Native american perceptions

The evolution of the perception of Native Americans throughout art history

Ball Players, George Catlin, 1844, From the collection of: National Gallery of Art, Washington DC
Black Hawk and the Prophet - Saukie, George Catlin, 1861/1869, From the collection of: National Gallery of Art, Washington DC
A Pawnee Warrior Sacrificing His Favorite Horse, George Catlin, 1861/1869, From the collection of: National Gallery of Art, Washington DC
The Attack on an Emigrant Train, Charles Ferdinand Wimar, 1856, From the collection of: University of Michigan Museum of Art
Indians Threatening to Attack Fur Boats, Alfred Jacob Miller (American, 1810-1874), 1858-1860, From the collection of: The Walters Art Museum
Indians on the Trail, Felix Octavius Carr Darley (American, 1822-1888), Before 1878, From the collection of: The Walters Art Museum
[Native American Girl], Frederick I. Monsen, 1894 - 1906, From the collection of: The J. Paul Getty Museum
[Native American Man], Frederick I. Monsen, 1894 - 1906, From the collection of: The J. Paul Getty Museum
[Native American Male], Adolph F. Muhr, Frank A. Rinehart, 1898, From the collection of: The J. Paul Getty Museum
The Captive, Henry François Farny (American, b.1847, d.1916), 1885, From the collection of: Cincinnati Art Museum
The Harvest Dance, Joseph Henry Sharp (American, b.1859, d.1953), 1893 - 1894, From the collection of: Cincinnati Art Museum
The Last of the Herd, Henry François Farny (American, b.1847, d.1916), 1906, From the collection of: Cincinnati Art Museum
Indians Simulating Buffalo, Frederic Remington, 1908, From the collection of: The Toledo Museum of Art
Native American occupiers, Ilka Hartmann, 1971, From the collection of: FOR-SITE Foundation
Credits: All media
This user gallery has been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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