Roman Architectural Project

User-created

This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.

Corinthian Capital, Unknown, 0085/0100, From the collection of: Neue Burg, Kunsthistorisches Museum Wien

Corinthian Capital (#1)

Corinthian Asian-style capital, Unknown, 0300/0400, From the collection of: Mev, Museu d'Art Medieval

Corinthian Capital (#2)

Grave column (cippus), Unknown, "100-300 AD" - "", From the collection of: Museum of Cycladic Art

Doric Capital (#3)

Propylon of Athena sanctuary in Pergamon, Unknown, 2nd century BCE, From the collection of: Pergamonmuseum, Staatliche Museen zu Berlin

Doric Column (#1)

Temple T at Selinunte (Sicily), reconstructed elevation of the main facade, Jacques Ignace Hittorff, before 1859, From the collection of: Musée d’Orsay, Paris

Doric Column (#2)

Baalbec - Ruins of the Temple of Bacchus, David Roberts, 1840, From the collection of: Walker Art Gallery, Liverpool

Doric Column (#3)

Ara Pietatis: relief with a Ionic Temple with four columns, a battle is represented on the pediment, Julio - Claudian age: half of the I century AD, From the collection of: Museo dell'Ara Pacis

Ionic Column (#1)

Santa Maria del Priorato, Rome, Alternative Design for the High Altar, Carlo Marchionni, 1724–30, From the collection of: Cooper Hewitt, Smithsonian Design Museum

Ionic Column (#2) (Far left side)

Library, Unknown, 1850s ?, From the collection of: Cooper Hewitt, Smithsonian Design Museum

Ionic Column (#3)

Woman at her Toilet, Jan Steen, 1663, From the collection of: Royal Collection Trust, UK

Corinthian Column (#1)

Wall Elevation of the Bedroom of the Prince de Rohan, Hôtel de Soubise, Paris, Germain Boffrand, 1735–36, From the collection of: Cooper Hewitt, Smithsonian Design Museum

Corinthian Column (#2) (Center)

The Library at Dingestow, Charlotte Bosanquet, 1840s, From the collection of: Cooper Hewitt, Smithsonian Design Museum

Corinthian Column (#3) (Off left)

Temple of Zeus Sosipolis from Magnesia on the Maeander, Unknown, 221 BCE - 180 BCE, From the collection of: Pergamonmuseum, Staatliche Museen zu Berlin

Pediment (#1)

The Temple of Hercules in Cori near Velletri, Jakob Philipp Hackert, 1783, From the collection of: The J. Paul Getty Museum

Pediment (#2)

Pediment (#3)

The South-east Corner of the Parthenon, Athens, Giovanni Battista Lusieri, 1803, From the collection of: National Galleries Scotland: National

Triglyph (#1) (The sets of three vertical lines at the top)

Temple T at Selinunte (Sicily), reconstructed elevation of the main facade, Jacques Ignace Hittorff, before 1859, From the collection of: Musée d’Orsay, Paris

Triglyph (#2) (The blue vertical lines alternating with the white squares)

The Temple of Hercules in Cori near Velletri, Jakob Philipp Hackert, 1783, From the collection of: The J. Paul Getty Museum

Triglyph (#3) (The sets of three vertical lines alternating with the metopes)

The Porch of the Caryatids on the Erectheion, Cassas Louis-Francois, 1813, From the collection of: Benaki Museum of Greek Civilization

Caryatid (#1)

The Prostasis (portico) of the Caryatids on the Erechtheion, Werner Carl-Friedrich, 1877, From the collection of: Benaki Museum of Greek Civilization

Caryatid (#2)

The Erechtheum, Athens, with Figures in the Foreground, Sir Charles Lock Eastlake, 1793–1865, British, active in Italy (1816–30), 1821, From the collection of: Yale Center for British Art

Caryatid (#3)

Fragment of capital with winged horses (Pegasus), from the interior of the Templum of Mars the Avenger in the Forum of Augustus, Augustan Age, From the collection of: Mercati di Traiano

Cella (#1) (The area where the statue was placed)

Athena Propylon, unknown, 188 BCE - 159 BCE, From the collection of: Pergamonmuseum, Staatliche Museen zu Berlin

Cella (#2) (A more modern cella)

The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt, David Roberts, 1796–1864, British, 1849, From the collection of: Yale Center for British Art

Cella (#3)

Propylon of Athena sanctuary in Pergamon, Unknown, 2nd century BCE, From the collection of: Pergamonmuseum, Staatliche Museen zu Berlin

Metopes (#1 (The squares of stone in between the sets of vertical lines known as triglyphs)

The South-east Corner of the Parthenon, Athens, Giovanni Battista Lusieri, 1803, From the collection of: National Galleries Scotland: National

Metopes (#2) (In between triglyphs)

The Temple of Hercules in Cori near Velletri, Jakob Philipp Hackert, 1783, From the collection of: The J. Paul Getty Museum

Metopes (#3) (In between the triglyph)

Interior of the Pantheon, Rome, Giovanni Paolo Panini, c. 1734, From the collection of: National Gallery of Art, Washington DC

Dome (#1)

Fantasy View with the Pantheon and other Monuments of Ancient Rome, Giovanni Pauolo Panini, 1737, From the collection of: The Museum of Fine Arts, Houston

Dome (#2)

View of the Pantheon of Agrippa (Veduta del Panteon d'Agrippa), From the collection of: Dallas Museum of Art

Dome (#3)

Interior of the Nieuwe Kerk in Haarlem, Pieter Jansz. Saenredam, 1653, From the collection of: Museum of Fine Arts, Budapest

Vault (#1)

Interior of the Buurkerk, Utrecht, Pieter Jansz. Saenredam, 1645, From the collection of: Kimbell Art Museum

Vault (#2)

The Interior of Westminster Abbey, unknown artist, eighteenth century, ca. 1714, From the collection of: Yale Center for British Art

Vault (#3)

Les Plaisirs du Bal, Jean-Antoine Watteau, c. 1715-17, From the collection of: Dulwich Picture Gallery

Peristyle (#1)

Colonnade Grove, Eugène Atget, 1900/1930, From the collection of: Palace of Versailles

Peristyle (#2)

View through a Baroque Colonnade into a Garden, 1760-1768, Antonio Canal, called Canaletto, 1760-1768, From the collection of: Albertina Museum

Peristyle (#3)

A Hermit Praying in the Ruins of a Roman Temple, Hubert Robert, about 1760, From the collection of: The J. Paul Getty Museum

Entablature (#1)

Romans during the Decadence, Thomas Couture, 1847, From the collection of: Musée d’Orsay, Paris

Entablature (#2)

Roman and Byzantine Art, Franz Matsch, 1891, From the collection of: Kunsthistorisches Museum Wien

Entablature (#3)

Temple T at Selinunte (Sicily), reconstructed elevation of the main facade, Jacques Ignace Hittorff, before 1859, From the collection of: Musée d’Orsay, Paris

Fluting (#1)

Santa Maria del Priorato, Rome, Alternative Design for the High Altar, Carlo Marchionni, 1724–30, From the collection of: Cooper Hewitt, Smithsonian Design Museum

Fluting (#2)

The Temple of Hercules in Cori near Velletri, Jakob Philipp Hackert, 1783, From the collection of: The J. Paul Getty Museum

Fluting (#3)

Propylon of Athena sanctuary in Pergamon, Unknown, 2nd century BCE, From the collection of: Pergamonmuseum, Staatliche Museen zu Berlin

Frieze (#1)

The Temple of Hercules in Cori near Velletri, Jakob Philipp Hackert, 1783, From the collection of: The J. Paul Getty Museum

Frieze (#2)

Temple T at Selinunte (Sicily), reconstructed elevation of the main facade, Jacques Ignace Hittorff, before 1859, From the collection of: Musée d’Orsay, Paris

Frieze (#3)

The Round Temple, Rome, Tommaso Cuccioni, about 1858, From the collection of: The J. Paul Getty Museum

Peripteral (#1)

The Destruction and Sack of the Temple of Jerusalem, Nicolas Poussin, 1925 - 1926, From the collection of: The Israel Museum, Jerusalem

Peripteral (#2)

Temple T at Selinunte (Sicily), reconstructed elevation of the main facade, Jacques Ignace Hittorff, before 1859, From the collection of: Musée d’Orsay, Paris

Peripteral (#3)

A Studio in the Villa Medici, Rome, Joseph-Eugène Lacroix, 1835, From the collection of: Cooper Hewitt, Smithsonian Design Museum

Pilaster (#1) (Thin white rectangle spanning the top of the wall)

Large Salon with Organ, Unknown, 1830, From the collection of: Cooper Hewitt, Smithsonian Design Museum

Pilaster (#2)

Library, Unknown, 1850s ?, From the collection of: Cooper Hewitt, Smithsonian Design Museum

Pilaster (#3)

Interior of the Metropolitan Cathedral Choir School, José Jiménez, 1857, From the collection of: Museo Nacional de Arte

Portico (#1)

View of Mount Vernon, Joachim Ferdinand Richardt, 1858, From the collection of: de Young museum

Portico (#2)

The Colonnade of Queen Mary Court, Greenwich, James Holland, 1799–1870, British, 1833, From the collection of: Yale Center for British Art

Portico (#3)

Credits: All media

This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.