North America Arjay

Cornish Headlands, Abbott Handerson Thayer, 1898, From the collection of: Smithsonian American Art Museum
Elk-Foot of the Taos Tribe, Eanger Irving Couse, 1909, From the collection of: Smithsonian American Art Museum
Improvisation, Childe Hassam, 1899, From the collection of: Smithsonian American Art Museum
Luncheon Still Life, John F. Francis, ca. 1860, From the collection of: Smithsonian American Art Museum
Portrait of Sea Captain John Murphy, Joshua Johnson, ca. 1810, From the collection of: Smithsonian American Art Museum
Self-Portrait, Benjamin West, 1819, From the collection of: Smithsonian American Art Museum
Helen Brought to Paris, Benjamin West, 1776, From the collection of: Smithsonian American Art Museum
Fort Union, Mouth of the Yellowstone River, 2000 Miles above St. Louis, George Catlin, 1832, From the collection of: Smithsonian American Art Museum
Mountain Forms #2, Victor Higgins, ca. 1925-1927, From the collection of: Smithsonian American Art Museum
Daniel La Motte, Thomas Sully, 1812-1813, From the collection of: Smithsonian American Art Museum
Evening Tones, Oscar Bluemner, 1911-1917, From the collection of: Smithsonian American Art Museum
The Hermit Thrush, Thomas Wilmer Dewing, 1890, From the collection of: Smithsonian American Art Museum
Bird Nesting, Emanuel Gottlieb Leutze, 1837, From the collection of: Smithsonian American Art Museum
Evening Tones, Oscar Bluemner, 1911-1917, From the collection of: Smithsonian American Art Museum
The Wiley Family, William Williams, 1771, From the collection of: Smithsonian American Art Museum
Valley of Cuernavaca, Thomas Moran, 1903, From the collection of: Smithsonian American Art Museum
Int'l Surface No. 1, Stuart Davis, 1960, From the collection of: Smithsonian American Art Museum
A Member of the Livingston Family, John Smibert, ca. 1740, From the collection of: Smithsonian American Art Museum
Abraham's Oak, Henry Ossawa Tanner, 1905, From the collection of: Smithsonian American Art Museum
Portrait of Lucy Parry, Wife of Admiral Parry, John Wollaston, 1745-1749, From the collection of: Smithsonian American Art Museum
Man in a Vest, William H. Johnson, 1939-1940, From the collection of: Smithsonian American Art Museum
The Mirror, Robert Reid, ca. 1910, From the collection of: Smithsonian American Art Museum
Shapes of Fear, Maynard Dixon, 1930-1932, From the collection of: Smithsonian American Art Museum
The Iron Mine, Port Henry, New York, Homer Dodge Martin, ca. 1862, From the collection of: Smithsonian American Art Museum
Valparaiso Harbor, James McNeill Whistler, 1866, From the collection of: Smithsonian American Art Museum
Sunday Morning, Thomas Waterman Wood, ca. 1877, From the collection of: Smithsonian American Art Museum
Woman with Red Hair, Albert Herter, 1894, From the collection of: Smithsonian American Art Museum
Ha-wón-je-tah, One Horn, Head Chief of the Miniconjou Tribe, George Catlin, 1832, From the collection of: Smithsonian American Art Museum
La Natividad, Jose Campeche y Jordan, ca. 1799, From the collection of: Smithsonian American Art Museum
Café, William H. Johnson, ca. 1939-1940, From the collection of: Smithsonian American Art Museum
Valley Pasture, Robert S. Duncanson, 1857, From the collection of: Smithsonian American Art Museum
Distant View of the Mandan Village, George Catlin, 1832, From the collection of: Smithsonian American Art Museum
Fall in the Foothills, W. Herbert Dunton, ca. 1933-1934, From the collection of: Smithsonian American Art Museum
Lago Maggiore, William Stanley Haseltine, ca. 1867, From the collection of: Smithsonian American Art Museum
Old Mesilla Plaza, Leon Trousset, ca. 1885-1886, From the collection of: Smithsonian American Art Museum
Thomas Hopkinson, Robert Feke, 1746, From the collection of: Smithsonian American Art Museum
Sha-có-pay, The Six, Chief of the Plains Ojibwa, George Catlin, 1832, From the collection of: Smithsonian American Art Museum
Osage Scalp Dance, John Mix Stanley, 1845, From the collection of: Smithsonian American Art Museum
June, John White Alexander, ca. 1911, From the collection of: Smithsonian American Art Museum
Melons and Morning Glories, Raphaelle Peale, 1813, From the collection of: Smithsonian American Art Museum
Mrs. William T. Evans and Her Son, Henry O. Walker, 1895, From the collection of: Smithsonian American Art Museum
The Thundershower, H. Lyman Sayen, ca. 1917-1918, From the collection of: Smithsonian American Art Museum
Miners in the Sierras, Charles Christian Nahl, 1851-1852, From the collection of: Smithsonian American Art Museum
Independence (Squire Jack Porter), Frank Blackwell Mayer, 1858, From the collection of: Smithsonian American Art Museum
The Lord Is My Shepherd, Eastman Johnson, ca. 1863, From the collection of: Smithsonian American Art Museum
Strong Woman and Child, Yasuo Kuniyoshi, 1925, From the collection of: Smithsonian American Art Museum
Ajax, John Steuart Curry, 1936-37, From the collection of: Smithsonian American Art Museum
Winter Scene in New Haven, Connecticut, George Henry Durrie, ca. 1858, From the collection of: Smithsonian American Art Museum
Valley Pasture, Robert S. Duncanson, 1857, From the collection of: Smithsonian American Art Museum
Nino con Cotorra de Juguete, Unidentified Puerto Rican Artist, ca. 1830-1850, From the collection of: Smithsonian American Art Museum
Self-Portrait, Morris Kantor, 1918, From the collection of: Smithsonian American Art Museum
Wah-ro-née-sah, The Surrounder, Chief of the Tribe, George Catlin, 1832, From the collection of: Smithsonian American Art Museum
Memo, Stuart Davis, 1956, From the collection of: Smithsonian American Art Museum
Westward the Course of Empire Takes Its Way (mural study, U.S. Capitol), Emanuel Gottlieb Leutze, 1861, From the collection of: Smithsonian American Art Museum
The South Ledges, Appledore, Childe Hassam, 1913, From the collection of: Smithsonian American Art Museum
Spring Dance, Arthur F. Mathews, ca. 1917, From the collection of: Smithsonian American Art Museum
The White Ballet, Everett Shinn, 1904, From the collection of: Smithsonian American Art Museum
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This user gallery has been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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