Romantiek1800-1890

Romantiek

John Constable : 1776-1837 William Turner : 1775-1851 Casper David Friedlich : 1774-1840 Eugène Delacroix : 1798-1863

Angelica and the wounded Medoro, Eugène Delacroix, circa 1860, From the collection of: Art Gallery of New South Wales
A View of Oxford, William Turner of Oxford, 1789–1862, British, mid-19th century, From the collection of: Yale Center for British Art
Christ Carried Down to the Tomb, Eugène Delacroix, 1859, From the collection of: The National Museum of Western Art, Tokyo
Parham Mill, Gillingham, John Constable, 1776–1837, British, ca. 1826, From the collection of: Yale Center for British Art
Solitary Tree, Caspar David Friedrich, 1822, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin
Les deux Foscari, Eugène Delacroix, 1855, From the collection of: Château de Chantilly
Barge below Flatford Lock, John Constable, 1776–1837, British, ca. 1810, From the collection of: Yale Center for British Art
Oxford from the River with Christ Church in the Foreground, William Turner of Oxford, 1789–1862, British, ca. 1820, From the collection of: Yale Center for British Art
Abbey among Oak Trees, Caspar David Friedrich, 1809/1810, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin
Autumn – Evening – Maturity (from the seasons, times of day, and ages of man cycle of 1803), Caspar David Friedrich, 1803, From the collection of: Kupferstichkabinett, Staatliche Museen zu Berlin
Le corps de garde à Meknès, Eugène Delacroix, 1847, From the collection of: Château de Chantilly
Hadleigh Castle, John Constable, 1776–1837, British, 1828 to 1829, From the collection of: Yale Center for British Art
Stonehenge - Twilight, William Turner of Oxford (British, 1789 - 1862), about 1840, From the collection of: The J. Paul Getty Museum
Moonrise over the Sea, Caspar David Friedrich, 1822, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin
Flatford Mill, Attributed to John Constable, 1776–1837, British, between 1810 and 1811, From the collection of: Yale Center for British Art
Study of Horses, Eugène DELACROIX, 1801/1900, From the collection of: Artizon Museum, Ishibashi Foundation
Landscape with Graves, c. 1835-1837, Caspar David Friedrich, c. 1835-1837, From the collection of: Albertina
Stratford Mill, John Constable, 1776–1837, British, 1819 to 1820, From the collection of: Yale Center for British Art
The Death of Sardanapalus, Ferdinand-Victor-Eugène Delacroix, French, 1798 - 1863, 1844, From the collection of: Philadelphia Museum of Art
The Cross in the Mountains, Caspar David Friedrich, c. 1812, From the collection of: Kunstpalast
The Cemetery, Caspar David Friedrich, around 1825, From the collection of: New Masters Gallery, Dresden State Art Collections
Rider Attacked by a Jaguar, Eugéne Delacroix, 1855, From the collection of: National Gallery Prague
Ploughing Scene in Suffolk, John Constable, 1776–1837, British, 1824 to 1825, From the collection of: Yale Center for British Art
Horse Frightened by Lightning, Eugène Delacroix, between 1825 and 1829, From the collection of: Museum of Fine Arts, Budapest
Farmhouses by a Hillside, Caspar David Friedrich, 1799, From the collection of: Kunstpalast
Suffolk Landscape, John Constable, 1776–1837, British, undated, From the collection of: Yale Center for British Art
Cairn in Snow, Caspar David Friedrich, 1807, From the collection of: New Masters Gallery, Dresden State Art Collections
Dedham Lock, John Constable, 1776–1837, British, 1819 to 1820, From the collection of: Yale Center for British Art
The Education of the Virgin, Eugène Delacroix, 1852, From the collection of: The National Museum of Western Art, Tokyo
Mephistopheles in the Sky, Eugène Delacroix, 1828, From the collection of: Zimmerli Art Museum at Rutgers University
Harwich: The Low Lighthouse and Beacon Hill, perhaps with assistance from John Dunthorne, 1798–1832, British, John Constable, 1776–1837, British, ca. 1820, From the collection of: Yale Center for British Art
A Walk at Dusk, Caspar David Friedrich (German, 1774 - 1840), about 1830 - 1835, From the collection of: The J. Paul Getty Museum
Cloud Study, John Constable, 1776–1837, British, 1822, From the collection of: Yale Center for British Art
Monk by the Sea, Caspar David Friedrich, 1808/1810, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin
Album de voyage au Maroc, Eugène Delacroix, 1832, From the collection of: Château de Chantilly
Woman at a Window, Caspar David Friedrich, 1822, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin
Sketch for "The Haywain", John Constable, 1776–1837, British, ca. 1820, From the collection of: Yale Center for British Art
Aeneas and Anchises, Eugène Delacroix, 1815, From the collection of: Kunstpalast
Winter – Night – Old Age and Death (from the times of day and ages of man cycle of 1803), Caspar David Friedrich, 1803, From the collection of: Kupferstichkabinett, Staatliche Museen zu Berlin
Stonehenge, John Constable, 1835 (painted) - 1835, From the collection of: The Victoria and Albert Museum
The Lion Hunt, Eugène Delacroix, circa 1854, From the collection of: Musée d’Orsay, Paris
The Dell at Helmingham Park, John Constable, 1830, From the collection of: The Nelson-Atkins Museum of Art
Botzaris Surprises the Turkish Camp and Falls Fatally Wounded, Eugène Delacroix, 1860 - 1862, From the collection of: The Toledo Museum of Art
View of Arkona with Rising Moon, c. 1805-1806, Caspar David Friedrich, c. 1805-1806, From the collection of: Albertina
Moroccan Horseman Crossing a Ford, Eugène Delacroix (French, 1798 - 1863), about 1850, From the collection of: The J. Paul Getty Museum
Landscape with Windmills near Haarlem, after Jacob van Ruisdael, Constable, John, 1830, From the collection of: Dulwich Picture Gallery
Statue of the Madonna in the Mountains, Caspar David Friedrich (German, 1774–1840), 1804, From the collection of: The Art Institute of Chicago
The Vale of Dedham, John Constable, 1828, From the collection of: Scottish National Gallery
Wivenhoe Park, Essex, John Constable, 1816, From the collection of: National Gallery of Art, Washington DC
Statue of the Madonna in the Mountains, Caspar David Friedrich (German, 1774–1840), 1804, From the collection of: The Art Institute of Chicago
East Bergholt, John Constable, 1776–1837, British, ca. 1813, From the collection of: Yale Center for British Art
Ruins with the Roof of a Farmhouse, Caspar David Friedrich, 1799, From the collection of: Kunstpalast
Cloud Study, John Constable, 1776–1837, British, ca. 1821, From the collection of: Yale Center for British Art
Two Men Contemplating the Moon, Caspar David Friedrich, 1819 - 1820, From the collection of: New Masters Gallery, Dresden State Art Collections
The Grosse Gehege near Dresden, Caspar David Friedrich, 1832, From the collection of: New Masters Gallery, Dresden State Art Collections
Dedham Lock, John Constable, 1776–1837, British, between 1819 and 1820, From the collection of: Yale Center for British Art
Northern Sea in the Moonlight, Caspar David Friedrich, 1823/1824, From the collection of: National Gallery Prague
Osmington Village, John Constable, 1776–1837, British, 1816 to 1817, From the collection of: Yale Center for British Art
The Grosse Gehege near Dresden, Caspar David Friedrich, 1832, From the collection of: New Masters Gallery, Dresden State Art Collections
Sir Richard Steele's Cottage, Hampstead, John Constable, 1776–1837, British, 1831 to 1832, From the collection of: Yale Center for British Art
Half-size Sketch for The Opening of Waterloo Bridge (“Whitehall Stairs, June 18, 1817”), John Constable, 1776–1837, British, 1829 to 1831, From the collection of: Yale Center for British Art
Christ on the Sea of Galilee, Eugène Delacroix, 1841, From the collection of: The Nelson-Atkins Museum of Art
Extensive Landscape with Grey Clouds, John Constable, 1776–1837, British, ca. 1821, From the collection of: Yale Center for British Art
Malvern Hall, Warwickshire, John Constable, 1776–1837, British, 1820 to 1821, From the collection of: Yale Center for British Art
Harnham Gate, Salisbury, John Constable, 1776–1837, British, between 1820 and 1821, From the collection of: Yale Center for British Art
Stoke Poges Church, John Constable, 1776–1837, British, 1834, From the collection of: Yale Center for British Art
A View on Hampstead Heath, Early Morning, Attributed to John Constable, 1776–1837, British, ca. 1821, From the collection of: Yale Center for British Art
A Shepherd in a Landscape looking across Dedham Vale towards Langham, John Constable, 1776–1837, British, ca. 1811, From the collection of: Yale Center for British Art
Shepherd Boy on a Hillside, William Turner of Oxford, 1789–1862, British, ca. 1840, From the collection of: Yale Center for British Art
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