This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.
Man Struggling with a Boa Constrictor, Study for “The Liboya Serpent Seizing His Prey”, James Ward, 1769–1859, British, ca. 1803, From the collection of: Yale Center for British Art
Sir Roger Burgoyne Riding "Badger", James Seymour, 1702–1752, British, 1740, From the collection of: Yale Center for British Art
James Keith Fraser, Sir Francis Grant, 1803–1878, British, 1844, From the collection of: Yale Center for British Art
Theophilus Levett and a Favorite Hunter, James Ward, 1769–1859, British, 1817, From the collection of: Yale Center for British Art
Rider Attacked by a Jaguar, Eugéne Delacroix, 1855, From the collection of: National Gallery Prague
The Executioner with the Head of John the Baptist, William Dobson, About 1640 - 1643, From the collection of: Walker Art Gallery, Liverpool
Man attacking a monster, Attributed to John Hamilton Mortimer, 1740–1779, British, between 1770 and 1780, From the collection of: Yale Center for British Art
Portrait of Mr. Van Amburgh, As He Appeared with His Animals at the London Theatres, Sir Edwin Henry Landseer, 1802–1873, British, Summer 1846 to March 1847, From the collection of: Yale Center for British Art
Medusa, Caravaggio Merisi, 1595 - 1598, From the collection of: Uffizi Gallery
Saint John the Baptist in the Wilderness, Michelangelo Merisi, called Caravaggio, 1604 - 1605, From the collection of: The Nelson-Atkins Museum of Art
Sacrifice of Isaac, Caravaggio Merisi, 1603 - 1604, From the collection of: Uffizi Gallery
My hatred of him seemed suddenly to have taken to itself wings (A Wounded Enemy), Howard Pyle, 1853, From the collection of: Norman Rockwell Museum in Stockbridge, MA
The adolescent Bacchus, Caravaggio Merisi, 1595 - 1597, From the collection of: Uffizi Gallery
Venus preventing her son Aeneas from killing Helen of Troy, Luca FERRARI, c.1650, From the collection of: Art Gallery of South Australia
Equestrian portrait of the Emperor Charles V, Anthony Van Dick Van Dick, Around 1620, From the collection of: Uffizi Gallery
The Massacre of the Innocents, Angelo Visconti, 1860 - 1861, From the collection of: Fondazione Musei Senesi
The adolescent Bacchus, Caravaggio Merisi, 1595 - 1597, From the collection of: Uffizi Gallery
The Battle of San Martino, Amos Cassioli, 1886, From the collection of: Fondazione Musei Senesi
Judith and Holofernes, Artemisia Gentileschi, 1620 - 1621, From the collection of: Uffizi Gallery
The Lady with the Veil (the Artist's Wife), Alexander Roslin, 1768, From the collection of: Nationalmuseum Sweden
The Bay, Carl Wilhelmson, 1901, From the collection of: Malmö Konstmuseum
Self-Portrait (In the new studio), Carl Larsson, 1912, From the collection of: Malmö Konstmuseum
Self-Portrait, Alexander Roslin, 1790, From the collection of: Malmö Konstmuseum
Satan, Sin and Death (A Scene from Milton's `Paradise Lost'), William Hogarth, Around 1735, From the collection of: Tate Britain
Karin by the shore, Carl Larsson, 1908, From the collection of: Malmö Konstmuseum
One Hundred and Eight Heroes from the Chinese Tale, The Water Margin: Zhang Shun, alias White Stripe in the Waves, Utagawa Kuniyoshi, Edo period, 19th century, From the collection of: Tokyo National Museum
Theodore Meets in the Wood the Spectre of His Ancestor Guido Cavalcanti, Johann Heinrich Füssli, c. 1783, From the collection of: The National Museum of Western Art, Tokyo
Scipio Africanus Freeing Massiva, Giovanni Battista Tiepolo, 1719-1721 (Baroque), From the collection of: The Walters Art Museum
Pizarro Seizing the Inca of Peru, Millais, John Everett (Sir), 1846 (painted) - 1846, From the collection of: The Victoria and Albert Museum
Sappho and Alcaeus, Sir Lawrence Alma-Tadema, R.A., O.M., 1881, From the collection of: The Walters Art Museum
Louis XIV, king of France, Hyacinthe Rigaud, 1702, From the collection of: Palace of Versailles
The Rt. Honorable Stephen Poyntz, of Midgham, Berkshire, Jean-Baptiste van Loo, 1684–1745, French, active in Britain (1737–42), ca. 1740, From the collection of: Yale Center for British Art
Judith Cutting Off the Head of Holofernes, Trophime Bigot, ca. 1640 (Baroque), From the collection of: The Walters Art Museum
Bonaparte Crossing the Grand Saint-Bernard Pass, Jacques Louis David, 19th century, From the collection of: Palace of Versailles
Christ on the Sea of Galilee, Eugène Delacroix, 1854, From the collection of: The Walters Art Museum
1814, Jean-Louis-Ernest Meissionier, 1862, From the collection of: The Walters Art Museum
Exercising the Royal Horses, John Frederick Herring, 1795–1865, British, between 1847 and 1855, From the collection of: Yale Center for British Art
Prometheus Bound, Peter Paul Rubens, Flemish (active Italy, Antwerp, and England), 1577 - 1640, Begun c. 1611-1612, completed by 1618, From the collection of: Philadelphia Museum of Art
The Ideal City, Fra Carnevale, ca. 1480-1484 (Renaissance), From the collection of: The Walters Art Museum
Louis de France, dauphin known as the Grand Dauphin, Hyacinthe Rigaud, 1688, From the collection of: Palace of Versailles
Portrait of Dr. Samuel D. Gross (The Gross Clinic), Thomas Eakins, American, 1844 - 1916, 1875, From the collection of: Philadelphia Museum of Art
Theophilus Levett and a Favorite Hunter, James Ward, 1769–1859, British, 1817, From the collection of: Yale Center for British Art
The Death of Sardanapalus, Ferdinand-Victor-Eugène Delacroix, French, 1798 - 1863, 1844, From the collection of: Philadelphia Museum of Art
Christ's Appearance to Mary Magdalene after the Resurrection, Alexander Ivanov, 1835, From the collection of: The State Russian Museum
Knight at the Crossroads, Victor Vasnetsov, 1882, From the collection of: The State Russian Museum
William Massey-Stanley driving his Cabriolet in Hyde Park, John Ferneley, 1782–1860, British, 1833, From the collection of: Yale Center for British Art
Aeneas and the Sibyl, Formerly John Martin, 1789–1854, British, Unknown artist, nineteenth century, ca. 1800, From the collection of: Yale Center for British Art
George Mountford, Huntsman to the Quorn, and W. Derry, Whipper-In, at John O'Gaunt's Gorse, near Melton Mowbray, Richard Barrett Davis, 1782–1854, British, 1836, From the collection of: Yale Center for British Art
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This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.