fox, 1895, From the collection of: Art Gallery of New South Wales
A juggler, Sir Lawrence Alma-Tadema, 1870, From the collection of: Art Gallery of New South Wales
Lady in Black with Spanish Scarf (O in Black with a Scarf), Robert Henri, 1910, From the collection of: de Young museum
Charles de Solier, Sieur de Morette, Hans Holbein the Younger, 1534 - 1535, From the collection of: Old Masters Picture Gallery, Dresden State Art Museums
Rosina Ferrara, Head of a Capri Girl, John Singer Sargent, c. 1878, From the collection of: Denver Art Museum
Le verre de porto (A Dinner Table at Night), John Singer Sargent, 1884, From the collection of: de Young museum
The Cardsharps, Caravaggio (Michelangelo Merisi), c. 1595, From the collection of: Kimbell Art Museum
Roman Fish Market. Arch of Octavius, Albert Bierstadt, 1858, From the collection of: de Young museum
Portrait of Patron Saint, Yuan Xikun, 1996/1997, From the collection of: Beijing Jintai Art Museum
The Odalisque, Marià Fortuny, 1861, From the collection of: Museu Nacional d'Art de Catalunya - MNAC, Barcelona
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