First Look

The Piazza San Marco in Venice, Canaletto, Around 1723 - 1724, From the collection of: Museo Nacional Thyssen-Bornemisza
The Solitude. Recollection of Vigen, Limousin, Jean-Baptiste-Camille Corot, 1866, From the collection of: Museo Nacional Thyssen-Bornemisza
Forest path near Spandau, Carl Blechen, around 1835, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin
Spring Landscape, Charles-François Daubigny, 1862, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin
Abbey among Oak Trees, Caspar David Friedrich, 1809/1810, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin
Summer, Claude Monet, 1874, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin
Seated Victoria, Throwing a Wreath, Christian Daniel Rauch, 1836 - 1845, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin
Man and his Thought, Auguste Rodin, 1896 - 1900, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin
Morning, Karl Friedrich Schinkel, 1813, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin
Lotus and Ducks, Artist: Bada Shanren (Zhu Da), Colophon: Colophon by Wu Changshuo ???, ca. 1696, From the collection of: National Museum of Asian Art
Thunder god, Artist: Katsushika Hokusai, 1847, From the collection of: National Museum of Asian Art
Trees, Artist: Master of I-nen Seal, mid 17th century, From the collection of: National Museum of Asian Art
Ewer, Artist: Qasim ibn Ali, June-July 1232, From the collection of: National Museum of Asian Art
Caprice in Purple and Gold: The Golden Screen, Artist: James McNeill Whistler, 1864, From the collection of: National Museum of Asian Art
Nocturne: Blue and Silver--Battersea Reach, Artist: James McNeill Whistler, 1870-1875, From the collection of: National Museum of Asian Art
The Merchant Georg Gisze, Hans Holbein the Younger, 1532, From the collection of: Gemäldegalerie, Staatliche Museen zu Berlin
St. Michael, Luca Giordano, around 1663, From the collection of: Gemäldegalerie, Staatliche Museen zu Berlin
Madonna Terranuova, Raphael, 1505, From the collection of: Gemäldegalerie, Staatliche Museen zu Berlin
Mary with the Child and Singing Angels, Sandro Botticelli, 1477, From the collection of: Gemäldegalerie, Staatliche Museen zu Berlin
Profile Portrait of a Young Lady, Antonio del Pollaiuolo, 1465, From the collection of: Gemäldegalerie, Staatliche Museen zu Berlin
Spanish Pavilion. Paris International World's Fair, 1937, Josep Lluís / Luis Sert i López / Lacasa, 1987, From the collection of: Museo Reina Sofia
Hands, Eva Kmentova, 1968, From the collection of: Museum Kampa
The Golden Stairs, Sir Edward Coley Burne-Jones, 1880, From the collection of: Tate Britain
The Two Crowns, Sir Frank Dicksee, 1900, From the collection of: Tate Britain
The Lament for Icarus, Herbert Draper, 1898, From the collection of: Tate Britain
April Love, Arthur Hughes, Around 1855, From the collection of: Tate Britain
St Martin-in-the-Fields, William Logsdail, 1888, From the collection of: Tate Britain
Ophelia, Sir John Everett Millais, Around 1851, From the collection of: Tate Britain
A Garden, Albert Moore, 1869, From the collection of: Tate Britain
Blossoms, Albert Moore, 1881, From the collection of: Tate Britain
Carnation, Lily, Lily, Rose, John Singer Sargent, Around 1885, From the collection of: Tate Britain
The Black Sea. (A storm begins to whip up in the Black Sea), Ivan (Oganes) Ayvazovskiy (Gayvazovskiy), 1881, From the collection of: The State Tretyakov Gallery
Girl with peaches. Portrait of V.S.Mamontova, Valentin Serov, 1887, From the collection of: The State Tretyakov Gallery
The birth of Venus, Sandro Botticelli, 1483 - 1485, From the collection of: Uffizi Gallery
Adoration of the Child, Gheritt van Hontorst Hontorst, Around 1620, From the collection of: Uffizi Gallery
Altarpiece of Santa Maria Nuova, Rosso Fiorentino, 1518, From the collection of: Uffizi Gallery
Credits: All media
This user gallery has been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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