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User-created

This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.

The Starry Night, Vincent van Gogh, 1889, From the collection of: MoMA The Museum of Modern Art
The Starry Night is a good representation of shape-geometric by how each star is surrounded by circular patterns.
Untitled (Santiniketan Triptych), Tyeb Mehta, 1986/1987, From the collection of: National Gallery of Modern Art
This artwork is a good representation of line-actual because the artist uses a line to separate each frame.
Family Portrait, Theodor Pistek, 1976, From the collection of: Museum Kampa
Family portrait clouds are a good representation of shape organic as the clouds have no true shape they are simply spontaneous.
Young Knight in a Landscape, Vittore Carpaccio, 1510, From the collection of: Museo Nacional Thyssen-Bornemisza
Young Knight in a Landscape is a good representation of analogous colors because of its backgrounds all of the colors used are next to eachother on the color wheel.
Fränzi in front of Carved Chair, Ernst Ludwig Kirchner, 1910, From the collection of: Museo Nacional Thyssen-Bornemisza
This artwork is a good representation of arbitrary color because no women would ever be green in real life.
An Avalanche in the Alps, Phillip James De Loutherbourg, 1803, From the collection of: Tate Britain
This is a good representation of perceptual color because the avalanche for some reason appears to be giving off great light.
Grandcamp, Evening, Georges-Pierre Seurat, 1885, From the collection of: MoMA The Museum of Modern Art
This artwork is a great example of illusion of depth because even though the painting is two dimensional the land in the background looks to be very far off.
Adam and Eve in paradise (The Fall), Lucas Cranach the Elder, 1531, From the collection of: Gemäldegalerie, Staatliche Museen zu Berlin
In this painting Adam and Eve are a good example of the positive space of the painting and the lion and the deer are a good example of negative space.
Proceeding Lion, detail from the Processional Way of Babylon, Unknown, 6th century BCE, From the collection of: Pergamonmuseum, Staatliche Museen zu Berlin
This artwork is a good representation of actual texture because in this you can tell that the bricks and the cracks in the bricks would call for a unique textual feel.
The Cathedral, František Kupka, 1912 - 1913, From the collection of: Museum Kampa
The cathedral is a good example of implied texture because the work almost looks like its made of glass but its simply drawing on a page.
Detail of the east frieze (Block VI)., Pheidias Workshop, 442-438 BC, From the collection of: Acropolis Museum
This work is a good example of monochromatic value because the work simply just expresses one color.
No Woman, No Cry, Chris Ofili, 1998, From the collection of: Tate Britain
This piece is a good example of hatching and cross hatching as over the women there are strings that intersect over her whole face and body.
The Last Day of Pompeii, Karl Brullov, 1830/1833, From the collection of: The State Russian Museum
This work of art is a fantastic example of chiaroscuro because the top left corner is shaded showing darkness and the break in the clouds lets in a ray of light in the middle of the picture perfectly.
Moonlit Night on the Dniepr, Arkhip Kuindzhi, 1882, From the collection of: The State Tretyakov Gallery
This work of art is a good representation of a pattern simply because starting on the left it is pitch black goes to the moonlight shedding light through the middle of the picture and then returning to darkness.
Piedra del Sol, unknown, 1250/1500, From the collection of: Museo Nacional de Antropología, México
This artwork is a good representation of being symmetrical as the piece could be split in half and it is a mirror image of itself.
The hill of Montmartre with stone quarry, Vincent van Gogh, June 1886 - July 1886, From the collection of: Van Gogh Museum
This piece is a good example of radial balance. It is hard to tell but when closely looked at one can see that the clouds exit the frame in a circular fashion.
Italian Landscape with Bridge and Tower, Joseph Mallord William Turner, 1827, From the collection of: Tate Britain
This artwork is a good representation of asymmetrical balance because of the two small trees on the left are not symmetrical with the one taller tree on the right but the artwork still flows together well.
The birth of Venus, Sandro Botticelli, 1483 - 1485, From the collection of: Uffizi Gallery
The Blinded Samson, Lovis Corinth, 1912, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin
This artwork has a small yet major piece of emphasis on Samsons eyes. The whole painting is pretty dull colors but your eyes shoot up to the dark red around his eyes.
River Landscape with Riders, Aelbert Cuyp, 1653-1657, From the collection of: Rijksmuseum
This is a great example of scale in art because you can clearly see how big the mountain is by the tiny stature of the humans and the horses.
George Washington, Gilbert Stuart, 1797, From the collection of: The White House
This painting of George Washington is a great example of representational art as it is simply a realistic painting.
Page from the Ishiyama-gire (dispersed volumes of the Anthology of the Thirty-Six Poets) Poet: Ki no Tsurayuki, Calligrapher: Attributed to Fujiwara no Sadanobu, Author: Ki no Tsurayuki, early 12th century, From the collection of: Freer Gallery of Art and Arthur M. Sackler Gallery
this is a good example of abstract art as this really has no rhyme or reason to it at all.
Untitled, Os Gêmeos, 2010, From the collection of: MAM, Museu de Arte Moderna de São Paulo
This is a good example of non-representational art because this painting is not reality at all.
Moonlit Night on the Dniepr, Arkhip Kuindzhi, 1882, From the collection of: The State Tretyakov Gallery
This artwork is a good example of implied lines because where the light fades there is no line but your mind separates this piece into dark light and dark.
The Ambassadors, Hans Holbein the Younger, 1533, From the collection of: The National Gallery, London
This artwork is a good example of complementary color as the green curtain reacts with the red both on the mans shirt and on the table clot h.
Bucentaur's return to the pier by the Palazzo Ducale, Giovanni Antonio Canal, 1728/1729, From the collection of: The Pushkin State Museum of Fine Arts
this is a good representation of proportion as a third of the painting is buildings a third boats and water and a third the sky.
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