Naive Art

В подборке - авторы, которых с натяжкой можно отнести к примитивистам, кроме типичного Анри Руссо. К сожалению нет Пиросмани, Vivin Louis , югославов(например, Генералича) и др. Нет и наших,  которые работали в этом стиле, начиная от портретов 18 века до Ларионова с Гончаровой, Лучишкина, Мавриной и др. По подборке видно, что в наивизме есть элементы экспрессии, символизма, мистицизма.Особенно близка стилистика примитива к стилистике немецких экспрессионистов. 

Pleurants, Unknown, Around 1295, From the collection of: Museu Nacional d'Art de Catalunya - MNAC, Barcelona
Madonna and Christ Child, Lorenzo Veneziano, About 1370, From the collection of: Birmingham Museum of Art
Madonna Enthroned (from a ten-part altarpiece), Lorenzo Monaco, 1390 - 1400, From the collection of: The Toledo Museum of Art
Madonna and Child with Musical Angels, Gherardo Starnina (Master of the Bambino Vispo) (Italian (Florentine), active 1378 - about 1413), about 1410, From the collection of: The J. Paul Getty Museum
Coronation of the Virgin, Gentile da Fabriano (Italian, about 1370 - 1427), about 1420, From the collection of: The J. Paul Getty Museum
Heroine Rushing to Her Lover (Abhisarika Nayika ), The Family of Nainsukh, late 18th century, From the collection of: Museum of Fine Arts, Boston
The Daughters of Governor Ramón de Castro, José Campeche, 1797, From the collection of: Museo de Arte de Puerto Rico
A Gentleman with His Pair of Bays Harnessed to a Curricle, John Cordrey, active 1765–1825, British, 1806, From the collection of: Yale Center for British Art
The Temptation and Fall of Eve (Illustration to Milton's "Paradise Lost"), William Blake, 1808, From the collection of: Museum of Fine Arts, Boston
Satan Smiting Job with Sore Boils, William Blake, Around 1826, From the collection of: Tate Britain
Fort Union, Mouth of the Yellowstone River, 2000 Miles above St. Louis, George Catlin, 1832, From the collection of: Smithsonian American Art Museum
Nino con Cotorra de Juguete, Unidentified Puerto Rican Artist, ca. 1830-1850, From the collection of: Smithsonian American Art Museum
Our Lady of Mount Carmel, Raphael Aragon, c. 1840, From the collection of: Denver Art Museum
The Ice Cone, Montmorency Falls, Québec, Robert Clow Todd, c. 1845, From the collection of: Art Gallery of Ontario
The Cornell Farm, Edward Hicks, 1848, From the collection of: National Gallery of Art, Washington DC
Spring (Östra Vemmenhög, Scania), Carl Conrad Dahlberg, 1866, From the collection of: Malmö Konstmuseum
Old Mesilla Plaza, Leon Trousset, ca. 1885-1886, From the collection of: Smithsonian American Art Museum
Myself: Portrait – Landscape, Henri Rousseau, 1890, From the collection of: National Gallery Prague
A Centennial of Independence, Henri Rousseau (French, 1844 - 1910), 1892, From the collection of: The J. Paul Getty Museum
The Sleeping Gypsy, Henri Rousseau, 1897, From the collection of: MoMA The Museum of Modern Art
Misia at Her Dressing Table, Félix Vallotton, 1898, From the collection of: Musée d’Orsay, Paris
The Eiffel Tower, Henri Rousseau, c. 1898, From the collection of: The Museum of Fine Arts, Houston
The Hungry Lion Attacking An Antelope, Henri Rousseau, 1898-1905, From the collection of: Fondation Beyeler
The Wedding Party, Henri Rousseau, dit le Douanier, Circa 1905, From the collection of: Musée de l'Orangerie
Quai d'Ivry, Henri ROUSSEAU, c.1907, From the collection of: Artizon Museum, Ishibashi Foundation
The Avenue in the Park at Saint Cloud, Henri Rousseau, 1908, From the collection of: Städel Museum
La Carriole du père Junier, Henri Rousseau, dit le Douanier, 1908, From the collection of: Musée de l'Orangerie
Notre Dame, Henri Rousseau, 1909, From the collection of: The Phillips Collection
The Dream, Henri Rousseau, 1910, From the collection of: MoMA The Museum of Modern Art
Meadowland, Henri ROUSSEAU, 1910, From the collection of: Artizon Museum, Ishibashi Foundation
The Waterfall, Henri Rousseau (French, 1844–1910), 1910, From the collection of: The Art Institute of Chicago
Compositional Study for ‘To Russia, to the Asses and Others’, Marc Chagall, 1911–1912, From the collection of: Museum of Fine Arts, Budapest
Fränzi in front of Carved Chair, Ernst Ludwig Kirchner, 1910, From the collection of: Museo Nacional Thyssen-Bornemisza
Dream, KUNIYOSHI Yasuo, 1922, From the collection of: Artizon Museum, Ishibashi Foundation
Strong Woman and Child, Yasuo Kuniyoshi, 1925, From the collection of: Smithsonian American Art Museum
Battery Park, Glenn O. Coleman, undated, From the collection of: The Phillips Collection
Hurdy-Gurdy Ballet, Glenn O. Coleman, 1928, From the collection of: The Phillips Collection
Across the Strip, John Kane, 1929, From the collection of: The Phillips Collection
Coming from the Mill, LS Lowry, 1930 - 1930, From the collection of: The Lowry
Great Ancoats Street, Manchester, LS Lowry, 1930 - 1930, From the collection of: The Lowry
Head of a Man, LS Lowry, 1938 - 1938, From the collection of: The Lowry
Man in a Vest, William H. Johnson, 1939-1940, From the collection of: Smithsonian American Art Museum
Café, William H. Johnson, ca. 1939-1940, From the collection of: Smithsonian American Art Museum
Sunday evening, Russell Drysdale, 1941, From the collection of: Art Gallery of New South Wales
Old Black Joe, Horace Pippin, 1943, From the collection of: Smithsonian American Art Museum
The shepherd, Arthur Boyd, (1944), From the collection of: Art Gallery of New South Wales
The mockers, Arthur Boyd, (1945), From the collection of: Art Gallery of New South Wales
Robbed, Sidney Nolan, (1947), From the collection of: Art Gallery of New South Wales
The expulsion, Arthur Boyd, (1947-1948), From the collection of: Art Gallery of New South Wales
Widows, Andrey Vasnetsov, 1963 - 1963, From the collection of: The Institute of Russian Realist Art (IRRA)
Google apps