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Thoughts of the Past, John Roddam Spencer Stanhope, 1859, From the collection of: Tate Britain

A Foregone Conclusion, Sir Lawrence Alma-Tadema, 1885, From the collection of: Tate Britain

Forum Romanum, for Mr Soane's Museum, Joseph Mallord William Turner, 1826, From the collection of: Tate Britain

Multiple Sketch for the Banqueting House Ceiling, Sir Peter Paul Rubens, Around 1629, From the collection of: Tate Britain

The Lady of Shalott, John William Waterhouse, 1888, From the collection of: Tate Britain

Ophelia, Sir John Everett Millais, Around 1851, From the collection of: Tate Britain

King Cophetua and the Beggar Maid, Edward Coley Sir, Burne-Jones, 1884, From the collection of: Tate Britain

Sheerness and the Isle of Sheppey (after J.M.W. Turner), Augustus Wall Callcott, Around 1807, From the collection of: Tate Britain

Christ in the House of His Parents (`The Carpenter's Shop'), Sir John Everett Millais, Around 1849, From the collection of: Tate Britain

All Hands to the Pumps, Henry Scott Tuke, Around 1888, From the collection of: Tate Britain

The Lament for Icarus, Herbert Draper, 1898, From the collection of: Tate Britain

Venice, the Bridge of Sighs, Joseph Mallord William Turner, 1840, From the collection of: Tate Britain

The Harvest Moon, George Mason, 1870, From the collection of: Tate Britain

The Dogano, San Giorgio, Citella, from the Steps of the Europa, Joseph Mallord William Turner, 1842, From the collection of: Tate Britain

From my camp (Sirius Cove), Arthur Streeton, 1896, From the collection of: Art Gallery of New South Wales

Malham Cove, Arthur Streeton, circa 1911, From the collection of: Art Gallery of New South Wales

Ruins of the Forum, Rome, Bernardo Bellotto, (c. 1743), From the collection of: National Gallery of Victoria

Mischief and Repose, John William Godward, 1895, From the collection of: The J. Paul Getty Museum

Scene from Greek history: The deaf-mute son of King Croesus prevents the Persians from killing his father, Salvator ROSA, c.1663-64, From the collection of: Art Gallery of South Australia

Early summer - gorse in bloom, Arthur STREETON, 1888, From the collection of: Art Gallery of South Australia

Punchinello gives counsel from the series 'Scherzi di Fantasia', Giambattista TIEPOLO, c. 1743-57, From the collection of: Art Gallery of South Australia

The four seasons, Hugh RAMSAY, c.1902, From the collection of: Art Gallery of South Australia

The Tower of Babel, Pieter Bruegel the Elder, 1563, From the collection of: Kunsthistorisches Museum Wien

The Marketplace at Pirna, Bernardo Bellotto, c. 1764, From the collection of: The Museum of Fine Arts, Houston

Alexander the Great and Campaspe in the Studio of Apelles, Giovanni Battista Tiepolo, about 1740, From the collection of: The J. Paul Getty Museum

Salving from the wreck, Samuel PROUT, 1848, From the collection of: Art Gallery of South Australia

The skeletons, Giovanni B. PIRANESI, 1747-49, published 1750-early 1770s, From the collection of: Art Gallery of South Australia

The portico with a lantern from the series 'Vedute' (Views), Antonio Canal, called CANALETTO, c.1740-44, From the collection of: Art Gallery of South Australia

Side View of the Trevi Fountain, formerly the Acqua Vergine from Vedute di Roma (Views of Rome), Giovanni-Battista Piranesi, 1747/1748, From the collection of: Zimmerli Art Museum at Rutgers University

Dresden seen from the Right Bank of the Elbe, beneath the Augusts Bridge, Canaletto, 1748, From the collection of: Old Masters Picture Gallery, Dresden State Art Museums

Bridge in an Italian Landscape, Pynacker, Adam, c.1653-54, From the collection of: Dulwich Picture Gallery

The skeletons, Giovanni B. PIRANESI, 1747-49, published 1750-early 1770s, From the collection of: Art Gallery of South Australia

Priestess of Delphi, John COLLIER, 1891, From the collection of: Art Gallery of South Australia

The fisherman: evening effect, Jean-Baptiste C. COROT, c.1865-70, From the collection of: Art Gallery of South Australia

Return of the Prodigal Son, Rembrandt Harmensz van Rijn, 1663 - 1665, From the collection of: The State Hermitage Museum

Whirlwind, Filipp Malyavin, 1906, From the collection of: The State Tretyakov Gallery

Alleluia, Thomas Cooper Gotch, 1896, From the collection of: Tate Britain

Jakob Muffel, Albrecht Dürer, 1526, From the collection of: Gemäldegalerie, Staatliche Museen zu Berlin

The sea hath its pearls, William Henry Margetson, 1897, From the collection of: Art Gallery of New South Wales

The sisters, Hugh Ramsay, 1904, From the collection of: Art Gallery of New South Wales

The end of a dream, Giuseppe Pennasilico, circa 1908, From the collection of: Art Gallery of New South Wales

The sculptor's studio, Tom ROBERTS, 1885, From the collection of: National Gallery of Australia, Canberra

From a distant land, David Davies, 1889, From the collection of: Art Gallery of New South Wales

Holiday in Essex, George W Lambert, 1910, From the collection of: Art Gallery of New South Wales

Cleopatra, Sir Lawrence Alma-Tadema, 1875, From the collection of: Art Gallery of New South Wales

Sarah Bernhardt, Bertram Mackennal, (circa 1892-circa 1893), From the collection of: Art Gallery of New South Wales

Adelaide, E Phillips Fox, 1895, From the collection of: Art Gallery of New South Wales

A juggler, Sir Lawrence Alma-Tadema, 1870, From the collection of: Art Gallery of New South Wales

Lady in Black with Spanish Scarf (O in Black with a Scarf), Robert Henri, 1910, From the collection of: de Young museum

Charles de Solier, Sieur de Morette, Hans Holbein the Younger, 1534 - 1535, From the collection of: Old Masters Picture Gallery, Dresden State Art Museums

Rosina Ferrara, Head of a Capri Girl, John Singer Sargent, c. 1878, From the collection of: Denver Art Museum

Le verre de porto (A Dinner Table at Night), John Singer Sargent, 1884, From the collection of: de Young museum

The Cardsharps, Caravaggio (Michelangelo Merisi), c. 1595, From the collection of: Kimbell Art Museum

Roman Fish Market. Arch of Octavius, Albert Bierstadt, 1858, From the collection of: de Young museum

Portrait of Patron Saint, Yuan Xikun, 1996/1997, From the collection of: Beijing Jintai Art Museum

The Odalisque, Marià Fortuny, 1861, From the collection of: Museu Nacional d'Art de Catalunya - MNAC, Barcelona

Credits: All media

This user gallery has been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

Dulwich Picture Gallery

Zimmerli Art Museum at Rutgers University

de Young museum

National Gallery of Victoria

Kunsthistorisches Museum Wien

The Museum of Fine Arts, Houston

The J. Paul Getty Museum

Old Masters Picture Gallery, Dresden State Art Museums

The State Hermitage Museum

Gemäldegalerie, Staatliche Museen zu Berlin

Beijing Jintai Art Museum

Denver Art Museum